After seeing Xi Mengyao's new face, I knew why Xiang Tai didn't choose her as her daughter-in-law
Recently, the matter between Jin Sha and her little boyfriend has been in an uproar, and Xi Mengyao and his wife in the same program group have successfully counterattacked and gained a lot of CP fans.
Many people were moved by the scene of the rooftop confession, and sighed that it is rare to have such pure feelings under the complicated relationship between wealthy families.
It was also at this moment that everyone found out that she said many years ago, "I am married to love" is not a scene. also made He Youjun a "new benchmark for wealthy families" by the way.
also changed the style and appearance of the "head-changing" after marrying into a wealthy family, Xi Mengyao and Guo Biting were inevitably compared.
Many viewers feel that compared with Guo Biting's gradually deviant style, Xi Mengyao is getting better and better.
Even Wu Jingjing, a straight man of steel, couldn't help but praise his good looks, and Xi Mengyao also generously admitted that "this face has spent money".
On the one hand, topping up the face is a routine operation for wealthy ladies.
On the other hand, Xi Mengyao's now full and round face of a wealthy lady does grow on the aesthetic point that Hong Kong and Macao wealthy families like.
Today, Yang will take advantage of the evolution of Xi Guifei to talk about how the aesthetic style of Hong Kong and Macao wealthy families is formed, and how it runs through all aspects of the life of wealthy families.
TVB2012 TV series "Celebrity Family"
A wealthy family is looking for a daughter-in-law and inheriting the standard of a hundred years
Why do you say that Xi Mengyao's mellow lady face grows on the aesthetic point of Hong Kong and Macao giants?
Counting the ladies who married into wealthy families, in addition to their good looks, they are inseparable from the vigorous vitality from the inside out.
1. On hardware
Among so many daughters-in-law of wealthy families, the one with the highest praise rate for appearance is Guo Jingjing's mother-in-law Zhu Lingling.
Zhu Lingling's appearance is round and jade, innocent and noble, and she is born with affinity.
She is the first "double champion" in the history of Miss Hong Kong, and she is also the first Sister Hong Kong to marry into a wealthy family.
The second "double champion" is another representative who married into a wealthy family - Li Jiaxin.
From these two Hong Kong sisters who were born and married into a wealthy family in Hong Kong, we can see the characteristics of a typical "wealthy daughter-in-law's face".
(1) High osseophasis maturity
The daughters-in-law of wealthy families are generally beauties with large bones and strong faces, with a high degree of facial folding, a full and long atrium, high cheekbones, a high nose bridge, and a wide jaw.
Zhu Lingling's hooked nose when she was young was the same as Guo Jingjing's, and Li Jiaxin also had a hooked nose.
It is easy to look "mean" when the hooked nose and high cheekbones appear at the same time, but when placed on a face with smooth lines and full skin, it can better highlight the beauty of the contour rather than the stiffness of the bones.
(2) Skin-like flesh and bones
The wealthy are not obsessed with fair skin tone, and healthy wheat color is also popular, and the requirements for skin appearance are more reflected in the texture.
The daughters-in-law of wealthy families are basically thin but not woody, and their faces must be tight and smooth with flesh and bones, and their noses must be able to hang on to the flesh, and there must be no excess flesh.
Even with today's technological development, it is not easy to achieve this state.
(3) The middle and lower atriums are wide, and the face is mostly white
It is often said that the "daughter-in-law face of a wealthy family" looks more atmospheric, which comes from the comfort of the middle and lower courtyards and the rich facial white space of the whole face.
Compared with Gillian's greater sense of volume and concentration of facial features, Ah Sa's face is wider and has more margin, which seems comfortable and affinity.
In addition, they will try to show their full foreheads to increase whiteness, looking back at the wealthy beauties at that time, they all had wide foreheads, full apple muscles and square mandibles.
2. Mental strength
The daughter-in-law of a wealthy family must not only have high emotional intelligence and high intelligence, but also be able to do her best to maintain the relationship between the family and the inside and outside the family.
Some time ago, Ge Wenzhu, the young grandmother of the old temple golden family, posted a video to share: "How to be a daughter-in-law of a wealthy family". She emphasized that the daughter-in-law of a wealthy family must be able to give gifts.
