"Flowers": Wong Kar-wai's style TV series is beginning to bloom, with bright flowers, gold and jade, and defeat. The audience is confused, the plot is wonderful, and there are few audiences, why don't they love it? It is this drama, with a unique style and dominating one side, but the public is puzzled. Wong Kar-wai's name, the drama directed, on the TV screen, is confused.
Full of pride, the audience is reluctant, but the ratings are not reached, why not? Wong Kar-wai is talented, chivalrous, casting dramas, and deep and righteous. However, the eyes of the audience are only commercially oriented and consume the public. However, flowers do not belong, and the TV screen, although the popularity is rising, the ratings are still difficult to find. Audience's favorite, drama, storyline, characters.
Traditional TV, the era of spy wars, the reality of people's livelihood, and the love of the audience. And the wind of flowers is not in line with the public, and its shadow style belongs to Wong Kar-wai. The spy war is suspenseful, the plot ups and downs, and the atmosphere of fireworks is pleasing to the audience. And the love of flowers, Ah Bao is high, but the civilians are not as good as the audience. The Yellow River hawker is actually an undercurrent, and the audience is separated and unable to empathize.
The drama of the husband and the flowers, which is unique and unsuitable for the audience. Cover one new and one old, behind the brightness, the business world is worried, and the audience is not confused. However, the plot is inside, the conventional routines, the shopping mall, and the audience knows. And the appearance is gorgeous, unconventional style, flowers are different, traditional TV. The audience wants to be entertained, but they don't want to think deeply, and the love of flowers is difficult for the audience to take.
There are many in Shanghai, multi-faceted and three-dimensional, flowery dramas, new styles are blooming, and traditions are preserved. The Yellow River road, the lights are bright and green, and under the undercurrent, they compete with each other. Wong Kar-wai's light and shadow, circulating in reverse order, the audience's inertia, is difficult to change. The flowers are anti-traditional, the audience is uncomfortable, and Wang Jiawei is not for a while. In Shanghai in the 20th century, Wong Kar-wai's solution was comprehensive and three-dimensional, and he did whatever he wanted.
Flowers are rare, high ratings are lost, but Wong Kar-wai revitalizes the market quality and improves the style. May the viewers talk about the flowers? Leave a speech and talk about television.