Recently, there is a set of contrasting "sweet girl phenomenon" in domestic entertainment:
One is the last generation of sweet girl Tang Yan, who is just 40 years old this year. The other is the 28-year-old new generation of sweet girl Yu Shuxin.
The former relied on "Flowers" to finally get out of the middle-aged Mary Sue predicament that had been ridiculed for many years, and the word of mouth counterattacked.
has been ridiculed for many years at the tail of the 85-flower crane, and once she was promoted to the heroine of Wong Kar-wai, she can be regarded as a mixed up.
And the latter, who finally climbed onto the pie of "If You Are Honest Do Not Disturb 3", was ridiculed by the group because of a black spot in "clip sound", and even rumors that the scene was deleted.
are all Shanghainese, one is ushering in the "old man", and the other is facing the crisis of character backlash.
What is the problem of the sweet girl in internal entertainment?
In the new era of traffic opened by 85 flowers, almost all actresses of school age have eaten the cake of sweet girls.
Even, there are many seniors who made a special trip to come back to taste this freshness.
However, the most turntable in this genre has to be Zhao Liying.
As she herself said, the sweet round face was not the heroine's face in the past.
But in the next few years when "Four Beauties of Fairy and Sword" has dominated domestic entertainment, she still opened up a huge market for Tianmei with several hit dramas in a row.
The sweet girl represented by Zhao Liying is a refreshing style like a Chinese dessert, sweet but not greasy.
In contrast, Tang Yan and Yu Shuxin, who are Shanghai Xiaonan, flaunt their temperament in addition to sweetness.
It's a thick red sauce, accidentally sticking to a mouthful.
In fact, there is more texture of "dusk", and the old-fashioned sweet girl character design could have been more innovative.
But Yu Shuxin did not get out of the advantage, but went narrower and narrower, which became a point of ridicule.
During the promotion period of "If You Are Honest Do Not Disturb 3", she has been using the clip sound to be cute and cute, and she is still a trick at hand.
The expressions of the other leading actors were read and understood by netizens, and the beautiful woman Shu Qi performed all the inner dramas for netizens.
Do you remember that Yu Shuxin became popular under the name of "Little Works"?
Now that she has played, it doesn't matter if everyone is tired of watching it, in short, the filter is broken, and netizens will not only confiscate your privileges made in heaven, but also give you a peeling package.
For example, during a live broadcast, I accidentally used a normal voice to speak, and after I was shocked, I cleared my throat, and then instantly clipped it back, and for example, I was able to talk without clipping it in the early variety show "First Grade".
In contrast, Tang Yan's perennially criticized silly and sweet acting skills and superficial acting skills were washed away overnight because of "Flowers".
The reason is very simple, Wang Mingzhu's sweetness is anti-traditional enough, and there is a sense of contradiction.
First of all, in terms of appearance, it is no longer obsessed with meticulous dull beauty, but full of vitality and dexterity.
is also because of the youth, the expression management is incompetent, and the smile will be sprayed.
When he is suffering from love, he relies on eating catharsis, his cheeks are stuffed to the brim, laughing and crying.
Her mouth is like a barometer switch. As soon as he was happy, he grinned brightly, but when he was unhappy, the corners of his mouth were down, and his lips were pursed high.
These expressions are the delicate ones that have been cared for since childhood, and they are the top notes of sweetness.
But she is very capable of enduring hardships, and she is so bitter that she grins and is embarrassed, and she is full of contradictions.
Generally, sweet girls are gentle and good, she is fierce, principled and strong-tempered, and her speech is as abrupt as a machine gun.
The last second was still crossing his waist and facing his face, and the next second he turned his back and showed a smile.
You know it later. Her mouth is a small pepper, which explodes when it touches the tip of her tongue, catching people off guard.
It wasn't until I choked on tears that a hint of sweetness came out of the depths of my throat, and there was a sweetness.
Including me, I was worried that Tang Yan was going to pull her crotch in the early stage, after all, this time it was not a second-rate web drama, but the old drama "Flowers".
Think about the other two heroines: Ma Yili and Xin Zhilei.
To say something that offends people, don't say "surprise" in this case, Tang Yan has already won if she is not scolded.
Of course, discerning people actually know that Wang Mingzhu's success depends more on the king of sunglasses.
Tang Yan's role as a big hit in her early years was actually a royal sister.
Since "The Three Thousand Golds of the Xia Family", she has only begun to fall into a silly white sweet labyrinth.
In fact, in terms of appearance, Tang Yan's acting path is not cramped, and the royal sister and sweet sister are all lined up.
However, looking at the makeup photos of her "Fairy Sword", the appearance of the cross-waisted hair is the same as that of the current cross-waisted scolding treasure, and the sweetness is closer to its body.
But in recent years, her sweetness has been too superficial, and as she grows older, her sense of abruptness has become stronger.
It's okay to be delicate, but always acting like a second fool who is bullied by the whole world is really not in line with today's value orientation.
The essence of the public's rejection of silly white sweetness is to refuse to dwarf and weaken women.
And Wong Kar-wai has done customized training and deep digging for Tang Yan's "sweetness".
In the first week of joining the group, according to the convention, there are dozens of remake gift packages first.
After 17 years of debut, when encountering such a blow, it is estimated that everyone will have to collapse.
But Wong Kar-wai didn't mean to toss the actors, he was just waiting.
Waiting for the actor to repeat to the point that he can't move, and finally take out his own true and unconscious things, inadvertently revealing the texture of the body.
The old partner Hu Ge stamped, the sweet and vivid Wang Mingzhu is actually Tang Yan herself.
