The Chinese New Year is an annual event in the Chinese film market, and it is also a time for major directors and producers to show their strength. And at this moment full of fierce competition, the film directed by Feng Xiaogang lost to "The Annual Meeting Can't Stop!" in the battle of comedy.
》。 This defeat has aroused widespread attention and thinking, what is the reason for Feng Xiaogang's work to lose in the Chinese New Year comedy battle?
This has also become one of the hot topics in the industry.
First of all, the question of why Feng Xiaogang lost to "The Annual Meeting Can't Stop!" needs to start with the differences between the two movies. "Do Not Disturb 3" continues the successful routine of the first two parts, with a luxurious headline, a luxurious vision, and a plot dominated by language comedy.
In contrast, "The Annual Meeting Can't Stop!" chooses the form of structural comedy, focusing on the real workplace, which is closer to the audience's life.
Feng Xiaogang's films have always been known for their unique humorous style, but in this Lunar New Year, the audience seems to be more inclined to the comedy of current life and has become more interested in structural comedy.
This change in the audience's tastes has led to the audience being more willing to choose "The Annual Meeting Can't Stop!" instead of "If You Are Honest Do Not Disturb 3".
Secondly, Feng Xiaogang continued his old tricks in this Chinese New Year, but this may also be one of the reasons for his defeat.
In his past works, Feng Xiaogang has won the love of audiences with his unique comedic style and sharp portrayal of social phenomena.
However, with the continuous development of society and the changing tastes of the audience, it has become a question worth pondering whether Feng Xiaogang's tricks are still suitable for the current Internet era.
The audience is more willing to accept comedy that is closer to their own lives and more contemporary, and Feng Xiaogang may need to make more innovations and experiments in this regard.
Feng Xiaogang's parting of ways with the "Lao Paoer" team has also triggered the industry's thinking about the relationship between directors and teamwork.
The tacit understanding and cooperation of a successful director team is crucial. In "Lao Paoer", Feng Xiaogang's cooperation with the team presents a unique tacit understanding, which makes the film achieve good results at the box office and word of mouth.
However, in this Chinese New Year, due to a series of reasons, Feng Xiaogang and the "Lao Paoer" team chose to develop separately.
It also reminds filmmakers that the tacit understanding and cooperation between the director and the team is crucial to the success of a film, and it requires communication and understanding between both parties to create better works together.
In contrast to Feng Xiaogang's defeat, "The Annual Meeting Can't Stop!"
success. This film is directed by Dong Runnian, chooses the form of structural comedy, focuses on the real workplace, and becomes a dark horse for the Chinese New Year.
Dong Runnian's ingenious portrayal of contemporary workplace life has successfully attracted the attention of the audience.
This also makes people wonder whether the current audience's demand for comedy is more inclined to pay attention to society and life, rather than simple laughter and funny elements.
This puts forward higher requirements for future comedy creation, and it is necessary to dig deeper into the humor and laughter in life.
Today, as the film market continues to evolve, the tastes and needs of audiences are constantly changing.
As a grand event in the Chinese film market, the success of the film has been affected by many factors.
Feng's defeat sparked thinking about directing style and teamwork, and also made people pay more attention to the changing tastes of audiences and the direction of comedy creation.
Through this Chinese New Year comedy battle, filmmakers may be able to better grasp the audience's preferences and create more in-depth and contemporary films.
In the future, filmmakers need to pay more attention to social changes and changes in audience needs, actively innovate, and have the courage to try different creative methods and themes.
Only in this way can we stand out in the fierce market competition and present richer and more in-depth film works to the audience.