The Mid-Autumn Festival is looking forward to the moon, and it is time to appreciate the laurel. In my childhood, I never saw Osmanthus flower, but I only remembered Qi Jun's "Osmanthus Rain" in the primary school textbook, and I have always been fascinated. Many years later, I still remember the seven unique occupations occupied by my father in the text: "Fine incense and light smoke, competing to harvest the Guizi To celebrate the fengfeng year." Children shake the flowers happily, and the flowers and rain are colorful and sweet. I still remember the words my mother used to say: "No matter how fragrant the osmanthus flowers here are, they are not as fragrant as the osmanthus flowers in the courtyard of my hometown." The author said, "My mother worked hard all her life, without complaint, because she had a Western paradise with golden sands and glass in her heart."
I don't have a yard, and there are no osmanthus flowers in the yard, but in my heart, there is a world of poetry full of cinnamon.
Li Shizhuo's "Osmanthus Moon Rabbit Diagram" fan page
Mid-Autumn Moon Cold dew silent wet osmanthus flowers
《15 nights Mochizuki Yorochu》
(Tang) Wang Jian
Atrium white arboreal crow, cold dew silent wet osmanthus flowers.
Tonight the moon is full of hope, and I don't know whose house autumn will fall.
The moon of the Mid-Autumn Festival, sprinkled in the courtyard, the garden is like a water empty, so it is said "white". Moonlight is like water and frost; as clear as water, as silent and cold as frost. The poet begins to write about the moon, both the purity of the moon and the coldness of the moon. "Quiet Night Thoughts" said: "The bright moonlight in front of the bed is suspected to be frost on the ground." Look up at the bright moon and look down at your hometown. "The moon is like frost, which is the temperature of homesickness." Arboreal crow" three words, then write the silence of the moon and night. "Autumn Wind Words" said: "The autumn wind is clear, the autumn moon is bright, the fallen leaves are gathered and scattered, and the jackdaws are perched and frightened." "Jackdaw is not easy to be quiet, at this time the silent situation of the raven perch tree painted, it can be seen that the moon night is deeper, deeper and heavier, naturally leading to the following "cold dew silent wet osmanthus flower".
If this sentence is written realistically, it is written about the laurel tree in the court. The verses are extremely cold and quiet, but they are extremely deep: in the courtyard, the autumn night is lonely, the cold dew is cold, silently moisturizing the osmanthus flowers, and the trees that are open and scattered in the grass are all soaked by the dew of this cold night, just like the poet's thick thoughts, they are all soaked by the boundless thoughts. If this sentence is written as a fictitious, write the laurel tree in the moon. The title of the poem is "looking at the moon", and the whole poem is also looking at the moon everywhere. "Cold dew silent wet osmanthus flower" is the scene of the poet looking at the moon. The coolness of the human world has struck, and presumably it will be even more cold in the Moon Palace! Li Shangyin's poems "Young women Su'e are resistant to cold, and in the middle of the month frost Dou Chanjuan", Su Shi Ciyun "the high place is not cold", both wrote that the moon palace is cold. In this lonely night, the poet looked up at the bright moon, and the autumn cold struck, and he couldn't help but think that in that Guanghan Palace, the cold dew may also silently wet the osmanthus flower. In the heavens on earth, the flowers blossom and fall, "the drizzle wet clothes can't be seen, the idle flowers fall to the ground and listen to the silence", the laurel tree in the moon palace, I don't know if there are also fallen flowers? "Chang'e regrets stealing the elixir, the blue sea, the blue sky, the night heart", Chang'e in the Moon Palace, I don't know if, like the poet, also has a strong longing? No matter how strong the thoughts are, but all of this is extremely light and quiet, like cold dew and silent, like rain and osmanthus flowers, light and traceless, but long and deep.
