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Deeply immersed in the narrative charm of historical dramas, the TV series "Kangxi Dynasty" and "Yongzheng Dynasty" have undeniably become household classics. However, a closer look at these two episodes reveals that they are not entirely faithful to history. Many plots do not match historical facts, and it seems that fictional elements are created for the sake of plot tension. In these twists and turns of the plot, the audience may find some flaws that are contrary to the historical truth, warning us to remain rational when appreciating literary works and have a more accurate understanding of history.
The first is the plot of Emperor Kangxi's recovery of Taiwan, and the plot depicting Zheng Jing's suicide in the TV series is actually not historical truth. Zheng Jing had already died when Emperor Kangxi recovered Taiwan, and this plot element seems to have been deliberately added to create a tragic emotional atmosphere. In real history, Zheng Jing's ending may not be so bizarre, however, for the emotional tension of the TV series, the creator chose a more impactful plot arrangement.
Another obvious historical misreading is reflected in the title of Empress Dowager Xiaozhuang. In historical facts, the Empress Dowager Xiaozhuang was not honored as "Xiaozhuang" during her lifetime, and this honor was actually a posthumous nickname. This may be because the creator deliberately introduced the nickname into the plot in advance in order to express his reverence for her, creating a poignant atmosphere. However, this adaptation has produced a certain distortion of the historical truth.
Suo Etu is portrayed as Kangxi's father-in-law in the TV series, but real history tells us that he should be called Kangxi's second uncle. This fiction may be an attempt to create a tighter family relationship and make the plot more confusing. Although such an adaptation adds layers to the plot, it also sacrifices the innocence of history.
Lan Qi'er, Su Mala Gubi, Shi Lang, Wu Sidao, Li Wei, Zhang Tingyu, Long Keduo, the addition of this series of fictional characters and misleading plots undoubtedly provides support for the complexity and attractiveness of the plot. However, in these fictional elements, we can also feel the disrespect for historical truth. Shi Lang's surrender to the Qing court in the Shunzhi Dynasty and Wu Sidao's failure to serve as his staff before Yongzheng's accession to the throne make the plot even more confusing, but also weaken the historical credibility of the work.
And some historical figures in the play, such as Zhang Tinglu and Long Keduo, their experiences also seem to have been influenced by the imagination of the screenwriter. Zhang Tinglu's "Kechang Case" was actually a boycott and was not executed, while the "Nuomin Case" does not exist at all in real history. These adaptations may be intended to create a more tragic atmosphere, but they also deprive the audience of the opportunity to learn the truth of history.
When enjoying TV dramas, we might as well maintain a sensitivity to historical truth and not be confused by fictional elements. The creators of the TV series "Kangxi Dynasty" and "Yongzheng Dynasty" may be pursuing emotional resonance and story tension, but the audience should also maintain a reverence for history when savoring these works. Understanding the truth of history not only allows us to better understand the plot, but also broadens our understanding of history.
In this epic historical drama, we see the creator's creative interpretation of history and the adaptation of fictional characters. The TV series "Kangxi Dynasty" and "Yongzheng Dynasty" break the shackles of time through the recreation of history, making the story more dramatic and engaging. However, while immersed in these fictional worlds, we cannot ignore the existence of historical truth. By comparing the differences between the fictional plot and the real history in the TV series, we can better understand the blend of history and reality.
Therefore, when enjoying these two dramas, we can have a sense of reverence for history, not only enjoy the emotional expression of the story, but also have a clear understanding of the historical truth. Every piece of history has its own unique imprint, and fictional elements add to these historical stories. Expect the audience to savor these voids