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Actress plastic surgery has become a topic of great concern, and as more and more actresses opt for cosmetic surgery to change their appearance, some issues are also starting to surface.
The main question is what kind of impact the plastic surgery face has on the real emotions and delicate acting skills that they show in their performances.
As we all know, in the field of performing arts, audiences want to see works that are truly immersive and resonant.
When actresses undergo cosmetic surgery, they are faced with a dilemma: they are almost identical, lack of personal characteristics, and even obvious artificial marks.
To a certain extent, in the context of this era of "beauty", "beauty" has become one of the symbols of whether a person is successful, trustworthy or valuable.
As a result, many women have flocked to the hospital to start the transformation journey, which has set off a wave of national plastic surgery.
Of course, it is not denied that it is true that improving self-confidence by fine-tuning one's appearance can achieve positive results, but as an actor, the impact of plastic surgery on performance cannot be underestimated.
Plastic surgery can be a serious hindrance for an actress to show her true emotions in the role, because the face after plastic surgery has lost much of its natural and unique charm.
This homogenization makes it difficult for the audience to distinguish the differences and inner temperaments of the individual dramatic characters, and thus cannot give them corresponding empathy and emotional investment.
In some spy war dramas and other dramas that need to be personally experienced and deeply shaped the psychological activities and changes of the characters, the problem is more obvious.
Because facial muscles are altered or stiffened, limiting the room for expression variation, actresses often rely on external tools to force a certain expression.
"Charming" lips, exaggerated eyeliner, and vulgar foundation have become the weapons they use most frequently when they are busy remedying "mechanical" defects.
Of course, not all actresses who have undergone plastic surgery and are engaged in acting careers will encounter the above problems.
Some excellent and talented actresses have successfully erased these deficiencies through exquisite acting skills and delicate emotional shaping.
Plastic surgery has undoubtedly become an obvious limiting factor for them in the development of the plot.
Therefore, for women who choose to undergo cosmetic surgery and pursue a career in acting, how to find a balance is crucial.
After all, there needs to be a red thread between the pursuit of physical beauty and the pursuit of true self to be able to move forward safely and steadily.
In a series of recent domestic spy war dramas, a concessionary phenomenon has begun to attract the attention and dissatisfaction of the audience, and the plastic surgery face frequently appears.
The question even caused director Zhang Yimou himself to object to this phenomenon and explain why he decided to avoid plastic surgery.
Let's take a look at the TV series "Thrush".
The play is a work set in the Anti-Japanese War, and when depicting the heroic female image in that special historical background, there are frequent faces that have become "flawless" after plastic surgery.
These so-called "perfect" faces have no connection with the identity of the characters, emotional experiences, etc., which seriously violates the principle of authenticity.
As a result, "Thrush" received strong inquiries and criticisms from the audience, and in fact, "The Nightingale" also had the same problem.
The film mainly depicts the story of Chinese female spies who bravely resisted foreign invasions and transmitted intelligence during World War II.
Due to the appearance of the heroine's plastic surgery face, the audience could not ignore her unnatural, unreal appearance and began to question whether it helped the character's original meaning and emotional expression.
In order to understand director Zhang Yimou's stance against the use of plastic faces, it is necessary to recall his previous filmography that emphasized the close connection between authenticity and the inner characteristics of the characters.
He believes that actors should show the rich and complex inner world of their characters through their superb acting abilities, rather than relying on changes in their facial appearance that are gorgeous but lack soul and personality.
In addition, the frequent use of plastic surgery faces also brings stress and distress to the actors.
When the audience is obviously dissatisfied with the plastic face, it often overlaps with the actor's personal image.
Because they can't get rid of being stereotyped as "beauty" or "perfect", filming can't accomplish a bold breakthrough, try a new personality, shape themselves and other criticisms.
Director Zhang Yimou gave strong support on this point, and demonstrated how to create film and television dramas with the inner expression of characters as the core through his own works.
With the rapid development of social media and the TV drama industry, cosmetic surgery is becoming more common among young stars.
A series of plastic surgery faces about Chen Xiaojun and Peng Xiaoran have aroused dissatisfaction and questions from the audience.
They had earned a steady place in the hearts of the audience with their excellent acting skills, but this change brought them unexpected restrictions.
Recall the challenges Chen Xiaojun faced in using plastic surgery in Thrush.
She plays an important role in the spy war drama, and the character has a very high level of tension and complexity.
Problems began to surface as the crew began to notice that she had been looking completely different from her previous image over the past few months.
Audiences always expect to be able to substitute for film and television works and resonate emotionally with the protagonist.
Due to Chen Xiaojun's plastic surgery, her face has changed dramatically, resulting in people being unable to connect reality to the storyline and losing the strong impact that she had before.
Viewers began to question her realism and the consistency between the characters, which also limited their sense of substitution in the plot.
A similar problem arose in Peng Xiaoran.
She won the love and affirmation of the audience with her superb acting skills before, but with the exposure of her plastic surgery face, criticism sounded again.
The audience said that the plastic surgery made Peng Xiaoran look unnatural and terrible, and they couldn't identify with the characters created in the play.
These two cases raise a deeper, more interesting and worthwhile question: Will plastic surgery become a dilemma for young stars on the road to acting?
The TV drama industry focuses on creating a variety of characters that are different and full of vitality, and when the characteristics of the characters themselves match the unsightly image of the parties, they can stimulate the power of resonance.
In addition, plastic surgery has also sparked a debate about acting and appearance.
Viewers have questioned whether it is necessary to undergo cosmetic surgery to change their appearance to fit a certain role.
They believe that a truly good actor should be able to use his own characteristics and inner qualities to create a variety of convincing and memorable character images, rather than relying on superficial changes.
The recent dilemmas of Chen Xiaojun and Peng Xiaoran remind us that the pursuit of the perfect appearance needs to be carefully weighed against the impact it has on the career path and the psychology of the audience.
Similarly, as viewers, we also need to maintain an objective analysis of the reasons behind the star's choice behavior, and be wary of the potential negative impact of plastic surgery on our viewing experience and resonance. (Only published on the headline account, other platforms are ported)
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