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The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong
The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

Text | Mu Ran

Edit | Ternary

Spring Festival movies gradually widened the gap.

The first place is Jia Ling's "Hot and Hot", which has exceeded 2.3 billion at the box office.

followed by "Flying Life 2", which got a box office of 2 billion.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

"Bear Infested: Reversing Time and Space", which ranked third, also went both ways with the audience's ten-year appointment.

low-cost investment, but in just seven days, won a box office of 1.2 billion.

and the fourth place, Article 20, broke 1 billion.

In addition, "Let's Shake the Sun Together" withdrew from the Spring Festival competition.

will be re-released on March 30, and several films such as "Mr. Red Carpet" have directly become cannon fodder.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

Among them, it was Zhang Yimou's "Article 20" that achieved a reversal in the box office.

If it weren't for the excellent word-of-mouth, there was a high probability that it would be as quiet as "Mr. Red Carpet".

This film seems to tell a family story full of joy.

But what is actually presented is the justifiable defense of article 20 of the Criminal Code.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

In the film, there are low-level people like Hao Xiuping who are bullied.

There are also practical cases of using the law to defend rights, as well as the social issues of school bullying, as well as the depiction of the real workplace.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

It can be said that Article 20 is not confined to a certain topic.

Rather, it contains many problems that thousands of families face together.

Because of resonance and empathy, it has attracted more and more audiences.

After watching this movie, the first feeling is no longer that the lineup is strong, but that the story is heart-wrenching and heartwarming.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

However, what is more eye-catching than the story is the wonderful performance of the actors.

In cooperation with the famous director, each actor showed his eighteen martial arts.

But it is precisely this kind of extreme involution that allows everyone to see the level of acting skills.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

01

can be noisy and fighting, Ma Li is funny and real

Judging from the story told in Article 20, it can be said that it is cut from the perspective of three women.

As the main family plot, the heroine is Li Maojuan played by Ma Li.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

This role brings a lot of laughs to the whole film.

In the film, Li Maojuan and her husband Han Ming (played by Lei Jiayin) quarrel and fight at every turn.

can make her husband so anxious that she can't even say anything, and she can also slap the school leader to the ground.

The image of a somewhat biao and very down-to-earth housewife was stabilized by Ma Li.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

Even if it is a scene where rivals in love meet, it is originally a Shura field for three people, and the focus can be focused on Li Maojuan.

She first ate melons on her head and saw her husband and another woman using a massage chair.

I saw the right time to get up close and eat melons in detail, and my expression changed from disbelief to anger.

and then pretending to be a good wife and generous in the face of a rival in love, this scene can be regarded as being played by Ma Li.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

He looked at his husband with a smile on his face, but he actually gritted his teeth.

When looking at the rival in love, he is also smiling, but he is embarrassed and polite, but it is more of a comparison of the secret poke and poke in his heart.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

Judging from the behind-the-scenes shooting footage, this scene is Ma Li's improvisation, which was originally such a restrained scene.

It's hard to amuse the audience, but when Li Maojuan played by Ma Li is the wife.

But at a loss, he grabbed the hands of his husband and ex-girlfriend and shook them.

I can't hold it anymore, this sense of comedy really comes!

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

It is precisely because of Ma Li that the plot becomes more interesting, even if it is to help her son solve school bullying.

When acting bravely, it was all because of Li Maojuan, played by Ma Li, who went from patience to outburst.

From apologizing head-to-head to hospitalizing the little leader.

Every time, it can be just right to use a joyful performance to reduce the seriousness.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

is worthy of being the head of Chinese female comedians, Ma Li and Shen Tengcao laughed twice as much.

But taking Ma Li out is also a proper laughing point maker.

But Ma Li, who has the largest proportion of scenes and can also do her acting skills.

Although she is the heroine of "Article 20", she is still stealing the limelight.

But this really doesn't blame the heroine for being bad, only the supporting characters are too strong.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

02

抢尽女主风头,两位女配个个惊艳

The first place, Gao Ye

Prosecutor Lu Lingling's character is a professional who is axial and stubborn, and his leaders and colleagues don't like it in real life.

For the truth of a case, as a subordinate, she always put pressure on the leader, and even her brother units were bombarded with her various phone calls.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

But from the audience's point of view, this character axis is the axis.

But it is the true embodiment of justice. In order to help the persecuted women at the bottom.

She did not hesitate to argue with the leaders and insisted on the bottom line that the law cannot make concessions to the lawless.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

It can be said that Lu Lingling is an absolutely positive image.

Such a character is much more difficult to play than a character whose setting itself is very complex.

But under Gao Ye's interpretation, you can feel the purity of the characters.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

When she saw the victim running to the roof in despair, wanting to commit suicide, she was the first to chase out.

Anxiously stopping the other party, her nervousness could be seen in her body language.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

And from the way she looked at the other party, she could also feel her distress for the victim.

Lu Lingling, who feels rational, also has an emotional side.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

The most brilliant thing is the crying when she argues with her old classmates after being demoted.

From suppressing his emotions and reasoning with facts, to being disappointed in reality.

But I still want to awaken the sense of justice and the urgency of conscience in the hearts of my old classmates.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

Gao Ye was crying, his lips couldn't help but tremble, and his eyes were full of tears.

It is enough to understand her sympathy for the victims and the hatred of the outlaws.

Although the role is limited, such a level of acting skills can compare the heroine in minutes.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

second place, Zhao Liying

Zhao Liying, who tested the water on the big screen again after many years, handed over textbook-level acting skills.

She played Hao Xiuping, which is more difficult than Li Maojuan and Lu Lingling.

also surpassed any of the characters in the film, because he was deaf and mute, he couldn't speak, and could only express himself in sign language.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

When you are anxious, you need to open your mouth vigorously and enlarge your body movements.

Therefore, when interpreting the characters, it all depends on Zhao Liying's eye play, facial expressions and body language.

But even in this case of top difficulty, Zhao Liying's performance is still remarkable.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

In the scene where she ran to find evidence, she first heard the village chief say that her husband had a chance of survival.

Unbelievable, but surprising and delighted, it makes people feel very immersed.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

But when she decided to sign, she unexpectedly learned that her daughter was missing.

Also in the silent situation, Zhao Liying's tears flowed down unconsciously.

The surprise that her husband could survive turned into anxiety and fear that she wouldn't see her daughter.

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

But Zhao Liying's emotions were still contained until she ran to the rooftop.

When she was desperate to commit suicide, in a few seconds of shot, Zhao Liying cried until her face was congested and her muscles were bursting up.

It can also let everyone experience her unwillingness, pain and determination.

With such acting skills, you can be a god!

The protagonist of "Article 20" was robbed of the limelight, I really don't blame the heroine for being bad, but the supporting roles are too strong

can only say that losing to Gao Ye and Zhao Liying, Ma Li is not wronged at all, the supporting role is too good!

So, after watching "Article 20", whose acting skills impressed you the most?

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