The autumn auction grandly launched 12 special exhibitions such as "Great Beauty - Ancient Calligraphy and Painting", "Chinese Calligraphy and Painting", "Generation of Grass Saints - Lin Sanzhi Calligraphy and Painting", "Zen Painting Master - Master Yuanlin Calligraphy and Painting", "Liangjiang Normal School", "Yu Jianhua Calligraphy and Painting and Collection", "Art Nanjing - Nanjing Top Painter", "Contemporary Oil Painting", "Study Question - Aitao Literary Boutique", "Smoke and Clouds on the Case - Literary Room Qing offering", "Ancient Ware Cultivation Heart - Porcelain Miscellaneous Items", "Heirloom National Wine" and so on, in order to entertain collectors.
Ancient calligraphy and painting are more and more valued by the world with their huge cultural content and non-reproducibility. With the rise of ancient calligraphy and painting fever in recent years, the prices of some famous masterpieces in the auction market have been rising, and ancient paintings and calligraphy have continued to heat up.
545 査士標長林邃壑圖
Ink on paper vertical shaft 156×51.5cm
remark:
1. Chen Botao's old collection. Chen Botao (1855-1930), Xianghua, Zi Zi, Dongguan, Qing Dynasty Tanhua. He was the President of Guangdong Provincial Education Association. Proficient in calligraphy and painting.
2. Su Ruo inscription. Su Ruo or Yao Lixiu (1878-1939), also known as Su Ruo, was a native of Panyu, Guangdong. Good at ink painting, flowers and landscapes are all-knowing, for the Republic of China period Guangdong famous painter.
3. For the stamp, see "Chinese Calligraphers and Painters Seal Recognition • Cha Shi Biao", P652, pp. 25, 28.
Cha Shibiao, one of the "Four Houses of Xin'an", was a famous painter, calligrapher and poet of the early Qing Dynasty, who also appreciated it.
His landscape paintings, sparse brush and ink, the wind god Xiao Scattered, the qi rhyme desolate, in his later years directly peeped into the mystery of the Yuanren. The book is out of rice, Dong, on the chase Yan Zhenqing, the pen is handsome and bold, the charm is profound, when called rice, Dong regeneration, the name is important in the world.
Cha Shibiao is a poet who is idle and famous, and his painting temperament is also the wind god's laziness and high elegance.
In his early years, his landscape was deeply influenced by Hongren, taking the Fa Ni Wan, the artistic conception was desolate, and the wind god was scattered. Later, Wu Zhen, Huang Gongwang, Dong Qichang and others, the broad pen is longitudinal, rough and simple, the pen is sloppy, and the style is super-mai.
The work is clear and inky, beautiful and elegant, the picture of the mountain forest is as clean as a wash, spotless, all things are empty, a coat of arms sits alone on the mountain rock, with the inscription poem "After the rain, the spring flies down to Biwan, and the long forest is wide." No one understands the humor, and the green mountains on the creek look at themselves.
"This sentiment, like a cloud, pervades in ink; Like flowing water, flowing in ink; Like a poet, in ink and affection. In this picture, the scenes blend, the poetry and paintings reflect each other, the atmosphere is high, and the artistic conception is ethereal and quiet and elegant. This is the realm of Chasi, the fun of the literati, and it is his rare masterpiece.
544 Wang Yi Qiu Lin fell to the picture
Colored paper, fan 17×52cm
1. Attached Yin Guanghua inscription: Wang Shigu Qiulin fell to the picture of the real foot boutique. B Wei Dong Yue, Guanghua Department.
2. For plutonium printing, see "Chinese Calligraphers and Painters Seal Recognition • Wang Yi", P96, pp. 9, 32.
Wang Yi,Zi Shi Gu,No. Founder of the Yushan School. At first, he was a disciple of Wang Jian, and then he transferred to Wang Shimin, who admired his paintings and thought that he could best obtain the essence of the ancients.
Together with Wang Shimin, Wang Jian, and Wang Yuanqi, they are known as the "Four Kings". Also added wu calendar, Yun Shouping is collectively known as "Four Kings Wu Yun". With a creative career of more than 70 years, he has extraordinary ancient skills, traveled in the Song and Yuan dynasties, and has no doubt in hand, and is known as the "painting saint" in the early Qing Dynasty.
On the picture of about a foot, the nearby woods and houses, the west mountain and the birds in the distance are all faintly in the middle of the twilight mist, and a kind of poetry of "the mountain atmosphere is good day and night, and the birds are returning".
