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If the "Spring Festival Gala" in the Year of the Dragon is arranged like this, I assert that the audience will stand up and applaud after watching it

author:Quiet entertainment

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1983 marked the birth of the Spring Festival Gala, a cultural event. At that time, TV was still a luxury for every household, but the appearance of the Spring Festival Gala made every family in front of the TV boil. This is a change of the times from black and white to color, and the Spring Festival Gala program on the TV screen makes people seem to see a more colorful world.

If the "Spring Festival Gala" in the Year of the Dragon is arranged like this, I assert that the audience will stand up and applaud after watching it

20 years of wind and fire: the peak moment of the Spring Festival Gala

Entering 20 years ago, the Spring Festival Gala has developed to a new height. The sketches of Chen Peisi and Zhu Shimao, and the funny performances of Feng Gong and Niu Qun have all become well-known classics. During this period, the Spring Festival Gala was not only an entertainment program, but also a comprehensive embodiment of culture, art and the times. People no longer just watch shows for the sake of watching shows, but more to experience that festive atmosphere and feel the warmth of being reunited with their families.

If the "Spring Festival Gala" in the Year of the Dragon is arranged like this, I assert that the audience will stand up and applaud after watching it

10 Years of Silence and Rebirth: The Cultural Release of the Spring Festival Gala

However, 10 years ago, the Spring Festival Gala seemed to have encountered a small trough. Despite this, the addition of artists such as Zhao Lirong, Zhao Benshan, Fan Wei and Gao Xiumin has revitalized the Spring Festival Gala. They use their own unique art form to present a visual and auditory feast for the audience. At the same time, Faye Wong, Na Ying and other stars in the music industry have also brought new vitality to the Spring Festival Gala, and the combination of BGM and short videos has made the program more colorful.

If the "Spring Festival Gala" in the Year of the Dragon is arranged like this, I assert that the audience will stand up and applaud after watching it

"Eating Noodles": The Collision of Cultural Confinement and the Renaissance

Chen Peisi's "Eating Noodles" became a milestone in the history of the Spring Festival Gala. This program is not only about the story of noodles, but also about the thinking of Chinese about tradition and modernity, culture and art after the reform and opening up. This attempt at innovation is like the artists of the Renaissance, breaking free from the shackles and bravely exploring and innovating.

If the "Spring Festival Gala" in the Year of the Dragon is arranged like this, I assert that the audience will stand up and applaud after watching it

The hard work behind the show: every rehearsal is worth it

Behind every wonderful show that the audience sees, it is inseparable from countless rehearsals and hard work. From the selection of music to the choreography, from the lighting to the choreography, every link requires the close cooperation of the team and countless efforts. It is these seemingly inconspicuous details that constitute a shocking audio-visual feast.

If the "Spring Festival Gala" in the Year of the Dragon is arranged like this, I assert that the audience will stand up and applaud after watching it

The Spring Festival Gala is a stage that represents the times

The 40-year Spring Festival Gala has witnessed China's reform and opening up, the release of culture and the revival of art. Every artist and staff member involved in it has put their heart and soul into this show. And every audience has found their own stories and memories on this special stage. The Spring Festival Gala is not only an entertainment program, but also a comprehensive embodiment of the times, culture and emotions. When the audience finishes watching it, they will not only applaud, but also applaud this great stage in their hearts.

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