"Tonight the moon is full of people, and I don't know whose house autumn will fall." With only one "exhaustive" word, the poet pushes himself and others, and writes that the people of the world look forward to the moon and the distance. Yes, "the sea is born of the bright moon, the end of the world is at this time", the thoughts of the people are like the moonlight sprinkling, no matter the end of the world, it is the warmest corner of the heart. However, as the Southern Song Dynasty folk song said, "The moon bends and bends to illuminate Kyushu, a few joys and a few sorrows", the world is thousands of people, in the end whose thoughts will be brought to it? "I don't know whose house autumn thoughts fall into", yes, the poet does not know, the moon does not know, the people do not know, the vast autumn thoughts are just like this vast moon, poignant and hazy, vast and vast.
Hangcheng reminisces about the old mountain temple in the middle of the month to find Guizi
"Remembrance of Jiangnan" part two
(Tang) Bai Juyi
Jiangnan recalls, the most memorable is Hangzhou:
In the middle of the month, yamaji looks for Katsurako, and the county pavilion pillow looks at the tide.
When will you revisit?
Hangcheng appreciates the gui, with Manjuelong and Tianzhu Three Temples and Lingyin Temple as the victory. "Manlong Guiyu" is fragrant and fragrant, and The mountain temple Keizi is more poetic and Zen. Bai Juyi roamed Jiangnan in his youth, lived in Suzhou and Hangzhou, and successively served as the history of Hangzhou thorns and suzhou thorns, so Jiangnan became a deep attachment in his heart. "Remembering Jiangnan" was composed as Bai Juyi's nostalgia for the old tour of Jiangnan after settling in Luoyang.
The most memorable is Hangzhou, which is the osmanthus of Hangzhou. Liu Yong word cloud "there are three autumn guizi, ten miles of lotus flowers", autumn to appreciate the gui, summer to appreciate the lotus, fang does not live up to the scenery of Hangzhou. "Looking for Guizi in the Middle of the Mountain Temple", just seven words, but infinite poetry. "Mountain Temple" points out the location of the seclusion, I don't know if the poet once went to He Temple to look for Gui? Is it the Lower Tianzhu Fajing Temple, the Middle Tianzhu Fajing Temple, or the Shangtianzhu Faxi Temple? Or the Lingyin Temple? Or have they all gone looking for them one by one? The poet did not say so. The mountain temple also adds a legendary color to the search for gui, and in his poem "Dongcheng Gui", the author once noted the clouds: "The old saying that Hangzhou Tianzhu Temple has laurel falls in the Mid-Autumn Festival every year. "Mid-month" points out the shadow of time. Looking for the laurel in the middle of the month, how poetic and fascinating! It is the ethereal silence of "people idle osmanthus flowers falling, night quiet spring mountain sky", the moonlight is like water, the path is looking for flowers, and the flowers are fragrant and bright moon. "Looking for guizi" points out the poetic elegance, and travels to the mountains at night, only for the osmanthus flowers to linger, full of fragrance, and deep love. Last year, I was fortunate to be able to stop in the mountains, and at the beginning of the night, a tree of dangui outside tianzhu Temple, under the illumination of street lamps, was alone and lonely. Just at the sight of the side of the road, that scene, but I will never forget.
Written by Ming Gaolian, "Four Hours of Secret Appreciation, ManjiaYuan Appreciation of Osmanthus Flowers"
"Searching for Guizi in the Middle of the Moon at the Mountain Temple" is also reflected in the poems of other poets in the Tang Dynasty. For example, Song Zhi asked the poem cloud of the "Lingyin Temple": "The moon of guizi falls in the middle of the moon, and the heavenly incense clouds float outside." Pi Rixiu's poem "Tianzhu Temple On the Fifteenth Night of August Guizi" poem Yun: "Jade Shanshan next moon wheel, in front of the palace to find Lu Huaxin." So far, it will not be a matter of heaven, it should be Chang'e throwing with people. "The beauty of Hangcheng's wind and things, the elegance of the night moon and the appreciation of gui, have melted in this boundless poetry."
Why should it be light turquoise and deep red Since it is the first class among flowers
Partridge Sky
(Song) Li Qingzhao
The dull and light yellow body is soft, and the love is far away and only fragrant.
Why light turquoise and deep red, it is the first class among flowers.
Mei Ding is jealous, Ju should be ashamed, and the painting is opened in the crown mid-autumn.
Rioters can think ruthlessly, what is not seen in the past.