On the road, one person rides a horse, one person picks up the burden, and the author titles himself "Out of the temple horse hissing autumn color, flying to the crow in the sunset."
"Between the life and movement of this poem and painting, the interest of thousands of miles is outlined, and the artistic conception is far-reaching." This drawing was made in the year of 1705, when he was seventy-three years old, and his pen and ink were very sophisticated, which was a masterpiece of his mature penmanship.
550 Zheng Min Dong Shan Map
Ink silk vertical shaft 110×45cm
1. For the seal, see "Chinese Calligraphers and Painters Seal Zhi Zhi Zheng Min", P1449, 50th print.
2. Li Yanshan's inscription. Li Yanshan (1898-1961) Real name Yaochen, Zi juduan, number Yanshan, Guangdong Xinhui people. He once served as the principal of Guangzhou Municipal Art College, and later settled in Hong Kong, Li's landscapes, flowers and works have deep traditional roots, strict structure, and the style of the ancients, and there is "Li Yanshan Calligraphy and Painting Collection" in the world.
Zheng Min (1632-1683), zi Mu Qian, the number of Su, Mu Daoren, Xin'an painting school everyone. Zheng Min's art is deeply influenced by GradualJiang, and he also admires Yuanren Ni and Huang Zhifeng, but he does not see gradually River's square folding pen and conceptual composition and the ultimate sense of emptiness.
The landscape in this painting is a winter sketch in the Huangshan Mountains. During the dry season, the valley is scattered with gravel, exposed in the shadow of the sun, and the dead branches next to the stream look at each other, turning upward along the mountain, leading to the mountains in the middle and the undulating distant peaks.
The pen is used throughout the calligraphy, multi-round and mature center, the penmanship of the seal is used, the outline of the mountain stone is repeatedly outlined, and the ink method is thick and light, and the rich visual effect is slowly built; The texture of the rock uses ni yunlin folding belt wrinkle method, and slightly added Huang Da idiot to bring a school of mountain sketching true meaning.
The two places of the valley and the distant mountains are slightly dyed with light ink, and the middle is blank, empty, the rhythm of the whole picture is self-divided, and the yin and yang appear by themselves, which are the perfect combination of ingenuity, skill and real scene.
At the end of the paragraph, "Winter Mountain is as bleak as sleep", taken from Guo Xi's painting theory "The smoke of the true landscape, the four times are different, the spring mountain is like a smile, the summer mountain is green and like a drop, the autumn mountain is clear and like makeup, and the winter mountain is bleak and sleepy", this painting does have this true meaning.
554 Huang Shen Xieyang Ancient Pine Diagram
Ink on paper Vertical shaft 97×45cm
1. Xiao Ping's signature.
2. For the seal, see "Chinese Calligraphers and Painters Seal Zhi Zhi Huang Shen", P1143, 18th print.
Huang Shen, the characters Gongshou, Gongmao, Gongmao, Juzhuang, Gongmao, Gongzhuang, Gongmao, Gongshou, Gongmao, Gongmao, Gongshou
Characters, flowers and birds, landscapes, terraces, insects and fish, etc., all of them can not be, but also cursive, Fa Huaisu.
After huang gongwang, Ni Zhan, and middle age, they absorbed Xu Wei's brushwork and changed it into thick brush strokes, and cursive chapters and grass, and tried to paint with wild cursive calligraphy.
The whole picture is written in ink, long sky, high mountains, ancient trees, gaoshi, stream bridges, distant lakes, thick painting, painting with books, pen posture indulgence, meteorological majesty, deep into the ancient law. The cursive inscription in the upper left corner of the picture draws poems, and the poems, books, paintings, and prints closely match each other, which is naturally appropriate.
548 Hua Song Bird Diagram
Colored paper vertical shaft 119×51cm
Publication: Catalogue of Chinese Paintings, Continued Edition III P119, University of Tokyo Press, 1999.
Remarks: For the seal, see "Chinese Calligraphers and Painters Seal Recognition • Hua Zhao", P1173, pp. 31, 33, 87 prints.
Hua Song, Zi Qiu Yue, Silla Shanren, etc., Fujian people. Shanshu, Noh poetry, then known as the "Three Absolutes", is one of the representative figures of the Yangzhou School.
This painting of Hua Silla with its habitual brushwork, with that kind of loose and hairy brush and ink, like a childish and real shape, depicting the scene of rhododendron flowers blooming and roosting birds singing, can really be said to be beautiful and feminine with a stubborn and simple temperament, can perfectly combine these two temperaments into a piece of paper, not only do not contradict, but also have a subtle visual impact, can make the viewer's mind excited, jumping, loose, perfect this good situation, in the Qing Dynasty, only Hua Silla alone.
