In recent years, the domestic film market has developed rapidly, and many new actors have emerged, including a high-profile figure, who is a young actor who is known as the "first domestic striker". However, in the minds of the audience, his performance is often disappointing. Whether it is performing in regular time or playing at critical moments, he is always submissive, and winning or losing is already predestined. Below, we will dissect this problem from different angles and explore its causes.
First of all, the submissiveness of regular time is disappointing. This domestic No. 1 striker often lacks passion and self-confidence in ordinary daily performances, and cannot bring real and shocking feelings to the audience. His acting skills appear too mechanical and lack the contribution of the soul, which casts doubt on his talent. The audience is eager to see an actor who truly loves acting and dares to challenge himself, not just an actor who does things mechanically.
Secondly, it is equally regrettable to win or lose by 8 points. At critical moments, the performance of the domestic No. 1 striker is always predictable and lacks surprises. He seems to be only able to play his abilities in certain fixed roles, and for more challenging roles, he often stops. The audience wants to see an actor who can constantly push themselves and push their limits, not just an actor who is confined to their comfort zone.
Why is this happening? We believe that the reason is that the language in their work is not "colloquial" enough. For modern audiences, vivid, concise, and clear language is an important factor in attracting attention. However, the expression of the first domestic striker is often too restrained and cumbersome, and it is impossible to truly establish a spiritual connection with the audience. They should learn to use language that is closer to life and more contagious to attract the attention and empathy of the audience.
In order to change this, the domestic No. 1 striker needs to make some effort. First of all, they need to improve their acting skills and show stronger acting abilities through more in-depth character research and diverse acting styles. Secondly, they should be more daring to take on the challenge and try out various types of roles in order to broaden their performance range. Finally, they should focus on the way they express themselves and learn to use language that is more colloquial and close to the audience to capture the audience's attention.
In short, the domestic No. 1 striker's receptiveness in regular time and 8 points at critical moments are disappointing. However, as long as they have the courage to challenge themselves, improve their acting skills, and improve their language expressions, it is possible to find a breakthrough and become an actor who is much watched and appreciated. I look forward to the continuous improvement of the first domestic striker and bring more wonderful performances to the audience!