The turmoil of "Yi Nian Guan Mountain" escalated: many screenwriters angrily denounced the chaotic change of the play, and Liu Yuning was suspected of breaking the defense
Although the costume drama "Yi Nian Guan Mountain" ended, the controversy outside the play continued, especially about the character of Ren Ruyi played by Liu Shishi was changed, from a lone wolf heroine to a little wild cat, and the character was directly lowered by N levels, which caused a lot of fans to be dissatisfied.

Later, some netizens found out the original script, saying that the platform "changed the play" and "added the play" in order to support the male protagonist, and the topic caused heated discussions as soon as it came out. What makes it interesting is that Zhang Wei, the screenwriter of "Yi Nian Guan Mountain", said in an interview with a magazine, which is tantamount to adding fuel to the fire. He mentioned in the interview: "I hope the producer and director can trust me, instead of finding a responsible editor to revise it in the later stage and not telling me." ”
After this interview was officially issued by the magazine, it stirred up a thousand waves, and many netizens felt that this was a recent hit drama that the screenwriter was dissatisfied with the creation and made public the connotation, and even thought that "Liu Yuning's drama" was a real hammer.
Seeing the escalation of the situation, the magazine's official urgently withdrew the interview report and refuted the rumors in time: "What was mentioned in the interview did not correspond to the project of "Yi Nian Guan Shan". Even so, many screenwriters in the industry still felt it and forwarded it to express their opinions.
Well-known screenwriters Jia Dongyan, Zhao Dongcen and others all came out to support Zhang Wei's screenwriter, criticizing and angrily denouncing the directors and editors in the industry for blindly changing the script, adding scenes to the crew and changing the scenes, etc., This kind of chaos not only hurt the audience, but also disrespected and distrusted the screenwriter.
Many people in the industry took a stand, and Liu Yuning, as a party, was once again involved in the public opinion turmoil. Netizens ridiculed his fans: "Go to the screenwriter!"
However, Liu Yuning's fans did not target the screenwriter, but hung out the content of the magazine interview, saying that the heroine Liu Shishi "shouted to catch a thief". It turns out that the screenwriters of "Yi Nian Guan Mountain" and "The Legend of the Female Doctor Ming Concubine" are Zhang Wei, when the show was on the air, he mentioned in an interview that he did not agree with the heroine's understanding of the CP emotional line in the play, and also mentioned "revising the script" during the period.
The plot has developed to this point, and Liu Shishi's fans also urgently came out to refute the rumors. Fans said that there were indeed some changes to "The Legend of the Female Doctor and Concubine Ming" that year, but Liu Shishi made reasonable changes after obtaining the affirmation of the male protagonist and the director. As for the screenwriters in the later stage, they also praised the creators for their good completion.
For a while, the fans of Liu Shishi and Liu Yuning each threw evidence wildly, arguing with reason, all of them proved that their idols had indeed not changed their plays, which made melon-eating netizens see it in a fog and didn't know what the real situation was.
Just when the outside world was disturbing, Liu Yuning, as the leading actor, took advantage of the end of the TV series to publish several updates in a row, but he put himself in an embarrassing situation. In his blog post, he successively mentioned Liu Shishi, He Languo and other main creators, but hours passed, and these actors did not interact with him.
Especially the heroine Liu Shishi, who has rarely interacted with Liu Yuning on Weibo since the start of the TV series, wrote a long article in advance at the end of the show, and turned a blind eye to the male protagonist's Aite. This scene is also reminiscent of the previous statement that the two did not agree.
And Liu Yuning added another dynamic in the follow-up, accompanied by a selfie video, with a slight mockery in his words, bluntly saying "Okay, so neat, right?", and awkwardly added a "hahaha", which looked very dissatisfied. Netizens think that under so many turmoil, I am suspected of breaking the defense.
It is worth mentioning that Liu Yuning posted several updates in a row, and almost all the main creators were visited, but only Chang Huasen, who played the role of "Li Tongguang" in the play, was missing. This character is the heroine's apprentice in the play, but he has a deep admiration for the master. Because of his handsome appearance, in the later stage of the plot, the audience began to knock on the master-apprentice line, resulting in almost zero sense of existence of the official match.
When the crew of "Yi Nian Guan Mountain" swept the building before, netizens said that the atmosphere was delicate when the three of them were in the same frame. Chang Huasen wore a black dress that day, suspected of stealing the official and being in the limelight. During this period, Chang Huasen interacted with Liu Shishi frequently, and Liu Yuning was low-key and rarely spoke throughout the whole process.
In addition to Liu Yuning himself, the follow-up series of operations of the drama party are also confusing. During the popular broadcast, when the popularity exceeded 10,000, the official Weibo posted a poster of the main creator, but some netizens found that there was no Chang Huasen. He doesn't have a lot of scenes in the play, and this situation is indeed a bit abnormal.
It can only be said that "Yi Nian Guan Shan" once again illustrates the importance of the script and character design, if the play is forcibly changed or added, it may destroy the core of the plot of the screenwriter, or I hope that the creators of domestic TV series, whether they are directors, screenwriters or actors, can focus on the creation itself, return to the script to value the audience and respect the screenwriter.
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