For your better reading and interactive experience, in order for you to see more content in time, click "Follow", we will update you with wonderful information every day!
Edit: Sil said
Wu Yue: The late-night meditations of "Blocking the Horse and Grabbing the Sword".
Wu Yue's martial arts movie "Blocking the Horse and Snatching the Sword" did not usher in the expected box office success on the first day of release, but made people sigh at its potential lost legend. In the face of this unexpected situation, let's meditate on Wu Yue's film journey late at night, and the hidden story behind this film.
The Art of Pricing: The Business Thinking Behind the High Price On-Demand of "Blocking the Horse and Snatching the Knife".
In the vast sea of the film market, pricing has become a powerful tool to attract audiences and shape the brand image of films. However, Wu Yue's "Blocking the Horse and Grabbing the Sword" chose a high-priced on-demand of 18 yuan, is it a commercial gamble? In film works, pricing is not only a number, but also an art, and a definition of audience value.
Audience identity: Has high-priced on-demand become a "price trap"?
The on-demand fee of 18 yuan, even members need to spend 9 yuan to watch, does the high-priced on-demand broadcast of "Blocking the Horse and the Sword" make the audience have the cognition of "price trap"? In the audience's consumption decision, in addition to the preference for movie content, price is also a key factor. Did Wu Yue underestimate the audience's sensitivity to movie ticket prices, or did he choose a high-risk business model in the pursuit of a balance between quality and return?
Brand image: Did the high-priced on-demand affect the reputation of "Blocking the Horse and Snatching the Knife"?
Film is not only a cultural expression, but also a representative of a brand. Has the high-priced on-demand broadcast affected the reputation and brand image of "Blocking the Horse and the Sword"? While the audience is paying to watch the movie, they are also endorsing a movie. Did Wu Yue find a balance between high price and quality, or did he ignore the audience's attention to brand image in this commercial gamble?
Commercial operation: Has high-priced on-demand become Wu Yue's "lost legend"?
Commercial operation is an important part of the success of the film, but has high-priced on-demand become Wu Yue's "lost legend"? In the fiercely competitive market, does Wu Yue's business strategy meet the audience's expectations, or is it a little powerless in this business war? The success of commercial operation requires a comprehensive consideration of many factors, and has Wu Yue become his biggest challenge in this high-priced on-demand gamble?
Audience acquiescence: Does high-priced on-demand take into account viewers' affordability?
The success of the Marché du Film depends not only on the quality of the films themselves, but also on the acquiescence of the audience. Does the high-priced on-demand take into account the audience's affordability? The combination of art and commerce of the film requires a tacit understanding between the audience and the producer. Did Wu Yue fully consider the audience's real willingness to pay when formulating the strategy of high-priced on-demand, or did he fall into a kind of high price that ran counter to the audience's expectations?
Going into the Future: Is High-priced On-Demand an Innovative Attempt in the Film Market?
The future of the film market is full of uncertainties, and is high-priced on-demand an innovative attempt to the market? Wu Yue's choice of high-priced on-demand may be an attempt to break the traditional ticket price framework and find a new business model. However, was this attempt accepted by the market, or was it an overly risky innovation? Will Wu Yue be able to lead the film market to a new future, or will he be caught in a risky commercial gamble?
Audience trust: Did the high-priced on-demand affect the audience's trust in Wu Yue?
In the business world, trust is a fragile and precious asset. When the audience chooses to watch the movie, they not only pay attention to the movie itself, but also pay attention to the business ethics of the actors and producers. Whether Wu Yue's high-priced on-demand broadcast has affected the audience's trust in him has become a major challenge in his film career.
The Future of the Marché du Film: Will Higher-Priced On-Demand Change the Traditional Ticket Buying Model?
The film market is constantly changing, but will high-priced on-demand broadcast change the traditional ticket price model? Will Wu Yue's attempt lead the film market to develop in a new direction, or will it become a short-lived commercial miracle? Whether the audience is willing to accept high-priced on-demand broadcasts, and whether this will become a new normal in the film market, are all questions of concern.
Fierce competition: The arduous journey of "Blocking the Horse and Snatching the Sword" in the face of market challenges
The film market is like a battlefield, and "Blocking the Horse and the Sword" seems to be powerless in the journey of this competition. Under the attack of "Mr. Chizuru" and "Suit Thug", Wu Yue's works could not easily stand out, and it was a fiercely competitive and difficult market battle.
Box office slump: strong pressure from competitors
On the day of its premiere, the box office of "Blocking the Horse and Catching the Sword" was only 194,000, which pales in comparison to the 658,000 first-day receipts of "Mr. Chizuru". In the face of strong pressure from competitors, Wu Yue's works appeared to be weak at the box office, which was a huge challenge for him in the market competition.
