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Three Kingdoms: From the standard wind to the attack, explore the original paintings with differences and changes!

author:Three Kingdoms video game café

The Attack Chapter is being launched, which is essentially a development of the military generals of the realm, and another renovation of the standard generals. This renovation is not limited to the skill effect, but also to the original art. From the perspective of establishing the image of a military general, the role of the original painting is very important. It gives the player's senses as a whole, determines the temperament of the general, and subtly affects the player's perception.

Lv Meng

Three Kingdoms: From the standard wind to the attack, explore the original paintings with differences and changes!

Biao Lümeng was dressed in white, wearing a hat, and his eyes were calm and calm, obviously a lurker waiting for an opportunity. His weapon was hidden behind him, and he couldn't spot the hand holding it unless he looked closely. After all, Lu Meng did not kill to deny himself, hiding his attack intentions in order to find an opportunity to break out. Hiding a weapon only proves that he is insidious, but not that he is not dangerous.

Three Kingdoms: From the standard wind to the attack, explore the original paintings with differences and changes!

Mou Lumeng's hostility is much more direct, the hat is not on the head but in the hand, although the knife is not unsheathed, but it must be very convenient to shoot. Such an original painting is very much in line with the mechanism of Mou Lu Meng - not only does not affect the output, but also prepares for battle and defense at any time.

Yuan Shao

In Yuan Shao's original painting, he himself is full of ambition and is directing his subordinates to release arrows. His mouth opened so wide that he earned the nickname Big Mouth. The standard random attack does not take into account the teammates at all, which leads to the fact that sometimes loyal ministers will become tragic victims under the ten thousand arrows of the lord Yuan Shao.

Three Kingdoms: From the standard wind to the attack, explore the original paintings with differences and changes!

Mou Yuan Shao was in the military tent, standing in front of his subordinates, although he led Yan Liangwen Chou and other generals, and with a sharp sword in his hand, he still did not change his sharp attitude, but the ten thousand arrows were not reflected in his original painting. Mou Yuan Shaode's two skills are indeed more closely related to checking, which shows that he no longer relies on the lethality of ten thousand arrows, but begins to rely on his own people to check.

Huang Zhong

Three Kingdoms: From the standard wind to the attack, explore the original paintings with differences and changes!

Biao Huangzhong rode on a horse, with a bow and arrows in his hand, aiming at the enemy who did not appear in the original painting, full of oppression. Just like the way he makes his opponent feel in a game. If his opponent wants to dodge the cold arrow, it is not enough to dodge, but also to consciously control the number of cards in his hand, otherwise he will suffer from a strong life.

Three Kingdoms: From the standard wind to the attack, explore the original paintings with differences and changes!

Mou Huangzhong is in a chaotic battlefield in the original painting, and the situation seems to be more dangerous, but he is not chaotic in the face of danger, and he can calmly hold the bow to observe the situation. His skills are not as effective as the Flame Bow when they meet the conditions, and the timing of the Flame Bow is completely at his disposal, although it will be more troublesome to build up, but the power should not be underestimated.

曹操

Standard Cao Cao's long beard and red robe are still the image of the treacherous and loyal in the Battle of Tongguan. As the commander of the Wei State's blood-selling generals, his traitorous male is also a typical blood-selling skill, and the harm done to him by others will become his capital for revenge.

Three Kingdoms: From the standard wind to the attack, explore the original paintings with differences and changes!

The deep blue of the Wei state and the Jin of the Han dynasty are intertwined in Cao Cao, indicating his complex position in politics. Cao Cao's choice between Qingzheng and traitorous is also more in line with the evaluation of the capable ministers who govern the world and the traitorous heroes in troubled times. Although Cao Cao's original painting is also golden, it is diluted by the red robe. Cao Cao's original painting has a stronger sense of neutrality.

From the changes in the original paintings, you can sometimes see the connection with the changes in the skills of the generals. The strategy chapter has always performed well in pushing through the old and bringing forth the new, and it has not completely subverted the image of the original general, but it is not immutable, standing still.

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