The same style is well protected Shanghai girl.
Even though Tang Yan is now a mother, Tang Yan's father is still too spoiled, and is often photographed by Yu Ji to pick up the airport in person.
There is also the same righteousness and straightforwardness as the character.
When Tang Yan was in college, she mistakenly thought that her classmate Sun Jian was bullying a female classmate, and stood up to quarrel with him. Just like Miss Wang, who was unhappy and could shake the Yellow River Road, the entire floor heard about Tang Yan's heroic deeds at that time.
It can be seen that Tang Yan herself is suitable for sweetness, and it can be sweet at all levels.
It was also under Wong Kar-wai's excavation that she realized this herself.
Wow, it's really textured.
are all female artists in Shanghai, and Wong Kar-wai can shoot different people.
Ma Yili's is the sensuality and cunning of a woman in the market; Huang Ling's is the danger and coquettishness of a woman in the dust; Wu Yue's is restrained and arrogant; Tong Chenjie's dignified and introductible can only be glimpsed through the corners of his squinted eyes; Fan Xiangyan's is buried deep in the ground, only revealed in his trembling eyes......
But unlike Tang Yan's unknowing, when they didn't meet Wong Kar-wai, these people were already able to refine their temperament and show off their charm.
At this level, compared with Tang Yan, who is more blunt and "late wise", Yu Shuxin is actually more intelligent.
At least she grasped her own positioning and attributes early on, and has always highlighted this outwardly.
So it was an instant hit that year, and stood out with the more textured sweet girl road of "嗲". So whether it's red or black-red, you can't deny her recognition and recognition.
To put it bluntly, there is actually no problem at all.
The problem is that you only have a, only a smack.
Cai Minmin of the elf of "The Next Stop is Happiness", the little masterpiece "Wow" in "Youth with You", plus the pure and pure little orchid in "Canglan Jue".
These three out-of-the-circle images helped Yu Shuxin fix her career and settings.
Originally, it was indeed a part of her personality, and she could judge the context of the situation, and she was consciously expressing this personality.
Including when reviewing "Green You", she also realized that she was a little contrived.
And now, she seems to have let go of this kind of self-examination and self-examination, and "smack" has been magnified to occupy her entire personality, even regardless of the occasion.
In the past, "wow" was a beautiful mental state to cheer yourself and your teammates up when you were sleepy.
Now there is no cause and effect at all, and it is abruptly showing for the show.
...... She's copying herself.
can understand, in the internal entertainment mix, which does not need a label.
Look at those little flowers, Zhou is also sticking to the evil girl, and Mencius is sticking to the straight girl...... If it weren't for Tian Tian, Yu Shuxin probably wouldn't have been able to get out of the circle.
It's just that if it's limited to this, the thin character design won't be able to go on the long road of domestic entertainment after all.
Speaking of this, we must mention a rather controversial interview:
Once, a host asked Yu Shuxin if she was always in business, until she blackened her face.
But if you go through the whole interview, it's actually quite magical, and even a little bit of black humor.
After ten minutes of mining, Yu Shuxin spoke densely and proudly, and the host praised her, it is rare to see such an output.
Yu Shuxin also boasted about each other, saying that he didn't want to take on a lot of programs with no connotation, and thought that this interview would be more textured, so he took it.
But in the middle section, the host has not been able to dig into Yu Shuxin's deeper things, and the interview has reached an impasse, which began to stimulate her and ask her if she is in business.
After embarrassing the scene, both men fell into self-doubt.
The host was puzzled, is there really someone who lives so simply?
And Yu Shuxin was puzzled, I was very sincere, but I was really shallow and simple, isn't that right?
The host finally struggled a little and began to come up with all kinds of grand propositions in life.
As a result, Yu Shuxin's worries and wishes are still just to lose weight and eat.
The interview eventually went down.
Completely contrary to the beginning, Yu Shuxin began to feel that she was speechless for the first time when she was interviewed.
Objectively speaking, Yu Shuxin is indeed no problem, isn't shallow happiness also happiness?
It's just that the problem is that if you choose the creative path of an actor, you are destined to go deep.
At this stage, her acting skills are obvious to all, after all, dealing with a spy war scene of "Cloud Feather" has exhausted her CPU, and the expression of being bullied looks like this:
Yu Shuxin's exaggerated expression of emotions originated from Xiao S, and the role she wanted to play the most was the drama of the ordinary girl who successfully chased the school grass, which originated from the novels she read when she was a girl......
You will find that it is not only Yu Shuxin who is shallow.
Shallowness is also characteristic of this whole era.
But in my opinion, shallowness can be the norm, but it will not be the way for you and me to return.
As mentioned earlier, Wong Kar Wai is good at waiting. But he could wait, but it was 86 shots.
Tang Yan waited for an enlightenment, but she waited for 20 years.
This career trajectory is a bit bit of a bit to say lucky and lucky, but to say miserable.
To put it bluntly, if you really have the ability to break through, who wants to play a fool for the rest of your life?
The so-called "being willing to be superficial" is the self-deception of the superficial.
Thinking about the huge internal entertainment, how many people guard their superficial characters, can they finally wait for Wong Kar-wai?
"Silly white sweet" is a product of a bygone era, when women hoped that the favor that would hit their heads could help them get out of trouble.
And now, we have long realized that we can only rely on ourselves to get out of trouble, and it is better to be a dream girl than a fierce woman.
As a result, we no longer want such an image to represent us on the screen.
Miss Wang gave the best lesson to the sweet girl of internal entertainment.
One of the most awesome and stupid aesthetic times has arrived.
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