In the art market, Hua Yao's works have always been sought after, not only now, but also since the Qing Dynasty, which is closely related to his artistry.
543 Tang Yifen Landscape Flower Atlas
Colored paper hand-rolled
画心32×60cm 32×58cm 32×56cm
Introduction 32×60cm Tail 33×94cm
1. Introduction to He Shaoji's title.
2. Feng Junming's inscription is epilogue.
Tang Yifen (唐贻汾), courtesy name Ruoyi, was a native of Yusheng and Qinyin Dao, and a native of Wujin (present-day Changzhou, Jiangsu).
Military attaché, poet and painter of the Qing Dynasty. The book is prestigious for everyone after Jia Dao. Gong poetry, calligraphy and painting Zong Dong Qichang, idle and super-easy, painting plum is very charming. His wife Dong Wanzhen was also a famous painter at that time. When Taiping attacked Jinling, he threw himself into the pool to be martyred.
Xia Junzun spoke highly of Tang's life achievements and integrity: "Poetry, calligraphy and painting, three absolute weight at that time; The great festival is awe-inspiring throughout the ages, and the false name is known to the world.
"His calligraphy and paintings are rarely seen in the world, so although there is zero modesty and broken paper, the world is as precious as a ball." This volume is full of its proud pen, and the number of bodies has a kind of beautiful meaning, which is revealed in the ink, which is particularly precious.
575 Anon. Zhuxi Gaoshitu
Colored silk vertical shaft 99×40cm
There are many anonymous works in the surviving works of ancient Chinese painting and calligraphy. The reason for the anonymity, some of the good little names, the model was cut, this is a very important reason, mostly to change the famous family model.
There are also some painters who imitate famous artists and deliberately do not belong to the money. However, some anonymous ancient calligraphy and painting works are also worth collecting due to their high artistic and historical value. There are also many excellent works, which are collected by museums at home and abroad, large and small, and appear in major auction companies at home and abroad.
563 Anon
Colored silk vertical shaft 154×99cm
With the rise of ancient calligraphy and painting fever in recent years, some anonymous works with high artistic standards have attracted more and more attention from collectors due to their low prices and better quality, and their prices have been rising in recent years at home and abroad.
Poly Huayi's 2016 Shanghai first auction was dropped with a hammer for 55 million yuan. The chart was sold for $1.89 million in Christie's New York in 1989, setting a world record for the price of Chinese art at the time.
The four anonymous works launched in this special session are all excellent in appearance, exquisite in painting and auspicious in meaning, all of which are excellent works.
560 Anon. Snow Night Visit Today
Colored silk vertical shaft 128×70cm
Remarks: Liu Shu and Wang Zuxi's old collection.
1, Liu Shu, the word Xingzhi, the number Rong Feng, Hua Bu scattered people. Famous calligrapher, painter and bibliophile of the Qing Dynasty. Official to Guangxi Youjiang Road. Suzhou people, with a solid family, are the owners of the predecessor of today's Suzhou Lingering Garden, when the Lingering Garden was called Liu Garden, also known as Hanbi Villa.
2. Ti'an, that is, Wang Zuxi (1858-1908), the character Erlang, the number Mengling, also known as Ti'an, Tiyi, also known as the lord of The Xiang Pavilion, Jiaxing, Zhejiang. Fine identification of books and paintings.
"Snow Night Visiting Dai", originally a notebook novel, selected from "The New Language of the World", recounts the story of Wang Xizhi's fifth son, Wang Huizhi, who suddenly rose up to visit Dai Kui by boat on the snowy night, but returned to the door.
Many painters of the past have written masterpieces that have written this story. The Yunnan Provincial Museum holds Huang Gongwang of the Yuan Dynasty, the National Palace Museum in Taipei holds the Ming Dynasty Zhou Wenjing, the Chicago Academy of Fine Arts in the United States collects the Ming Dynasty Xia Kui, including the Ming Dynasty Dai Jin have all created works on this theme.
Although this painting "Snow Night Visiting Dai Tu" is anonymity, but the year should be from the Yuan to the Ming Dynasty, and it is circulated in an orderly manner, Liu Shu, the owner of the Suzhou Lingering Garden, and Wang Zuxi, a collector in Jiaxing, have left a collection seal on this work.