Internet star power: Wu Yue's comparison with Xie Miao and An Zhijie
In today's film and television market, the rise of online stars has undoubtedly become a force to be reckoned with. However, Wu Yue is slightly insufficient in comparison with Internet stars such as Xie Miao and An Zhijie. The box office results of "No One in My Eyes 2" are amazing, and Wu Yue's "Blocking the Horse and Catching the Knife" has been crushed by power in the competition with these Internet stars?
Losing Yourself: Did Wu Yue Lose His Way in Learning?
Wu Yue once said that he would learn Wu Jing's path, but in "Blocking the Horse and Grabbing the Sword", did he get lost on the road of learning? In the short appearance time of 10 minutes, he seems to have become the protagonist who has been ignored. It was a challenge to find a balance between learning and innovation, and it was a limitation of his creative choices.
Big-scale vs. niche: Wu Yue's dilemma
The film market needs to find a balance between big productions and niche, and Wu Yue seems to be facing a dilemma at this balance point. Despite the strength of the production team Shanghai Longyue, in the end, "Blocking the Horse and Snatching the Sword" became a failed work of Wu Yue on the niche route. This is the mystery of creation, and it also reflects the gloomy future of business operations.
Future development: Where does Wu Yue's film career go from here?
In the fiercely competitive market, where will Wu Yue's film career go? Will "Blocking the Horse and Seize the Sword" just a temporary failure in his career, or will it be a ups and downs in his future development? In the face of challenges and pressures, whether Wu Yue can find a breakthrough and get out of the predicament will become the key to the future development of his film career.
Audience expectations: How does Wu Yue deal with market competition?
The audience is the judge of the film market, and in the market competition, how does Wu Yue respond to the audience's expectations? Does he conform to the market trend, or does he choose to stick to his personal style? Whether the audience's expectations of Wu Yue can be met in future works is also a problem that he needs to think about and solve in the market competition.
Arena: Wu Yue's search for balance in the star cast
In the lineup of "Blocking the Horse and Grabbing the Knife", Wu Yue seems to be a little powerless in the face of the competition of Internet stars. Compared to works such as "No One in Sight 2", he failed to show a brilliant performance against his opponent in this star-studded arena. In a highly competitive situation, does Wu Yue need to re-examine his own balance between big-budget and niche productions?
The rise of online stars: Wu Yue's audience attention is relatively insufficient
Today, the rise of online stars is becoming more and more visible in the entertainment industry. However, compared with Xie Miao, An Zhijie, etc., Wu Yue seems to be a little lacking in audience attention. "Nobody in Sight 2" was a phenomenal success at the box office with the participation of online stars, while Wu Yue's "Blocking the Horse and Catching the Knife" failed to reach the same heights. Does he need to rethink how to raise his audience in an era of fierce competition for online stars?
The aura of a star: Is it a help or a burden to Wu Yue?
In film and television works, the aura of stars is undoubtedly a help, but in Wu Yue's case, has it become a burden? Compared with other Internet stars who participated in "No One in My Eyes 2", Wu Yue failed to stand out under the halo of stars. Does this put him in an awkward position in a fiercely competitive situation, and he needs to think carefully about the actual impact of the halo of stardom on his personal career?
Personality and business: Wu Yue's choice between large-scale and niche productions
Wu Yue seems to have found a balance between big-scale and niche works, but does he need to rethink this choice in the market competition? Does the niche nature of "Blocking the Horse" put him in some difficulties in commercial operations? Should he be more flexible in finding a balance between business and personality to better adapt to the needs of the market?
Audience expectations: Can Wu Yue's works meet the audience's expectations?
The audience's expectations are an important part of Wu Yue's film career. Can his works better meet the needs of the audience and arouse the attention and love of more audiences? In the face of the competition of Internet stars, can Wu Yue find the uniqueness in the hearts of the audience and become an advantage in his career development?
The direction of creation: Where does Wu Yue's film career go?
In the competition of the star lineup, where does Wu Yue's film career go? Does he need to re-examine the direction of his creation and find works that are more in line with the market trend? Perhaps in the fierce competition, Wu Yue needs to position his creative direction more accurately in order to achieve greater success in the film industry.
Wu Yue's movie dream: Addicted to learning Wu Jing, has he lost himself?
Wu Yue once cherished the dream of becoming a superstar, but his performance in "Blocking the Horse and Catching the Sword" was impressive. In the film, he seems to be lost on the road of learning Wu Jing, in just 10 minutes of appearance, has he become the protagonist who has been ignored? Is this his momentary confusion and bias in the process of chasing his dreams?
Production Team: Wu Yue's challenge between big production and niche
Although Wu Yue praised the strength of his production team, Shanghai Longyue, the result was that "Blocking the Horse and Catching the Knife" became a failed work of Wu Yue on the niche route. This reflects the difficulty of finding a balance between big-productions and niche productions. Does Wu Yue need to re-examine his production choices and find a creative path that suits him?
(Disclaimer) The process and pictures described in the article are from the Internet, and this article aims to advocate positive social energy and no vulgar and other bad guidance. If there is any copyright or character infringement issue, please contact us in time, and we will delete the content as soon as possible!