CCTV's magnificent "Three Teams" was once highly watched, and vowed to become the king of hits, but unexpectedly, this drama caused an uproar as soon as it appeared. At the beginning, CCTV's evaluation of it was abnormally high, and it directly gave it a plus. However, the officials did not seem to appreciate this "baby" strongly supported by CCTV, and instead began to call for "off the shelves, off the shelves!"
When it first emerged, "The Three Teams" was like a bamboo, and the word-of-mouth climbed so fast that it was simply stunned. The success of the film version was nothing more than a foreshadowing, and the series successfully attracted a large audience with its compelling plot and cinematic reputation from the beginning. CCTV's high praise made this drama the darling of the hit drama list for a while. However, before this wave of craze could make a comeback, the audience began to sing a chorus of "boos" to the show. CCTV's extra points may not be able to stop the audience's doubts. So, what happened to "The Three Teams"? Why was there a lot of scolding for a while?
The first thing is the plot design, which can be described vividly with the word "bizarre". What is the difference between a movie and a TV series? This drama doesn't seem to be clear, and it directly pulls the audience like a "tug-of-war." Because Cheng Bing fought Eryong, the entire brigade had to take off his police uniform, which was really chilling. This kind of far-fetched statement is like a screenwriter who suddenly had a flash of inspiration and decided to give Cheng Bing a "ten-year prison sentence", and the whole team followed suit. The audience shouted: "What kind of logic is this?" Just as the audience was thinking hard about the screenwriter's brain circuit, the plot of Wang Dayong doing things abroad jumped on the page. Good guy, this kid is a connoisseur at fighting villains! Wobbling in front of the gang boss and looking unscathed is nothing short of astonishing. The audience complained in unison: "This has to be the aura of the protagonist!" Wang Dayong, don't be so unreliable, okay?
is not only a logical problem, but also some small loopholes in the play, such as Boss Pang's reversal attitude. The audience was puzzled: "What's the matter with this guy? The changes in the characters' personalities are confusing, and the audience looks at the sloppy plot and exclaims, "Is this going to take us for fools?" Of course, these questions are just the tip of the iceberg. The audience is also quite dissatisfied with the setting of the protagonist's aura. The whole drama seems to hold the protagonist up to the sky, and there is no tension at all. Audiences want to see a tense and exciting story, not a protagonist who looks fearless in the face of danger. It's like watching a "stress-free blockbuster".
After such a bitter criticism, is the production team of "The Three Teams" going to kneel and beg for mercy? The audience hopes that future episodes can reduce these problems, improve the overall quality, and stop disappointing. CCTV's extra points also have to keep their eyes open, and they can no longer blindly score "pro-son", they have to seek truth from facts. Perhaps, the problem with "The Big Three" is that it tries to juggle between movies and TV series, but it turns out to be self-defeating. This is not only a problem with the plot, but also an underestimation of the audience's IQ. The screenwriter seems to think that a random "climax" plot can capture the hearts of the audience. However, the audience's vision is not so easy to fool, you have to have depth, logic, not just trying to be lively.
The problem with this drama is not that it lacks hardness, but that the screenwriter has lost his awe of logic. Logic is not to be played with, it is to be used in the nervous system that runs through the entire story. If something goes wrong with this system, the whole story will be shattered, like a kite with a broken string. However, it cannot be completely denied that "The Three Teams" has its highlights. After all, the fact that a drama can cause such a big response from the audience also shows that it has an attraction that cannot be ignored. Perhaps, as long as the production team can seriously summarize the view.
In the final analysis, drama reviews are like a silent contest. The criticisms and suggestions put forward by the audience are a powerful response to this contest. Perhaps, the screenwriters can learn from this "war of words", no longer superstitious about their own settings, and truly make it with their hearts, presenting a more wonderful audio-visual feast to the audience. But that's just my word for it. Everyone's opinion on a drama is subjective, and a drama like "The Three Teams" that has aroused heated discussions may be because it has too many controversial points that allow the audience to find resonance in communication. I hope that future dramas will not only learn lessons, but also be able to innovate in their creations and bring more surprises and touches to the audience.