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How long has it been since you chased an anti-Japanese war drama?
The cliché content, even if it is a domestic drama today, it is difficult to have works with the same theme, which can compete with the power of the two white moonlights of "My Regiment Leader, My Regiment" and "Soldier Assault".
The iron-blooded tenderness of the tough guy can tightly affect the emotions of the audience no matter what era.
When the main theme gushed out, even the film market began to use the theme of the Anti-Japanese War to "compete for favor", and the first box office in film history came like this.
Obviously, this kind of theme is still the sweetheart of film and television dramas, and in fact, it is also the favorite of TV audiences.
CCTV's ever-increasing ratings speak for themselves.
"Across the Yalu River", "Armageddon", "Dawn of the East" and other works, they are all New Year's Eve giants.
It's just that this year, Yang Ma came to blow up "Flowers", and then "Dajiang Dahe 3" debuted, and the popularity is unimaginable.
On the other hand, if Satellite TV wants to break through, it must move out of works that can compete with it-
That's right, the Anti-Japanese War drama is finally here!
"Scout Hero" was listed on Beijing and Zhejiang Dawei, and 4 episodes were released in 2 days after broadcasting, directly dominating the satellite TV list, which is so ruthless.
seems to be a mediocre lineup, and it seems that satellite TV can't afford to play a card, but it has become a king bomb, and I don't know how much capital I have played.
Although Zheng Xiaolong has a lot of popular works, there are also barriers between different themes, but I was still attracted by clicking on the feature film of "Scout Heroes".
Let's talk about martial arts first.
The theme of the Anti-Japanese War, of course, is the battle scene, which is also the part that many directors like to show off their skills the most.
In my opinion, as a lengthy TV series, the pictures on the battlefield are actually measured in a decent way.
In Zheng Xiaolong's lens, martial arts gave me a big surprise.
In terms of tactics, it is very detailed, and the simple scene of bombing the tank really "blew up" a little way.
The front and back ambushes, the staggered firepower of the solo mission and the artillery squad, it was the first time I had seen the tactics completely transferred to the scene of a battle.
The battle scene is not only intense, but also very realistic.
There are no bells and whistles, there is indiscriminate bombing, and lives on the battlefield are at stake, and there is a possibility of victory in one second.
Let's talk about literary drama.
The last time I saw such a full and vivid male protagonist, it was when I was chasing "Bright Sword".
As the head of the reconnaissance section, Liang Chen has really achieved "stability", and only by being stable can he react as soon as the enemy attacks, and can he really be worthy of the word "scout".
What impressed me the most was the conversation between Liang Chen and Qi Lu, who was transferred from the guard company and had always wanted to run.
Qi Lu was not greedy for life and afraid of death, he also fought with Little Japan desperately, and his family all died in the artillery fire of the invaders.
What Liang Chen said to him next made me instantly ignite-
"Fighting for your life, fighting for rations, fighting for revenge, can only be regarded as a small brave strategy. ”
"But fighting for the country, for the nation, and for the ultimate peace of the Chinese and North Korean people, then there will be great wisdom and courage. ”
Why has the Battle of Changjin Lake been put on the screen again and again, and what is the spiritual core of the volunteer army that everyone praises?
In a war of aggression, we must strike back when the country is desperate.
China and the DPRK are fighting, we are extending a helping hand to our neighbors, and at the same time fighting for the so-called "invisible and intangible" future, and the general pattern of a community with a shared future has been carried by our people since that time.
I really didn't think that Luo Jin could lead the big man in the Anti-Japanese War drama so brilliantly.
In my opinion, this kind of theme must be "rough" enough to give the audience a sense of substitution, but I have to say that Luo Jin is really very suitable for the head of the reconnaissance section.
Four words –
Thick and thin.
In Luo Jin, the audience can see his experience in a hundred battles, the indifference of life and death, and at the same time the care for the recruits, and the charm of a veteran in his eyes.
And in my opinion, Luo Jincai should be the normal state of the Mesozoic generation of actors in domestic entertainment.
In this play, maybe the face is a little blackened and the lips are a little colored, but the original skin condition is still relatively bearable.
After all, the unique filter of anti-Japanese war dramas, this kind of high-definition face-slapping lens has already beaten a lot of traffic stars.
In the case of the main theme, the tough guy character is not hard, not only has the sense of strength of the soldiers, but also shows the aura of the male protagonist just right, no wonder he can match Zheng Xiaolong.
However, the most surprising thing about the whole drama is actually Huang Chengcheng.
He plays a small supporting role, but it is full of details, every expression is vivid, and the body language is cute and funny.
Huang Chengcheng gave this character a soul, so that when Qi Lu revealed the scar on his belly later, the audience did not feel abrupt.
He grasped the cunning of the characters extremely well, in fact, it is no longer suitable for him to pretend to be tender with this face, but it is a great plus to play the young naïve and reckless.
Including playing against Luo Jin, Huang Chengcheng's various performances are like really living in the play.
Hearing that the other party was going to talk about his own badness, Qi Lu's face, who was still smiling a second ago, instantly collapsed, and his hand was about to be withdrawn, but he was held by the other party.
It's just such a pause that makes the atmosphere even more interesting.
Of course, a drama will definitely have female characters.
As soon as Ma Sichun, who I hadn't seen for a long time, appeared, my jaw almost dropped.
In the Anti-Japanese War drama, what the audience is most afraid of is that the female characters are dragging their feet or the burden is too heavy, and this sister directly tore up her image baggage.
The black face, not only does not have any makeup, but even the lips have to be painted colorless, and the hands and face are simply two shades.
is so strong that it is a tiger's back and bear's waist, if you want to say that this kind of body grew up eating coarse grains and fighting with the enemy hand-to-hand, it is difficult for the audience to believe it.
I have to say that Ma Sichun is so open-minded, and he can bear it.
Even if the body is strong, it can be given a close-up to the face, and the facial features are still very three-dimensional.
epilogue
As an anti-Japanese war drama, it is actually enough to tell the story clearly, integrate the fierceness and cruelty of the war, and make the characters real and vivid.
doesn't need too many bells and whistles, the spirit of the volunteer army is the top priority of this kind of theme, and "Scout Hero" really let me see the level of a powerful director.
There are no fake and empty lines, only the shouts of the characters under the layers of progressive emotions.
There are very few slow special effects to set off the atmosphere, but when the warrior dies bravely, the audience can't help but burst into tears.
This is the meaning of the theme of the Anti-Japanese War, it is enough to write the characters clearly and shoot the spirit. #电视剧侦察英雄#
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