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The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died

author:Idle clouds and lonely cranes

When night fell, Marina Abramovich experienced an unforgettable 6 hours at Atelier Mora in Naples, Italy. It was an interactive art show that ended at 2 o'clock in the evening, giving her an experience on the edge of life. This woman, known as the mother of performance art, may never have imagined that she would be in such a situation because of art. Although this artistic experiment may seem open, it is in fact full of dangers, and the dark side of human nature revealed by the audience makes Marina feel unprecedented despair.

The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died

Marina's artistic journey begins with an exploration of the physical and mental limits of man. Every step of her artistic journey is a challenge to the boundaries of body and mind. Although the road is full of difficulties, her work is also deeply affectionate and humane. However, on that night in 1974, she faced more challenges than she could have imagined.

The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died

In that experiment, Marina placed 72 objects, ranging from harmless ones, such as roses and water, to dangerous ones, such as hammers and blades. She put herself under anesthesia, standing in front of the audience, at the mercy of others. At first, the audience is restrained, but as time goes by, some people start to cross the line and show the darkest and cruelest side of human nature.

The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died

This experiment not only tests the audience's moral bottom line, but also challenges Marina's self-limit. She went through the transition from being treated gently to being hurt physically and mentally, feeling the process from trust to fear to despair. Despite her constant love for art, this experience undoubtedly left her deeply traumatized.

The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died

Marina's upbringing was inherently full of contradictions and challenges. She was born into a military family in the former Yugoslavia and received a strict militarized education in her childhood. Art became her way of self-expression and world exploration. Through art, she tries to break down the boundaries and explore the depths of human nature. Whether it's a collaboration with a partner or an adventurous solo performance, her work is challenging and controversial.

The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died

The experiment that night exceeded Marina's expectations. The audience's behavior shifts from concern to violence, showing the complexity and unpredictability of human nature. This is not only an exploration of human nature, but also a challenge to the boundaries of art and morality. On that seemingly irregular night, everyone's choice is a test of their own humanity. As the center of the experiment, Marina endured great mental and physical challenges.

The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died

The chaos and violence of this performance reflect the dark side of the depths of human nature. The audience's behavior, from the initial tenderness to the final violence, shows different aspects of human nature. After a long night of six hours, Marina persevered to the end with amazing perseverance, but she suffered great damage both mentally and physically. This trauma became even deeper when she saw in the mirror the next day that she had turned gray hair from fear. She began to wonder why she chose such a risky way to express her art.

The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died

Judging by Marina's upbringing, her artistic path seems destined to be different. Growing up in a strict family environment, she had a strong desire for freedom and personal expression. Art has become a way for her to fight repression, explore herself and express her emotions. She challenges convention through extreme performance art, exploring the boundaries between people and the relationship between the individual and society.

The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died

Although this performance art experiment is full of controversy and challenges, it also shows Marina's incomparable dedication and courage to art. By placing herself in extreme and dangerous situations, she explores the limits of human nature and the individual's reactions in extreme conditions. Although this experiment took a huge psychological and physical toll on her, it also became an important milestone in her artistic career, prompting her to think and explore humanity, art and life on a deeper level.

The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died

Throughout her artistic career, Marina Abramovich has constantly pushed her limits and explored uncharted territory. Her work has generated widespread controversy, but it has also brought new perspectives and reflections to the art world. Through her artistic practice, we have seen the power of art and experienced the fragility and resilience of individuals in the face of extreme challenges.

The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died

This experience is not only part of Marina's personal artistic exploration, but also reflects the complex and multifaceted humanity of human society. The behavior of the audience, from the initial tenderness to the extreme violence at the end, presents different sides of human nature. This experiment showed that under certain conditions, ordinary people can also show an unknown side.

The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died

Marina Abramovic's performance art experiment is not only an exploration of personal limits, but also a profound test of the audience's morality and humanity. It is not only a display of art, but also a reflection on life, humanity and society. Between art and life, between the individual and the collective, Marina uses her body and mind to build a bridge, triggering people's deep thinking about human nature, freedom and artistic expression.

The mother of performance art: In 1974, she anesthetized herself for 6 hours and was disposed of, and her clothes were cut and almost died
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