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Editor: Xiao Yang said entertainment
Time passes: Liu Xiaoqing's "pretending to be tender" process
Liu Xiaoqing, the actress who was once peerless, has now been collectively complained by netizens by a movie. Recently, a movie called "Ice and Snow Sniper II" was released, in which Liu Xiaoqing played the role of a little girl, which can be said to have caused an uproar. Now, she is 72 years old, why do she still insist on "pretending to be tender"?
Breaking through age boundaries: Liu Xiaoqing's acting strength
Liu Xiaoqing's acting skills have always been highly recognized, and her superb performances in many classic film and television works have left a deep impression on the audience. However, just when the audience was amazed by her acting skills, she chose one role after another to "pretend to be tender". Perhaps, it is a challenge to acting, trying to prove one's acting strength through roles of different age levels. However, does the audience really need such a "pretence" to feel her diversity? When choosing a role, the actor always wants to challenge more different types of characters to show the diversity of his acting skills. Liu Xiaoqing may be out of the pursuit of acting skills, and frequently chooses roles with a large age difference. Behind this choice, it may be her dedication to performing arts, but it also raises the audience's doubts about whether she is too obsessed with "pretending to be tender". Do audiences prefer to see the depth of the actor's characterization rather than the superficial difference in age?
Audience's expectations: Actors are responsible for their appearance
With the popularity of social media, the audience's attention to the appearance of the actors has become more and more concentrated. As a veteran actor with many years of experience, Liu Xiaoqing's confidence in her appearance may be one of the reasons why she frequently "pretends to be tender". However, does the audience really care about the age of the actor's appearance, rather than paying more attention to the depth of his acting skills? Perhaps, the audience expects the actor to be responsible for his appearance and truly show the traces of time. The controversy caused by Liu Xiaoqing's frequent "pretending to be tender" does not exist in isolation, which also reflects an imbalance in communication between the actor and the audience. Should audiences be more tolerant and accept the actor's freedom in choosing roles, or should actors be more understanding of the audience's quest for authenticity? This controversy seems to reveal different views on the nature of performance inside and outside the entertainment industry, a cultural collision between actors and audiences.
The director's responsibility: to create real and profound characters
In film and television works, the director plays a pivotal role in the setting of the role. Among Liu Xiaoqing's controversial works, did the director of "Ice and Snow Sniper II" be too careless about his age positioning? Should the director pay more attention to creating real and profound characters, rather than just pursuing the contrast effect of appearance? This is not only related to the performance of the actors, but also the director's responsibility in the presentation of the work. With the passage of time, the audience's perception of Liu Xiaoqing is also changing. Whether her "pretending to be tender" behavior will affect the audience's recognition of her acting skills has become a topic of great concern. Is the audience willing to accept Liu Xiaoqing's gradual display of the vicissitudes of time, instead of blindly pursuing the impression of her past elegance? Perhaps, Liu Xiaoqing in the audience's heart has undergone irreversible changes with the passage of time.
Audience's doubts: Real acting skills are in doubt
The release of "Ice and Snow Sniper II" shocked the audience, and Liu Xiaoqing actually played the role of a little girl again at the age of seventy, which caused a lot of criticism. Netizens not only complained on social media, but also expressed doubts about the authenticity of Liu Xiaoqing's acting skills. The audience began to question whether she was still capable of playing young roles, which put the tacit understanding between the actor and the audience into a serious crisis. As the times change, the audience's aesthetics and acceptance are also gradually evolving. Whether Liu Xiaoqing needs to re-examine her acting choices has become a difficult problem in front of her. Does the increasing expectation of the audience for real acting skills mean that actors need to choose roles more rationally in order to meet the audience's desire for authenticity, and should actors be more sensitive to the expectations of the audience in the changing times, rather than following the performance methods of the past?
The audience expects freedom with the actors: where is the tacit understanding?
The tacit understanding between the actors and the audience seems to have broken down in this "pretending to be tender" incident. What the audience wants to see is real and deep acting, and the actors are eager to show their acting abilities through a variety of roles. This contradiction between expectation and freedom has plunged the entire entertainment industry into the abyss of speculation. Whether the actor can better take into account the audience's expectations while satisfying his own desire to perform has become a question that needs to be explored in depth. As the actors get older, the choice of roles becomes more troublesome. Liu Xiaoqing's role as a little girl again caused controversy, but it also made people think about whether actors can find suitable roles at different ages, and how to balance the differences between their age and roles in their performances. This is not only a challenge to the actors themselves, but also a re-examination of the age positioning of the entire entertainment industry.