Yi An loves plums and admires chrysanthemums, but loves osmanthus the most. The opening chapter" is "Dim light yellow body softness", writing about the elegance and gentleness of osmanthus flowers. The color of osmanthus is light, or light white, or yellowish; the body is soft, petite, and smooth. "Love is far away only fragrant", writing osmanthus flowers have a faint feeling, far away from the mountains, the growth environment is quiet, but the fragrance is rich. Osmanthus is like a beautiful person living in the empty valley, or a gentleman living in the mountains and forests, his sex is indifferent, and his longevity is long.
"Why should it be light blue and deep red, since it is the first class among the flowers", the lyricist directly discussed, opened a stroke, and pointed out the extraordinary status of osmanthus in the heart of the lyricist. The word "why su" is loud and clear, the osmanthus does not need to win with bright colors, the word "self-is" is more firm and confident, and the "first class" directly points out the different customs of the osmanthus flower, it is light and fragrant, gentle and soft, and the traces are high and unique. In Yi An's "Spreading out the Huanxi Sand" in his later years, he also wrote about the character of osmanthus flowers, "all day long to people with more excuses, wood rhinoceros flowers", "wood rhinoceros flowers" that is, osmanthus flowers, "pickles" that is, wide and inclusive, when the author first recovered after illness, he saw the gentleness and lightness of the osmanthus flowers, and his heart was peaceful.
The next film first contrasts with plum and chrysanthemum, which once again sets off the uniqueness of osmanthus flowers. Yi An loves plums, there are words cloud "every year in the snow, often insert plum blossoms drunk"; Yi An appreciates chrysanthemums, there are words called "after the east fence puts wine at dusk, there are dark fragrant sleeves". However, at this time, yi An's beloved plum blossoms and chrysanthemums will be jealous or hide their faces in front of the osmanthus flowers, and sigh to themselves. Through anthropomorphism and contrast, write the osmanthus flowers beyond the plum and chrysanthemum, and then from the seasonal point of view, write the osmanthus flowers in the Mid-Autumn Festival, so as to naturally echo the previous film "self-is the first class among the flowers".
The concluding sentence "Rioters can think ruthlessly, what is not seen in the year" and then sent a novel discussion. "Rioting people" refers to Qu Yuan, "can be braked" and "what things" all express doubts. Qu Yuan's work "Leaving the Troubles" collects the famous flowers Zhenhui, Yuanzhi Xianglan, Xia Heqiuju, to symbolize the virtues of a gentleman, but there is no osmanthus flower. Yi An hugged Guihua, and whether Qu Yuan was not emotional enough, he even missed Guihua. The Song dynasty poet Chen Youyi also had this feeling, and in the Qingping Le MuXi, Yun said: "The Chu people did not know Gu Yan, and "Leaving sorrow" was hated for a thousand years. Both of them took the lack of osmanthus in "Leaving Sorrow" as a major regret, and they were unhappy about osmanthus flowers. But this is uneven, is it just for osmanthus flowers?
Qing Dynasty Jiang Pu "Gui Rabbit Chart Axis in the Moon"
If you want to buy osmanthus flowers with wine, it is not like a juvenile tour
"Don Doring"
(Song) Liu Guo
Lu leaf Mantingzhou, cold sand belt shallow current.
Twenty years more than the South Building.
The willow under the boat is still unstable, can be a few days, and the Mid-Autumn Festival.
The yellow crane broke its head, is the old man here now?
The old country is a new sorrow.
Want to buy osmanthus flowers with wine, the end is not like, juvenile tour.
This word is preceded by a small preface: "An Yuan Lou Xiao Ji, the one who is surnamed Ji Huang of the Song Board, begging for words from the Longzhou Daoists, in order to endow this "Tang Duo Ling". Tong Liu Fuzhi, Liu Zhifei, Shi Minzhan, Zhou Jiazhong, Chen Mengshan, Meng Rong. It was august 5th also. Anyuan Lou, the so-called "South Building" in the word, was on the Huanghu Mountain in present-day Wuchang. At that time, Wuchang was already the front of the War between the Southern Song Dynasty and the Jin People. "侑觞歌板" refers to the singer who advises the drinking board at the banquet. "Longzhou Daoist", is Liu Guo's self-titled also.
