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Today, let's talk about an unforgettable history in the entertainment industry, after 30 years, the leading actors of "The Legend of the New White Lady" are in the same frame again, which instantly detonated the hot search and evoked the memories of countless people. However, compared with their past, today's old actors have undergone a lot of changes, let's take a look at these changes.
First, let's take a look at 64-year-old Maggie Chen. She can be described as the "green snake" in the entertainment industry, she was charming back then, but now she obviously shows the trend of aging dragon clocks.
Sagging skin, clearly visible wrinkles, and a slightly awkward bulge of the apple muscles seem to be signs of over-cosmetology. What's even more shocking is that when she speaks, her mouth is crooked and stiff, and she is no longer the image of her youth.
The years are ruthless, and people can't help but sigh. In stark contrast to Chen Meiqi, the 71-year-old Zhao Yazhi is still well-maintained.
Dressed in a white long dress, her temperament is leisurely and fairy. Her hair was still dark and thick, and she looked like she was in her 50s.
Although time has passed, Zhao Yazhi still maintains a young state. thinks that back then, the Xiaoqing she played was so smart and lovely, and now, seeing her, it also makes those post-90s audiences sigh that time flies.
Also, I have to mention that Ye Tong, the actor of "Xu Xian", has entered the ranks of 60 years old. However, Ye Tong's face was still tight, and he did not show obvious aging.
Although her hair is gray, her facial features and figure are comfortable to look at, and she is too elegant to be. She showed the quiet side of the years.
However, not only the changes in appearance, but also the ups and downs in Chen Meiqi's love life. Her first husband was Ma Qingwei and had a rich family property.
But this marriage was not satisfactory, because Ma Qingwei's amorous nature led to all kinds of lace news. Although Maggie Chan tried to save her marriage, the marriage eventually broke down, leaving a haze in her wake.
Her miscarriage was also related to the intervention of Ma Qingwei and Guan Zhilin. Although Chen Meiqi took the initiative to end this marriage, this relationship failure hit her hard.
Now, after more than 20 years of marriage, she is married to the Chinese-American Xin Shangyong, and the two have adopted a pair of children and live a happy life. Zhao Yazhi has a different kind of happiness.
She married actor Huang Jinshen for the second time, and the two were happy after marriage. Zhao Yazhi also has three sons, the eldest son Huang Guanghong works in a newspaper in Hong Kong, the second son Huang Guangyi is married, and the younger son Huang Kaijie has entered the showbiz.
These three brothers have a close relationship and are all good-looking, and Zhao Yazhi is proud of them. Her happy life is also enviable.
Finally, we have to mention the drama "The Legend of the New White Lady". This drama is not only an unforgettable memory, but also a classic.
Although there is not even a kiss scene, it vividly interprets love. The show has influenced generations and is still hailed as a classic today.
There is no doubt that it will always be remembered in the hearts of the audience. Time flies, but these old actors still shine their own light.
Their stories remind us that no matter how the years change, if you stay resilient and positive, you can have a happy future. The entertainment industry is full of new gossip, let's look forward to more exciting stories together!
"Jumping Beam Clown" Li Yugang fell off the altar and was no longer tolerated by the world, and Mei Baojiu did not forgive until she died
The Legend of Peking Opera: The grievances between Li Yugang and Mei BaojiuPeking Opera is the quintessence of China and a unique art form.
It has a long history and rich traditions, as well as a dynamism for constant innovation and development. In the entertainment industry, there is a legend of Peking Opera that makes people talk about it.
That is the story of Li Yugang and Mei Baojiu. They are two musicians, one is the successor of Peking Opera and the other is the innovator of Peking Opera.
They once admired each other, but later became undying rivals. Their grievances and hatreds are a big drama and a legend.
Li Yugang, a little-known niche artist. He has a unique voice that can sing both bass and soprano.
He likes to use the reverse of men and women to interpret the fusion of Peking Opera and pop music. His musical style is refreshing and unacceptable.
His appearance has caused a lot of controversy and discussion. Some people think he's a genius, others think he's a freak.
His fame is also full of twists and turns. He has appeared on the stage of "Walk of Fame" and has also been invited to the Sydney Opera House.
His song "The New Concubine Drunk" made him popular overnight. This song is his masterpiece and the source of his controversy.
This song, which combines elements of modern pop music and Peking Opera, alternates male and female voices, which is amazing. This song also made him acquainted with Mei Baojiu, the son of Peking Opera master Mei Lanfang.
Mei Baojiu, a descendant of Peking Opera. He is the son of Mei Lanfang and the successor of the Mei faction.
He is a master of Peking Opera and an educator of Peking Opera. He has a deep affection and unique insights into Peking Opera.
His musical style is traditional and standardized, but also innovative and varied. His appearance has won the admiration and love of countless people.
He has performed all over the world and trained many students. His whole life was a struggle for Peking Opera.
His love for Peking Opera also made him appreciate Li Yugang's music. He believes that Li Yugang's music has injected new vitality into Peking Opera and opened up a way of inheritance.
His appreciation of Li Yugang also made Li Yugang feel honored and encouraged. They were originally a pair of musicians who admired each other, and they were originally a pair of friends who shared the same ideals.
They could have pushed Peking Opera to new heights together, and they could have worked together for the development of Peking Opera. However, everything changed completely at a single gala.
It was a party held to commemorate Mei Lanfang's birthday, and the director invited Li Yugang and Mei Baojiu to attend. Maybe he wanted the two to cooperate, or maybe he wanted the two to reconcile, but it backfired.
Li Yugang claimed to represent the Mei School of art on stage, which made Mei Baojiu feel insulted and left the party. This incident made the relationship between the two change from appreciation to hostility, from friendship to confrontation.
This incident also made the music of the two change from fusion to split, from innovation to competition. Since then, the two have started a grudge that never ends.
Mei Baojiu began to criticize Li Yugang for being too arrogant, believing that he was not qualified to represent the Mei faction. He sees Li Yugang's music as a blasphemy and a violation of the Peking Opera tradition.
He thinks that Li Yugang is a clown who jumps off the beam, and he is an ignorant and shameless person. His words made Li Yugang feel angry and unconvinced.
Li Yugang is full of confidence, believing that his music has represented the modernization of Peking Opera. He considers his music to be a creation, a continuation of the tradition of Peking Opera.
He considers himself a genius and a talented person. His attitude made Mei Baojiu feel annoyed and despised.
The argument between the two grew increasingly heated and escalated. Their music also began a competition, constantly contrasting.
Their fans also started a fight, constantly tearing each other apart. Their grievances and hatreds have become a major topic in the entertainment industry and a major problem in the Peking Opera industry.