555 Anon. Buddha statue
Colored silk vertical shaft 239×129cm
This anonymous "Buddha Statue" is a huge production, with a core of 27 feet, which is all over the world and a magnificent scene. Above the colorful clouds, the four great bodhisattvas are painted, and the seiko is beautiful. The person who holds the wishful thinking in the upper left is the Bodhisattva puxian; The person with the mudra on the upper right is Manjushri Bodhisattva; The person holding the Mani orb and tin staff in the lower left is a Jizo Bodhisattva; The person holding the fan in the lower right is a bodhisattva who contemplates himself.
Ming Dynasty water and land paintings, all have their own powder copies. This painting is also in line with the Ming Dynasty court water and land paintings collected by the Jimei Museum in France, the water and land paintings painted by Baoning Temple in Shanxi during the Tianshun period, and the murals of The Fahai Temple in Beijing, where the characters, scenes and styles are all in line with each other and can be used for comparison.
This axis is decorated in the palace, royal style, and the spring beat giant axis was originally a pair, the first time in the world, the treasure of the knower.
547 Zhao Zuo Plum Blossom Bookstore Diagram
Ink silk vertical shaft 120×36cm
2. For the seal, see "Chinese Calligraphers and Painters Seal Zhi Zhi Zhao Zuo", P1340, pp. 14, 15.
3. Lü Wan's old collection. Lü Wan (1885-1958-1963) was a modern Chinese painter. Formerly known as Ying Pi, the word ten thousand, do not sign the Qing Endless Zhai, Zhejiang Haining people, in the early years from Wang Yiting to learn painting, to participate in the Sea Inscription Hall Jinshi Calligraphy and Painting Club.
Zhao Zuo, word Wendu. Active in the late Ming Dynasty. A native of Huating (present-day Songjiang, Shanghai). Good at landscape and water, he first learned Song Xu, and later studied with Dong Yuan, Huang Gongwang, Ni Wan, etc., and was friendly with Dong Qichang, and his painting methods also influenced each other and ghostwrote for him.
He is one of the representative painters of the "Matsue School". The works make good use of dry pen and burnt ink, longer than dry dyeing, moist ink, very charming.
565 Lee In Flowers birds
Ink on paper, fan 16×49cm
Li Yin, the character is An, the number of Gongshan Yishi, the late name of this life, the late Ming and early Qing dynasties female poets, painters, workers painting landscapes, flowers and birds, shu shuang Yan Yi, also gong poems, author of "Bamboo Smile Xuan Yincao" and so on.
The flower and bird master Fa Chen Chun once carved shen xiang as a statue. This fan is based on Chen Chun's ink painting of birds on the branches. Freehand flowers and birds, the best ink method drenched, brushwork in a smooth manner to see the look; This fan is like this, a stroke open, the ink is divided into five colors, layers of hair, flowers, leaves, branches, fruits, birds and finches appear in their own state.
The inscription is Gengyin Shangyuan Day, which is the fifteenth Lantern Festival of the first month of the seventh year of Shunzhi (1650), the year when Li Yin first crossed the confusion, it was the mature period when the pen and ink were not born and undefeated, and when the midwinter festival was celebrated, it was written to another woman, most of which was a close friend, which was the past 367 years ago.
557 Ren Yi Bamboo Stone Diagram
Colored paper vertical shaft 114×63cm
1. For plutonium printing, see "Chinese Calligraphers and Painters Seal Zhi Zhi Ren Yi", P306-307, pp. 23, 38.
2. Xiao Ping's question is on the side.
Ren Yi (1840-1896) was a well-known master of Hai school painting at home and abroad. The subject matter is extremely extensive, with people, flowers and birds, landscapes, and animals all exquisite.
His paintings are rich and varied, and his compositions are ingenious, creating a unique style that is fresh and smooth. This picture was made by Ren Bo Chinese New Year's Eve when he was eight years old, with a boneless painting method, cinnabar writing bamboo, ink pen writing stone, the line pen is fast and dense, and the layout is dense.
Use the pen to be handsome and handsome. Bamboo has a strong knot, the stone is strong, and its meaning is that Zhu Zhu is safe.
558 Jiang Wenzai Empty Tong Xian Guan Map
Colored paper vertical shaft 127×38cm
1. Mr. Itabashi, the person in the above paragraph, is Zheng Xie Zheng Banqiao;
2. Li Yusen inscription.
3. Jiang Yu inscription; Jiang Yu, Zi BinGu, Yi Zi Song Quan, ancestral residence in She County, later moved to Yangzhou Yizheng. For Zheng Banqiao Wenyou, he has been trapped in the field for a long time, and he is addicted to learning and poverty. Gong shiwen, proficient in gold stone.
