Text, Editor/Cute De Panda
On the Chinese pop music scene, Zhuoma and Daolang are both high-profile singers, each known for their unique musical styles and profound lyrics.
However, the relationship between these two talented singers has been mired in complex disputes and legal proceedings, which has become a hot topic in the entertainment industry.
This dispute not only affects the reputations of the two artists, but also sparks a wide range of public opinion discussions, casting a shadow on the entertainment industry.
This article will delve into this dispute between Jianyang Zhuoma and Daolang, and analyze its roots and impacts.
Sources of conflict
The strife in the entertainment industry can always make people's eyes shine.
Jianyang Zhuoma and Daolang used to be hardcore friends, but they had a shocking dispute because of a song.
On the Chinese pop music stage, many fans have been captivated by Jianyang Zhuoma's clear voice and superb singing skills, while Daolang has become a leader in the folk song industry with his soulful folk song style and unique timbre.
Their friendship began in 2004 when they performed together at a music festival and have since learned, supported and encouraged each other.
Daolang's repertoire with Jianyang Zhuoma includes "Love in the Snow Mountain" and "Love in Tibet", but the most notable is his "Love Song of the West Sea".
This song praises the beauty of Qinghai Lake and the emotions of the herdsmen, and its melodious melody and touching lyrics are deeply loved by the audience.
Jianyang Zhuoma loved this song deeply and thought it fit his musical style.
So, in 2009, she got Daolang's permission to include "Love Song of the West Sea" into her album "The Sound of Nature", and reinterpreted it with a clear voice.
This version caused a sensation and made Zhuoma famous, receiving numerous praises.
However, in 2011, Daolang unexpectedly took Jianyang Zhuoma to court, accusing him of infringing his copyright.
He demanded that the singing of "Love Song of the West Sea" be stopped and that he claim compensation for financial and moral damages.
This news was shocking, and everyone wondered, could it be that Daolang took this action out of jealousy of the success of Yang Zhuoma?
However, Daolang's motive for suing was not jealousy, but the belief that Zhuoma did not respect his creative rights.
He claimed that although he agreed to sing Yang Zhuoma, he was not officially authorized and did not receive any fees.
Jianyang Zhuoma sang it many times in commercial performances, labeling this song as his own work, and even avoided solving it privately, which made Daolang feel angry and disappointed.
The dispute is not only about legal issues, but also about friendship.
The relationship between Jianyang Zhuoma and Daolang has changed from close friends to opponents in court, and this plot is staggering.
Despite the outcome of the lawsuit, it remains unknown whether the friendship between the two will be re-established.
This story of the entertainment industry may continue to be interpreted, but we hope that they can finally reconcile and bring laughter to people again with music.
The complexity of legal proceedings
The legal dispute between Jianyang Zhuoma and Daolang in the Chinese pop music industry is a complex and tortuous story.
At the heart of the dispute is the performance rights of a song called "Love Song of the West Sea", which involves important issues of rights, licensing and cultural inheritance.
Jianyang Zhuoma and Daolang are two outstanding representatives of the Chinese music industry, and they both have their own unique musical talents.
However, the camaraderie between the two singers created a rift in the song.
As the sole agent and copyright agent of Daolang, Beijing Aya Layu Music Company claims that it owns all the copyrights of "Love Song of the West Sea", and has not sung this song on many occasions.
This claim has attracted widespread attention and heated discussions.
The defendant Jianyang Zhuoma argued that she sang this song for the purpose of inheriting and promoting Tibetan culture, and did not constitute infringement.
The court proceedings revealed the complexity of the dispute.
Multiple lawsuits, rights grants, and performance rights disputes complicate the case.
The views of the two sides are diametrically opposed, with Zhuoma believing that she is spreading culture, while Daolang insists that his copyright has been infringed.
The legal dispute has lasted for a long time, covering eight years.
The legal dispute between the two parties has attracted widespread attention from the media and the public, and has become a hot topic in the entertainment industry.
This case not only involves conflicts of interest between artists, but also involves important issues such as cultural inheritance and copyright protection.
The outcome of this dispute is yet to be determined, but it reminds us that there are complex legal and rights issues behind the creation and performance.
Regardless of the final verdict, this case will have a profound impact on the music industry and cultural heritage.
It is hoped that these two outstanding singers will eventually find a way to resolve the dispute, and at the same time, it will also cause deep thinking about copyright and cultural inheritance.
Final Judgment and Disputes
Recently, the case of Zhuoma and a cultural company in Hubei Province on suspicion of unauthorized singing of "Love Song of the West Sea" has caused extensive controversy and legal disputes.
After the first instance of the Yichang Intermediate People's Court and the second instance of the Hubei Provincial High Court, the final judgment of the case was that Zhuoma and a cultural company in Hubei should jointly compensate Daolang 75,000 yuan.
The judgment was in the spotlight on legal issues such as copyright protection, the right to perform music, and artistic creation.
Daolang, the plaintiff, is an outstanding musician who has authorized a music and culture development company in Beijing to own the copyright of music works such as "Love Song of the West Sea".
However, he claimed that Jianyang Zhuoma sang the song many times without authorization, believing that this constituted an infringement of his rights and interests.
In order to defend his copyright, Daolang filed a lawsuit without fear and finally won the court.
This case has provoked deep reflection on copyright protection.
In the digital age, music copyright issues have become more complex and infringements are frequent.
Daolang's resolute action is regarded as an important step to protect the rights and interests of original musicians, and it also prompts us to think about how to better protect the creations of artists.
However, the verdict has also sparked a lot of controversy.
Some people believe that the compensation amount is as high as 75,000 yuan, which is too severe for the situation that the singing of Yang Zhuoma did not lead to Daolang's substantial economic losses.
In addition, some voices have called for stronger crackdowns on copyright infringement and the establishment of better legal mechanisms to balance the interests of rights protection and cultural inheritance.
The conclusion of this case once again underscores the urgency of music copyright protection.
Daolang's victory has set an important legal precedent for original musicians, and has also injected a boost into the entire music industry.
In the future, we are expected to see the establishment of a more robust copyright protection mechanism to ensure that the rights and interests of music creators are better protected, while also contributing to the sustainable development of the music industry.
This case will continue to spark a wide range of social discussions and make us pay more attention to the protection of cultural heritage and the future of artistic creation.
epilogue
Although the dispute between Jianyang Zhuoma and Daolang is tortuous, it has also become a history that cannot be ignored in the entertainment industry.
The dispute affected the reputation of the two singers to some extent, but it also evoked expectations for artist cooperation and reconciliation.
We look forward to them using music as a bond, transcending differences, presenting more wonderful music works for fans, and injecting more harmony and vitality into the entertainment industry."
Hopefully, their music careers will flourish again and bring beautiful melodies to the world.
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