The New Year's Eve party has always been an important cultural event at the end of the Chinese year, not only a carnival for people to welcome the New Year, but also a stage for artists to show their strength and charm. The ratings of this year's New Year's Eve party have once again become a hot topic in the society, with CCTV and Mango Channel competing for each other, and artists such as Huang Xiaoming and Sun Yanzi are even more colorful. However, in addition to the festive atmosphere and successful performances, the mistakes of some young artists have also caused concern and reflection among the audience.
After the Mayday lip-syncing incident in the past, the phenomenon of lip-synching at this year's New Year's Eve party has decreased significantly, which shows a higher requirement for the authenticity of singing skills. However, correspondingly, the musical strength of some young artists is facing a worrying situation. Problems such as out-of-tune, unpleasant, and incomplete pentatonic frequently appear in live performances, making the audience worry about the future of these young artists.
Especially for singers like Zhou Huajian, the musical performance of some young artists almost drove the whole party off track. This can't help but make people wonder whether the younger generation of artists should pay more attention to the cultivation of basic music skills, rather than just chasing external halos and popular elements. Artists should be aware that their musical prowess is the most basic expectation of the audience, and it is the foundation for building their own brand and long-term survival.
However, this is not to say that all young artists "roll over" at the gala. In fact, some artists who have been famous for a long time have successfully "repaired the sound" through continuous efforts and exquisite performance skills, which has provided great help to the viewing experience of the whole party. With their skillful interpretation and profound artistic skills, they won the applause of the audience and successfully attracted more eyeballs. This shows that young artists can draw nourishment from the experience of the older generation and constantly improve their musical level and stage performance to better meet the expectations of the audience.
It is worth noting that some artists have successfully reached the highest point of ratings by relying on super high national popularity. This not only reflects the audience's attention to the personal charm of celebrities, but also raises a thought-provoking question: are audiences more willing to chase the aura of stars than their musical prowess? This may be a new perception of entertainment in an era, but it also reminds us not to neglect the true love of music and art while appreciating stars.
On the whole, the ratings of this year's New Year's Eve party not only present a rich and colorful cultural ecology, but also reflect the audience's higher pursuit of the artist's strength. Young artists should always maintain their love for music, pay attention to their own musical literacy, and present more exciting performances to the audience. At the same time, the audience should also look at the stars more rationally, not only focusing on their personal aura, but also appreciating their true strength in the music field. Only in this way can we jointly create a healthier and more in-depth entertainment and cultural environment.
#New Year's Eve Party Ratings##Headline Premiere Challenge##Tell the Truth#