晋祠，晋国宗祠，屹立千年。
Fu Shan, a cultural giant, has been famous for centuries.
This resort, this giant, is destined to meet, destined to collide with sparks, leaving behind a glorious brilliance that will shine for future generations.
Fu Shan lived in Taiyuan more than 300 years ago, because of the geographical convenience, but also because of the elegance and tranquility of the Jin Temple, he lived in seclusion here several times, and lived in the Yuntao Cave behind me.
"Cloud pottery", take the meaning of high in the clouds. At this highest point, you can overlook the whole garden and the fields. Again and again, Fu Shan returned here with the heaviness of the failure of the anti-Qing Dynasty and the restoration of the Ming Dynasty, and in the early morning of countless days, he calmed down his thoughts and sorted out his mood here; if a friend visits, he must boil water to cook tea, and the "stone cave tea fragrance" will become a scene of the Jin Temple.
The three swords of Lingjin in Hongchi County on the mountain move, and the moon is full of water and white real people's hearts. The first "day" and "month" are bright, and the joint tail "Zhuming" alludes to the Zhu Ming Dynasty. There is not only unwilling fortitude here, but also painful precipitation, which shows Fu Shan's state of mind at that time.
The vast and deep garden of the Jin Ancestral Hall must have brought deep comfort to Fu Shan, allowing him to settle down physically and mentally, and find a peaceful and calm time in the turbulent waves. He gradually turned to the study of knowledge, and instead went to another kind of openness in life.
Of course, he will definitely leave something for the Jin Ancestral Hall.
Today in the Jin Ancestral Hall, we can see a lot of Fu Shan ink, Zhou Bai's handwritten "Jin Yuan Zhi Bai Chapter 1" is strong and powerful; the "difficult old" plaque in the Spring Pavilion is difficult to get off; on the inner wall of Wenchang Palace, "Wenchang Emperor Jun Yin Qi Wen" is a small model; Jingyi Garden, Tongle Pavilion couplets are wonderful and extraordinary.
Since the mountain is flat, I will come to Tian'er a peak of green. Fu Shan used his talent to inject extraordinary soul and character into the Jin Ancestral Hall. Today in the Jin Ancestral Hall, we are still fortunate to see a large number of Fu Shan's calligraphy and painting works, as if the Si people are still there, and the footsteps are not far away.
Jin Ancestral Hall and Fu Shan are the blessings of achievement, and Fu Shan and Jin Ancestral Hall are the swan song of the ages.
Source: Taiyuan Radio and Television Literature and Art Division