For example, when I saw the signature of the inventor of the polio vaccine, I bought it and planned to give it to a doctor later. A room full of souvenirs is almost always kept to maintain the social relationship of ushering in and going.
Socializing externally is etiquette, and respecting and caring for the internal for decades is even more powerful.
There were news reports that the fourth wife was dissatisfied with Xi Mengyao, but Xi Mengyao denied it all.
He Youjun said that the scene of meeting his parents for the first time was on the mahjong table, and Xi Mengyao won the high approval of her mother-in-law quietly.
If she is unwilling to sacrifice herself to meet the strict family rules of the hierarchy, even if she is as wealthy as the Huo family, Zhu Lingling will escape from this deep mansion compound.
From the wives of wealthy families to the granddaughters of wealthy families, it can be seen that the aesthetics of wealthy families in Hong Kong and Macao have been inherited for more than half a century and have formed their own style standards.
Part of the reason is that the right to accommodate newcomers is still in the hands of the head of the family, and the older generation still values traditional temperament and innocence more than family background.
Even if he is as beautiful as Liang Luoshi and gave birth to four children for his family, he can't get a marriage contract because his appearance does not meet the aesthetics of the older generation and his past background is not "likable" enough.
On the other hand, the wives of wealthy families were also the best winners from the crowd competition. Those in power are confident in their own appearance and style, and naturally choose to look similar to themselves.
Xiang Tai once said that Guo Biting's appearance is what her dream daughter looks like.
When you see the photos of Xiang Tai when she was young, you will suddenly realize that the proportions and directions of the facial features of the two people are indeed very similar.
Now Guo Biting, under the influence of Xiang Tai, is getting farther and farther away from the pure and lovely temperament of the year, and is getting closer and closer to Xiang Tai's extravagant style.
This is also the solidified aesthetics of Hong Kong's wealthy families, and once again successfully transformed the performance of the new family members.
Hong Kong and Macao have inherited the family aesthetics for nearly 100 years, forming a unique old money aesthetic, which is still influencing the old money style in Hong Kong and the entire Chinese circle.
Hong Kong's old money style is unique in the world
Speaking of the aesthetics of wealthy old money.
The first thing that comes to everyone's mind may be the combination of simple design and soft colors in the TV series "Succession".
Or the British aristocratic style that Princess Kate insisted on.
The aesthetics of Hong Kong's wealthy families, in these old money styles, also have their own exclusive characteristics.
1. Tight and delicate luxury
As long as Hong Kong ladies take photos, they must be jewelry with full makeup + accurate tones, and their eyeliner must be meticulous.
There is a formula for the makeup of Hong Kong ladies: the eyebrow color is half a degree lighter than the hair color, the tail of the eyebrows is parallel to the tail of the eye, the black eyeliner is half packed, the eye shadow color does not show double eyelid folds, the skin is delicate and shiny without flaws...
This perfectly executed makeup formula can be seen on almost all ladies' faces.
Even Xie Lingling's mother-in-law, Yu Baozhu, even at the age of 98, still perms, tattoos, eyebrows, and makeup, there are many links.
With a full set of makeup, new seasonal clothes, and limited edition luxury bags, the exquisite luxury of Hong Kong ladies is to be put on the table for everyone to see.
2. The aesthetic habit of combining Chinese and Western cultures
Due to historical and cultural reasons, Chinese and Western aesthetics converge on Hong Kong Island, forming a unique combination of Chinese and Western aesthetics.
Even if it is an old money style, it also combines Western modern fashion and Chinese classical elegance.
Hong Kong lady Li Xiaohe, who loves to wear cheongsam, likes to wear blue and green eyeshadow, which is classical and avant-garde.
Because the image of wearing a cheongsam is too deeply rooted in the hearts of the people, the toy company Mattel also launched a Golden QI PAO Barbie inspired by Li Xiao and his wife.
Barbie dolls also automatically match the Chinese-style emerald jade according to the aesthetics of the wealthy Kuotai.
In terms of decoration style, Hong Kong ladies also follow the aesthetic habits of combining Chinese and Western.
