The ending trailer of "Wind Chaser" made me sleepless all night and like a thorn in my back!
In the early stage, "The Wind Chaser", which was highly praised and out of the circle with its exquisite plot, brilliant character creation, evenly matched positive and negative characters, and details that can withstand scrutiny, how did it feel that the quality was seriously fragmented in the later stage?
The last ten episodes of "The Wind Chaser" make people watch it like a fish in their throats, and the audience's mentality has finally changed from righteous indignation to self-abandonment...
Seeing that the finale is about to end, the more I watch it, the more crazy it becomes! The wonderful plot in the early stage has taken a sharp turn since the male and female protagonists fled Shanghai!
The two episodes of 35 and 36 can be said to be the most maddening to watch, and the plot is outrageous!
Shen Tunan, who was imprisoned in the Soviet area and was about to be shot, escaped inexplicably, and all kinds of details on the way to escape seemed to imply that the Communist Party did it intentionally, making people mistakenly think that Shen Tunan was going back to be an undercover agent. It turned out that we were overthinking!
The Soviet District Bank, which rebelled against Lin Qiaosong's undercover agent and engaged in a gold and silver exhibition, thought it was a game at first, but it turned out that we were thinking too much about it, and we were so defenseless, and when it ended, all the staff were downcast?
The Red Army collectively reduced its intelligence, knowing that Lin Qiaosong had infiltrated and that there was no security for large-scale activities? There was no vigilance? Where was the reaction of the secret son Song Shoutiance? There was no use of him to set up a situation at all, how could Lin put a bomb in the cash box, it was too godly.
The male protagonist was forcibly demoted
How smart Wei Ruolai is portrayed by the previous screenwriter can be reversed Shen Tunan, then Lin Guansong entered the Soviet area and killed so many people and held a gold and silver exhibition without any preparations, isn't this a forced reduction of wisdom for Wei Ruolai?
Wei Ruolai, who was in the early stage of cultivation, was so brilliant that it also gave Wang Yibo a lot of room to play, and the torture scene and the rooftop outbreak scene all made people see Wang Yibo's multi-level interpretation and feel the charm of the role.
But the male protagonist in the later plot has fewer scenes, but the villain male second has a lot of time to show various emotions. The male protagonist has no delicate emotional drama at all, and even when he sacrificed his true life, he couldn't show Ruolai's emotions, shouldn't it be painful, disappointed and angry?
The heroine was forcibly sacrificed
The heroine Shen Jinzhen's death was too hasty, it felt like setting up a play for Shen Tunan and awakening Shen's conscience. The bomb is inexplicable, how shrewd and capable Shen Jinzhen was when he was lurking in Shanghai, he could kill so many people single-handedly, and the spies could not kill the Japanese and blew them up, but they died in aggrieved at the door of their own homes? What is the significance? What is this not a forced sacrifice?
Before I died, I was still fantasizing that this was my party doing a game to catch Lin Qiaosong, but I didn't expect to suddenly sacrifice Jinzhen, screenwriter, you will also give Jinzhen a resurrection armor, I'm so angry, I'm so angry, I'm so angry that I can't sleep!
Shen Jinzhen in the later period was like a dummy, all of which were revolutionary and righteous ideals. In the early stage, getting along with family and friends was a bit of a human interest. There are very few scenes, and the occasional appearance is also as a tool man, there is no need for emotional fluctuations, and there is no room for play at all.
Both the male and female protagonists are like this, that is the director's pot, either the positive characters don't need too much normal human emotion, or they can't be too emotional, which damages the glorious image of the positive characters.
The villain is mythologized
Is the villain Lin Qiaosong a Xiaoqiang who can't be killed?
The two explosions could not be killed, and with a small group of people, they dared to smash the banks in the Soviet District, first burning the bank treasury, then blowing up the gold and silver exhibition, and also easily did the undercover agent who was anti-water, and finally was able to escape with his whole body...
What kind of villain is this, is the Republic of China version of "Gao Qiqiang"? It's all 36 episodes, and it's still making the villain Lin Qiaosong brotherly and inseparable?
Let's just say, screenwriter, are you running out of donkey skills? The villain can actually die and re-launch a more powerful one, at least two, Lin Qiaosong is very strange from beginning to end, he can't be blown up, Shen Tunan should also be blown up, and another one will be sent to the Soviet area, or he will go to the United Kingdom, and the screenwriter in the latter part is like his hair has fallen out, and he can't think of a good plot!
In the end, it was determined that the male protagonist of this play was Lin Qiaosong, what kind of financial genius did the Kuomintang send to directly send him not to top ten Shen Tu men?
In short, the plot before and after "The Wind Chaser" feels very separated, the quality is very different, and the next ten episodes are like a collection of several short stories.
Therefore, if there is a second part of this play, Wang Yibo and Li Qin should not act, the screenwriter is obviously poor in donkey skills... Don't tell me this is history, if you want to watch history, I might as well watch a documentary, I want to watch a spy war drama!
[The picture comes from the Internet]