In the hustle and bustle of the night, Zhao Benshan's sketches set off a ripple on the Internet. The comedian has long since retired from the background, but because of his work, he has sparked a debate about laughter and connotation. Just as we laughed, did we miss the deep meaning behind the sketch?
In a casual video playback, I found a hilarious Zhao Benshan sketch, but it touched the bottom line of society in laughter. As the laughter dissipated, I wondered if we had only seen the laughs on the surface and ignored the social allegories in the depths of the sketches.
In the 1995 Spring Festival Gala, a sketch "Uncle Niu Tigan" shook the entire stage. Zhao Benshan played the principal of a poor primary school running around for the school's window glass, and in the face of the extravagance and waste of the leader, he was so angry that he picked up the soft-shelled turtle eggs on the table and burst into laughter. This sketch is not only a joke about indiscriminate charges, but also a sharp revelation of social phenomena.
This skit caused a sensation at the time, and many viewers lamented the humor and thought-provoking at the same time, and made a clever mockery of the senseless waste of the leader. This makes Zhao Benshan not only a sketch actor, but also a social observer, conveying profound social fables through exaggerated performances.
In "Three Whips", Zhao Benshan and Fan Wei joined hands again, he played a farmer, through the episode of the car stuck in a mud pit, guiding the leadership to consciousness, and finally decided to build a road. This sketch touched countless audiences and evoked respect for the grassroots people.
In this sketch, Zhao Benshan uses a funny plot to let people see the farmers' desire for road improvement. This clever way of expression makes the laughter more deep, and makes the audience feel the thinking about social issues in the laughter.
In 1997, he joined hands with Fan Wei again to present "Red Sorghum Model Team", which depicted a new look in the countryside. In the laughter, Zhao Benshan showed the glory of the working people, which made people laugh and think.
In the midst of laughter, this sketch shows the great changes in the countryside in the form of a model team and expresses respect for the working people. The audience sighed and saw a new picture of the countryside in the laughter.
The 2007 sketch "Planning" dug into the entertainment hype. Through exaggeration, Zhao Benshan ridiculed the hype phenomenon of exaggerating things that obviously have no effect into magic. In the laughter, the audience has a deeper reflection on hypocrisy in society.
This skit is a highly ironic exposé of the hype phenomenon in society. Through the form of entertainment, the audience can see some distorted phenomena of society in laughter, which arouses thinking about the authenticity of society. In 2006, Zhao Benshan, Cui Yongyuan, and Song Dandan co-starred in "Little Cui Says Things", which revealed sharp criticism of the star's fluctuation in the joke. While laughing, the audience became more acutely aware of the changes in the stars after they became famous.
This sketch points out the various phenomena of stars after they become famous in humor, and through Xiao Cui's "talking about things", the audience doubts the authenticity of the stars in laughter. This sharp observation of social phenomena makes Zhao Benshan's sketches more in-depth. In the ocean of entertainment, Zhao Benshan's laughter is a unique note, but behind this note is a story of social fables. In the midst of laughter, he conveys deep thoughts about society in the name of entertainment. Perhaps, we need to listen attentively to the social allegory behind the laughter, and feel the warmth and warning contained in it.
Zhao Benshan's sketches are not only a representative of entertainment, but also a social observer. Through exaggerated and humorous performances, he allows the audience to see some social problems in laughter, which arouses deep thinking about social phenomena. In the laughter, he told the story of the society with his heart, which made people feel more thinking in the laughter.
Through the Internet, we have seen many netizens' evaluations of Zhao Benshan's sketches. Some call him the "King of Laughter" and consider his sketches the pinnacle of comedy, while others accuse him of being too vulgar and believing that laughter hides depth. Such controversy may be the uniqueness of Zhao Benshan's sketches, which has aroused different voices and made us pay more attention to whether there is more value hidden under the laughter.
On the Internet, there are mixed reviews about Zhao Benshan's sketches. Some people think that his laughter is a unique artistic expression and an interesting observation of society, while others criticize him for being too vulgar, believing that his laughter is too ostentatious and obscures a deep social allegory. Such controversy makes Zhao Benshan's sketches more eye-catching, and also allows us to see the value of different levels in the controversy.
In this debate about laughter and connotation, we may be able to find the answer from Zhao Benshan's sketches. Laughter is not only a performance art, but also a medium to convey social thinking. Let us not only listen to the laughter, but also taste the social fables with our hearts, and feel the deep thinking brought to us by Zhao Benshan's sketches.
Zhao Benshan's sketches are like a book of social fables, and every joke is a page in it. Underneath the laughter, there is a unique insight into social phenomena that makes the audience think unconsciously in laughter. Whether it is an audience that likes him or netizens who criticize him, there is no denying his unique position on the entertainment stage. Perhaps, we can appreciate his works with a more open mind and feel the echo of social allegory under laughter. After all, laughter is an expression of emotion, and Zhao Benshan is the ingenious weaver of the social allegory in this laughter.
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