Xiang Tai gave Guo Biting and Xiang Zuo's Beijing mansion
Xiang Tai has set aside a tea room for drinking tea, which is full of old Chinese antiques
3. Not inferior to the star's demanding appearance
There are many wealthy ladies who are originally beauties from Hong Kong sisters or acting stars, and they are very outstanding in appearance.
In addition, most of the contacts are celebrity aristocrats, and they often have to take group photos, so the harsh requirements for the appearance of the ladies are comparable to those of celebrities who eat by their faces.
In this group photo of the ladies, except for the familiar Li Zi and Li Jiaxin, it can be seen that the dresses and appearances of the other ladies are not much different.
Even if he is an amateur such as Gambi, after the aesthetic baptism of a wealthy family, he has changed from the previous tomboy style to the appearance of a noble lady today, and in some angles, he is even said to look like Li Yingai.
Behind the exquisite beauty of the head-changing style is the carving of money and time on appearance.
The formation of an aesthetic style is inseparable from the cultivation of culture and environment. The aesthetics of Hong Kong's wealthy ladies are in this complex and rich soil.
This hard-maintained aesthetic style, which has been inherited from the peak of Hong Kong to the present through family inheritance, has finally shown a hint of loosening.
The extravagant aesthetic of the old days
Aesthetics is a high-level entertainment method produced by people in a stable and relaxed environment.
At that time, Hong Kong was the economic center of Asia, where Chinese and Western cultures converged, and there was a well-developed entertainment industry and business complementary to each other.
Hong Kong's aesthetic hegemony once occupied East Asian aesthetics for many years.
In the Korean drama "Please Answer 1988", when the four sons of Shuangmendong were drunk by Moutai, they were still watching Wang Zuxian's "A Chinese Ghost Story".
The aesthetics of Hong Kong's wealthy families stand at the top of Hong Kong's aesthetics and control the aesthetic trend of Hong Kong.
This kind of aesthetic control not only makes everyone familiar with the daughter-in-law of a wealthy family through high-exposure scandals and gossip, but also sends actresses who meet the aesthetic standards of wealthy families to the entertainment industry through the selection of Hong Kong sisters.
For example, on the night when Kwong Meiyun was elected as the runner-up of Miss Hong Kong, the Zheng family and his wife, who were the judges, personally sent her home. After that, Kwong Meiyun continued to have resources in the entertainment industry, which also affected the aesthetics of a generation.
When Zhu Lingling won the "Double Miss Hong Kong Champion", the judge in the audience was her future husband Huo Zhenting.
Fok Zhenting has also served as a judge of the Miss Hong Kong competition many times because of his "elegant taste", and selected many Miss Hong Kong with a similar style to Zhu Lingling.
The "Miss Hong Kong" contest has become a shortcut for wealthy families to choose their daughters-in-law, and once became a topic of discussion in public opinion.
Everyone has a different opinion on whether the Hong Kong sisters selected in this way are the private aesthetics of the rich or the faces of the times who can represent Hong Kong.
With the death of a group of elders such as the gambling king, Fok Yingdong, and Xu Aizhou, the old money style in Hong Kong that once controlled an era is being broken.
In addition, Hong Kong's aesthetic hegemony has also been lost with economic and cultural stagnation.
Hong Kong films are no longer relegated, Hong Kong sisters are downgraded, and the aesthetics of Hong Kong giants are also beginning to reveal outdated fatigue in the exquisiteness they strive to maintain.
Xu Ziqi, a 100 billion noble daughter-in-law who once maintained a magnificent forever, began to give up the style of jewelry and took the route of low-key relaxation elite.
Zhu Lingling, who married and remarried to a billionaire family for the second time, was full of dresses, suits, and jewelry when she appeared before, and now she can also accept a relaxed and casual sports style.
Xi Mengyao, the bride of a wealthy family, while having the temperament of a noblewoman, also retains her "girlish" characteristics, and sets the rules of the new era with He Youjun: a small family is always higher than a big family.
The solidification and change of the aesthetics of Hong Kong's wealthy families also represent the era of the alternation of the old and the new, some people stay in the prosperity of the old days, and some people find a new self in the change.
After tasting the aesthetics of Hong Kong's wealthy families, don't forget that it was already a beautiful dream of the old days.
No matter how beautiful the aesthetics of a wealthy family are, it only represents a style, not the ultimate goal of beauty.