It has been 852 days since "Qin Shi Mingyue". To this day, many fans are questioning whether Xuanji can continue to make this animation, and many fans are analyzing what the problem of "Qin Shi Mingyue" is. Judging from the current online reviews, it seems that everyone is spraying farmhouse, and I personally think that farmhouse is definitely a classic. Maybe most Qin fans want to see Tianming Shaoyu, but they waited for a long time to come out with an episode of farmhouse, and they will naturally not have a high evaluation when they look at the farmhouse with a feeling of loss.
In fact, the farmhouse is definitely a classic, with the stone of confusion as the fuse, the net layout, the farmhouse fight, the uncle and the second uncle break the game, the logic of the whole story line is clear, the suspense is heavy, and the character creation is more classic, take Dianqing as an example, just appeared to give people a feeling of disobedience, rough man, passerby A role, with the advancement of the plot, it turns out that Dianqing is not only full of force, but also the tenderness of the iron man, and it is difficult to calm his death, this contrast between the front and back makes the characters more full, basically all the new characters have their own characteristics, unlike the late pirates, it feels like it is grand for the grand world view, and many characters are very abrupt。
On the other hand, the farmhouse basically does not have this feeling, and it is very logical to bring the characters into the plot, Zhu Jia, Wang Li, Tian Yan, Han Xin, etc., are all promoting the development of the plot with distinctive characteristics. In fact, the first time I watched the farmhouse, the perception was also very bad, an episode in half a month, there are many characters, the plot is intricate, the characters are not right, and the clouds are in the fog when I watched it for the second time, I watched dozens of episodes in one go, and the feeling of being cheerful and dripping is still fresh in my memory.
So the farmhouse is actually okay, increasing the horizontal depth of the story, if you just tell the story of Tianming, it will make the plot seem monotonous, in the fourth part, that is, the little sage village, the problem has already appeared, the first to the third part, the time of the story happened in a few days, so all aspects are portrayed in detail, once the timeline is extended, it is difficult to co-ordinate , It is estimated that the crew found the monotony of the fourth plot, plus it is written as a story at the end of the Qin Dynasty, and all the sons and hundreds of schools have come out, so they can't just be put there, right?
But obviously, the plot of the fifth part is not well carved, while thinking about multi-line progress, while making out a grand world view, and trying to establish the character of each character, just dozens of episodes, an episode of less than 20 minutes, can't express these things at all, I want everything, and I don't get anything, but the fifth part is still watchable overall, but in the sixth part, it's completely self-free, it's hard to make up, the plot can't be seen at all, I want to show Han Xin's talent, but I idealize everything, I can't reflect the strategy of war and the cruelty of the battlefield, I really write Qin Jun as a fool, and finally it's anti-Qin, the more anti-reverse, the more people will be sacrificed.
In addition, I feel that those who have been arguing to watch Tianming have forgotten the real main line, in the farmhouse Chen Sheng Wu Guang began to emerge, the anime did not use the original name, but look at Shengqi and his brother, the name is forgotten, it can be seen that it refers to Chen Wu, there is no farmer Chen Wu two brothers follow-up prince general Xiangning has a kind of? Where did the follow-up plot come from, without these plots, Chen Sheng, Wu Guang, Han Xin, these historical main characters, how to appear?
So it's not that the farmhouse is not good, it's the narrative that has a problem, the storyboard language of the fifth step, the lines, and the character building are too far away from the first 4 parts, not because of the appearance of the protagonist in the department, and now I revisit and find that the plot after the tooth devouring hell, the storyboard transition is simply perfunctory, and the previous ones are not at the same level, there are so many characters in each episode, several lines are parallel, but the duration is sparse, and the lines are also, the level plummets, and the lens language is even more casual, the reason may be that the mystery is not so attentive and Zhou Gengyue didn't have much time to polish the plot at that time, after all, the first 4 parts are all finished and rebroadcast, and the back is indeed broadcast while doing it。
Personally, I feel that Xuanji can update the main line while doing branch lines such as farmhouses, so that their original intention and the market may be combined and make money while standing. However, now Xuanji seems to have found that the first-class special effects of the third-rate plot adapted from the cool text of Douluo Continent's monster fighting and upgrading are more profitable than doing farmhouse seriously. In addition, now many people like to compare the mystery with Ruosen, and compare the Qin Shi with the bad people, in this regard, I can only say that the former Qin Shi was very good, and the former Xuanji was also very good, but the current Xuanji and the current Qin Shi are far from catching up with Ruosen and the bad people!