Come on, let's count, how many people watched "Today's Them" because Charmaine Sheh was pitted?
It is no exaggeration to say that I never watch the workplace dramas of internal entertainment, because no matter what industry it is, it is like playing under the screenwriter's pen.
Low-level problems are matched with low-level handling methods, and the details of the profession all depend on the modeling, not to mention the female workplace drama, there is no logic, it is all female competition, but whenever the heroine encounters a little setback, there is always a boss to rescue, a proper father.
But from the CUT that flowed out of "Today's Women" on the Internet, Charmaine Sheh contributed a lot of sober quotes, which made people smell a little bit of "News Queen", so I chose to believe it.
As a result, when I opened it, it was another bad movie that earned dividends with a female theme, which made people angry.
"Today's Them", the so-called female urban growth drama, unfolds from the perspective of three women in the new era: Zhenzhen (played by Song Yi), strong woman Liang Qingran (played by Charmaine She) and little wife Gu Manting (played by Li Chun).
Just by looking at the character setting, you know that if the love brain and the little wife want to do something big, it must be related to men.
Sure enough, the love brain really chased her boyfriend all the way from her hometown to Beijing, and then chased her boyfriend back to her hometown from Beijing.
finally caught an opportunity to start a business, but also to consider the feelings of the boyfriend, and finally because of the boyfriend's empathy, he started his career without distraction.
And Gu Manting, the little wife, seems to be an independent woman who has no worries about food and clothing, can entertain her husband at the top and stick to Dink, but in the end, she chose to step out of her comfort zone and show her strength because she couldn't get used to her husband's flattering behavior for the sake of performance.
Originally, it is understandable that women's growth depends on the relationship between the sexes, but as a female group drama, women should not be deprived of their independent growth, and only rely on these bloody love and love.
To give a simple example, Gu Jia in "Thirty Only" is a typical wife literature, and there is no doubt that her husband's cheating became the catalyst for Gu Jia to finally become an entrepreneur.
But before that, Gu Jia began to think independently through a dinner with Mrs. Fu, and was determined to make a career.
Gu Manting, who is also a delicate wife, usually listens to the radio and reads, all about women's independence and growth, but she subconsciously avoids her husband when she is suspected of cheating.
The achievement of his career completely relied on his husband, a tool man, and passively joined the camp of engaging in his career.
That's too routine.
What I can't understand the most is the setting of the strong woman Liang Qingran, she can keenly perceive the good impression of the opposite sex towards her, and she can quickly end an unworthy relationship.
I also want to let the man who empathizes and abandons his bad girlfriend to summarize that all of Liang Qingran's behavior as a queen of the sea is just because he hasn't met true love?
excuse me?
I don't understand the brain circuit of domestic entertainment screenwriters, the love brain and the little wife have to rely on breaking away from men to engage in careers, and strong women who are dedicated to careers want to pull back to fall in love?
Do they think that the big heroines in TVB dramas are single because they are unladylike?
Do they think that women can't be separated from men and be beautiful alone?
The most interesting thing is that even the director, producer and screenwriter of this drama are women, how did the all-female team make such a daddy TV series?
If it weren't for the screenwriter's derailment from the public in terms of life experience, it could only be explained that the capital of obedience was all dad.
The female awakening imagined by fathers has always been accomplished by relying on men, and even subtly instilled the value of the womb and the importance of love.
It can only be said that the starting point of this drama is very high, but women's sobriety relies on shouting slogans in the play, and when it comes to the real chapter, it becomes stupid without practice.
It's like when you solve a math problem, you can't get the right answer with a formula, and you end up just scratching your boots.
Hey, abandon it!
Special note: Image source network, invasion and deletion!