"Reed leaves are full of Tingzhou, and the cold sand belt is shallow." The opening paragraph writes that what I saw when I climbed the stairs was a flood of cold water and full of desolate reeds. In late autumn, the leaves of the reeds are decayed and covered with Tingzhou; the cold sand calendar, the autumn water is shallow. The three words of "full", "cold" and "shallow" not only write the sparseness of the scenery, but also write the bleakness of the heart, which adds a desolate background to the whole word. The sorrow of the poet is like this boundless reed leaf, covering the earth; like this lonely cold sand, which covers the riverbed; more like the shallow flowing water, which flows endlessly and cannot be discharged.
"Twenty years of heavy over the South Building", generous beginnings, from the perspective of space into the retrospective of time, memory and reality are intertwined, between virtual and real, infinite sorrow. "Twenty years", which shows the length of time, and then a "heavy" word, the sense that things are not human, and the sense of being invincible to the present and the past is even deeper. The QingHuangYuan "Selected Words of the Garden" also said: "Song Dangnandu, the place where the Wuchang clan and the enemy are in contention, can there be no sense of the past and present?" Twenty years ago, during the initial construction of the South Building, Liu Guo roamed Wuchang and lived a life of poetry and wine, wild and uninhibited. There are both "drunken yellow crane towers, a bet of millions" ("Huxue Betsu Summoning"), and there are also "Yellow Crane Towers in front of Chu Qing, caiyun overlapping to support Lou Ting" ("Huan Xi Sha Gift Prostitute Xu Chuchu"). Now, twenty years later, Liu Guo, who had hoped to promise his life to the country, is still ambitious and unpaid, and it is at a time of national crisis.
"The willow under the boat is still unstable, can be a few days, and the Mid-Autumn Festival", short sentences are connected, twists and turns, "still unstable" on the word "passed", pointing out that the line is hurried, can not stay for a long time. The words "can be a few days, and the Mid-Autumn Festival", "can" and "and" point out the rush of time, the helplessness of the timing, and the sadness of the late twilight years, all of which come to mind together.
"The Yellow Crane broke its head, is the old man here now?" Yellow Crane Rock, in the west of Wuchang City, there is a Yellow Crane Tower. With a "broken" word, it is even more desolate and painful. The remnants of the mountains and rivers are infinitely desolate, and the deceased is no longer there, so once again there is sorrow that "the old rivers and mountains are new sorrows." In "Peach Blossom Fan", the music master Su Kunsheng revisited Nanjing after the fall of the Southern Ming Dynasty, only to see that "there are too few people in the autumn water, the cold and clear photos, and a willow bends over"; he can only sigh "When the pink Dai, where is the sheng zhen"; can only "recite a set of "Lamenting the South of the Jiangnan" and sing sadly to the old". Liu Guo is known as "the strange man in the world, who shakes the world with anger and righteousness in his life", and his sorrow is not only nostalgic, sighing old, and sad autumn? "The old country is a new sorrow," it is a sorrow when the country is sad, and it is a worry about serving the country without a way out. The political situation in the Southern Song Dynasty was declining day by day, and this worry was getting deeper and deeper.
"If you want to buy osmanthus flowers with wine, it is not similar in the end, the teenager travels", the lyricist wants to relieve his sorrows, but in the end he cannot be solved. Between "wanting to buy" and "not looking like it in the end", how many hundreds of turns and thousands of times have been separated, and how many helpless and sad things have been hidden. Li Qingzhao said in the word cloud, "The weather in the old times, the old clothes, only feelings, not like the old home"; Zhang Liang can say the words cloud, "the old tour is nowhere to be found, there is no place to find, only the heart of a teenager". Yes, I can't find it, everything in the old days is like the fragrance of the osmanthus in the memory, it can be felt and imagined, but it is difficult to find in the end.
"The dream of the remnant mountain is the most true, and it is difficult to lose the old world", what cannot be lost is only the remnant dream of the past?