Jiang Wenzai, the character in the scripture, a word of life car, the number of Xitian Xiaoqiao, known as Jiang Qi, Jiangsu Rugao people. Jinshi ren shuzi, all sentient beings. Can paint, regret the early life. There are Nishida manuscripts. "A Brief History of Calligraphy and Painting and the Poetry of Qing Painters".
The person in this painting, Mr. Banqiao, is Zheng Xie Zheng Banqiao, the inscription is said to be hanshang residence, Hanshang is Yangzhou, Zheng Banqiao anthology has a lot of records of interaction with Jiang Wenzai and the inscriptionist Jiang Yuzhi, especially a long poem "Jiang Qiqi Jiang Seven", which has a very high evaluation of the paintings and calligraphy of the two people, "Jiang Shu Jiang Painting Hanging Tang, Ou Qian Bian Bi Xiang Qiu Heng".
The long poems and the introduction of the author and inscription of this painting are found on page 200 of the Detailed Notes on the Collection of Zheng Banqiao (Jilin Literature and History Publishing House, 1986).
The seal of "Official of the Shuang clan" was included in the "Seal of Ming and Qing Painters" (published by the Commercial Press in 1940) co-edited by Wang Jiqian and Kong Da, and the twenty-seven Zheng seals received in this book were all engraved by Zheng Banqiao himself.
570 Wang Tortoise Liang Youxiang Diagram
Painting heart 30×132cm Introduction 30×98cm
1. Wang Wenzhi's title is introduced and traversed.
2. Xia Yu inscription.
Wang Tortoise Liang, Zi Yuyan, Wang Wenzhi granddaughter, this hand scroll Sun painting ancestral inscription, full of paper Tianlun, Shu for interesting.
Tortoise Liang Female History sketched and smeared four orchids, one imitation of Wen Duanrong, one imitation of Ma Xianglan, one imitation of Wen Zhengming, one imitation of Zhou Tianqiu, ink pen and color interspersed, different postures, each of them is kneaded into a delicate atmosphere, and the point scene is also good. Especially in imitation of Ma Xianglan, there is indeed a stroke of genius, and it is no wonder that the old man in the dream building sighed that he was "almost chaotic".
571 Yu Song Autumn twin pigeons
Colored silk vertical shaft 161×56cm
Yu Song (余崧), courtesy name Weiyue ,号秋亭), was a native of Yuanhe (present-day Suzhou, Jiangsu). Good characters, photography, the law of Li Mo, and also write landscapes and flowers.
This work "Fa Xu Chongsi has no bone intention", the composition is rigorous, the pen is subtle, the lines are smooth, the shape is vivid, and the elegance is quiet.
542 Wang Yun Xishan Cangcuo Map
Colored paper vertical shaft 36×51cm
Remarks: Xiao Ping's title is on the side.
Wang Yun, the character Hanzao, the number of Qingyi, also known as Zhuli, Jiangsu Gaoyouren, belongs to Yangzhou, so its book Han Jiangye. Qing is good at landscape and water, seiko, clean and strict without losing its elegance.
He entered the inner court and participated in the drawing of the Kangxi Southern Tour Map, which was then known as Zhenjianghuai. This picture was made in 1693, the author was forty-two years old, in the prime of the year, so his brush is very beautiful and exquisite, a fresh scene, readable and appreciative, called a wonderful system.
576 Wei Zhi huang Gao Shitu
Colored on paper Mirror core 63×35.5cm
Wei Zhihuan (魏之璜), also known as Uncle Kao, was a native of Nanjing. The True Scholar Huang Tingjing has a slightly dense structure, a beautiful spirit, and a filial friend by nature.
Write landscapes do not attack the powder, self-created regulations, rocks and ravines, trees and stones, special standards of spirituality. There is no similarity in the format of life. Late with thick ink protruding pen, meaning expensive old. It is also good at light ink flowers, elegant and elegant, quite natural.
This work is leisurely and super-leisurely, and the pen is simple, and the characters have few strokes, and they will get the charm. Just as the cloud in the book: the beauty of calligraphy and painting, when the gods will meet, you can not seek the form of the instrument.
The viewer of the world can mostly point to the position of the image and the color flaws in it, but as for the Auri meditator, it is rare to have a person. However, the freehand is not similar, nor can it be similar, all in the ears between the similarities.