The role of the director: age positioning and presentation of the work
The director's decision is also crucial when it comes to choosing a role for an actor. In "Ice and Snow Sniper II", whether the director was too careless and did not consider Liu Xiaoqing's age positioning more carefully became a key factor in the controversy. Whether directors should pay more attention to authenticity in the presentation of their works, rather than choosing contrasting characters just for the sake of eye-catching effects, is a question that needs to be deeply reflected on in the entire film and television production industry. Actor's self-confidence is the cornerstone of performance, but does it need to maintain this self-confidence through continuous "pretending to be tender"? Should the audience's cognition be more tolerant, and understand the actor's personal philosophy and performance pursuit when choosing roles? The communication between the actor and the audience seems to have become the key to resolving this controversy, and how to establish a more interactive relationship between the actor and the audience may be a direction for the future development of the entertainment industry.
Responsibilities of the Director: Age Positioning and Character Building
The director plays a crucial role in a film, requiring not only a deep understanding of the storyline but also informed decisions about the casting of the actors. In "Ice and Snow Sniper II", whether the director's age positioning is reasonable has become the focus of much questioning. The audience began to wonder if the director should pay more attention to the actual age of the actors, so as to better shape the character image that fits the storyline? In the entertainment industry, the tacit relationship between the actor and the director is very important. Actors want to show the diversity of their acting skills by freely choosing roles, while directors expect to be able to add to the work through actors' performances. However, should the director have a clearer requirement for the age of the actors, and should the actual situation of the actors be considered more carefully in the characterization to ensure the authenticity of the storyline and the convincing of the audience?
Matching age to storyline: visual impact and logical imbalance
In "Ice and Snow Sniper II", the age difference between the girl played by Liu Xiaoqing and the actor who plays her father not only caused the audience to laugh, but also led to the visual and logical conflict of the film. The audience began to reflect on whether the matching of age and storyline should be a part of the director's more attention in the character setting? Will the excessive age gap make the audience unable to integrate into the story, thus affecting the overall viewing experience of the film? The director pursues a kind of artistic perfection in his creation, and the actors hope to show their acting skills through performance. In this turmoil of "pretending to be tender", do the audience expect the director to take into account the age characteristics of the actors in a more balanced way in his creation, so as to ensure the artistic integrity of the whole work? Should the actors choose roles that are more suitable for their actual age more wisely, so as to maintain the authenticity of the work?
The audience's aesthetic and the director's choice: a battle that cannot be compromised
With the upgrading of the audience's aesthetics, their requirements for the film are also constantly improving. Does the audience expect the director to make more reasonable consideration in terms of age positioning to improve the overall quality of the film? And will the actor take into account his actual situation more rationally when choosing a role, so as to meet the audience's pursuit of the authenticity of acting skills? This may be an uncompromising contest between the actor and the director, and it is also an important topic that needs to be considered in the future development of the entertainment industry. The relationship between the director and the audience is particularly crucial in this controversy. Viewers have questioned whether the director pays more attention to the actual age of the actors in his creation, and the director may think that this is in pursuit of higher artistic expression. Whether this cognitive difference between the audience and the director can be resolved through deeper communication has become a question that directors need to consider in their future creations.
The rules of the entertainment industry: pursue reality or create fantasy?
The entertainment industry has always been considered a place full of fantasy and fantasy. The actors break the shackles of age through makeup, plastic surgery, costumes and other means, creating intoxicating characters for the audience. However, as time passed, viewers seemed to be cautious about this fantasy. Should actors find a balance between reality and fantasy, instead of overemphasizing the pursuit of youth? The rules of the entertainment industry may need to be re-examined, and should the audience prefer to see actors of real age, or are they willing to accept fictional fantasies? In the latest movie, Liu Xiaoqing finally stopped "pretending to be tender", she played the grandmother of the male protagonist in the play, and this time the choice was praised as a wise decision in line with her actual age. Perhaps after some controversy, Liu Xiaoqing also began to re-examine his acting route. The audience's expectations for her have also changed from "pretending to be tender" to expecting her to show a more real and profound role. And whether this change can allow Liu Xiaoqing to regain her place in the minds of the audience is still a controversial issue.
The edge of reality and fantasy
On the stage of the entertainment industry, there is always controversy between actors and audiences. Liu Xiaoqing's "pretending to be tender" turmoil is just one of the epitomes. Does the audience's concern about the real age of the actor mean the end of fantasy? Controversy may make the entertainment industry more diverse, the actor can choose roles more freely, and the audience can accept the real age of the actor more rationally. Perhaps, the entertainment industry needs a new tacit understanding, one that can balance the edge of reality and fantasy.
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