"Family Collection" continues to focus on the "I am an Inheritor of Intangible Cultural Heritage" weekend special. In last week's program, we got to know the provincial intangible cultural heritage project "Anyi Plaque Calligraphy Carving Skills" representative inheritors Zou Shuangyin and Zou Shuangyong two brothers, they inherited the Ming Dynasty family plaque calligraphy carving and "engraving calligraphy ink" skills on the basis of creating a skill, that is, "engraving freehand painting ink copying" skills, so this freehand painting ink is good to use?
What we are going to experience today is the auspicious woodblock paintings, which are said to be in the style of Wadang in the Han Dynasty, so we should also pay attention to the shade of ink when turning the ink.
Let's first invite the younger generation of inheritors Xiao Zou to demonstrate, just like that, ink, brush paper, a piece of "Changle Weiyang" tile with a sense of incompleteness of the years is done. You may think that this is very similar to rubbing, although the steps are similar, but the work at hand is really different.
Starting with the ink, Jiang Yue used a brush to fill the ink, and then brushed the paper according to the teacher's guidance, and it was quickly completed.
Although the steps are simple, compared with Mr. Xiao Zou's works, it is obvious that Jiang Yue's works lack a sense of archaicism. Teacher Zou Shuangyin said that this is because Jiang Yue has too much ink and has not mastered the strength of brushing the paper, so the ink color will explode and lack a sense of layering.