The content of this article comes from the Internet, if it is inconsistent with the actual situation or there is infringement, please contact to delete.
Spy war dramas have always been loved by audiences, but in this field, different works have different styles and presentations. Today, we're going to explore two controversial spy dramas, "Latent" and "Cliff", which have clear differences in creative style and emotional expression.
First, let's talk about Latent. The background of the birth of this drama is quite special. Before "Latent", Liu Yunlong's "Secret Calculation" was recognized as the pioneering work of spy war dramas, but its creative space left a lot of room for imagination. Released in 2009 and adapted from Ryuichi's short story of the same name, "Latent" is in some ways an extension of a chapter in "Dark Calculation" to present a "hidden" story more completely.
"Latent" is unique in that it divides the spy war drama into two key parts. The first is the "Werewolf Killing" game, which is the familiar "ghost inside" plot, which adds an entertainment element to the series. The second is office politics, where lurkers have to deal with complex workplace relationships in their daily lives, which adds to the show's sense of realism. The combination of these two elements allows the audience to not only enjoy the entertainment, but also get some inspiration from it.
"Latent" shows simple characteristics in terms of production level, from the picture to the character modeling are very simple, and the lens language also adopts a traditional way, and even uses narration to explain the inner activities of the protagonist in some plots, with a strong sense of age. But what is unforgettable is that the acting skills of all members of this drama are first-class, and the performances of Sun Honglei and Yao Chen have subverted their previous images.
Although some people criticize the aura of the protagonist in "Latent" for being too strong, from the plot level, the story takes place in Tianjin during the Liberation War in 1945, the relationship between friend and foe is clear, and Yu Zecheng's character setting is relatively simple. Although he successfully completed many tasks, viewers also witnessed his dedication and sacrifice, and this interweaving of emotions makes the series even more engaging.
Now, let's turn to another spy war drama, The Cliff. Compared to "Latent", "Cliff" has obvious differences. First of all, its script is derived from another spy war drama "Borrowed Gun". After filming "Latent", director Jiang Wei filmed "Borrowed Gun", and this drama did not achieve much success. The foreplay of "Borrowed Gun" is too long, and it is difficult for the audience to accept. Subsequently, Zhang Jiayi hired screenwriter Quan Yong to improve the script first, and in 2012 he filmed "Cliff", which is richer and more engaging in plot.
The second difference is in the creative style. "Cliff" inherits the realistic spirit of "Borrowed Gun", and screenwriter Quan Yong first went to Harbin for a three-year "lurk" during the script creation to maintain the authenticity of the series. In contrast, "Latent" focuses more on drama, while "Cliff" focuses on restoring historical truth.
In order to match the realistic style, "Cliff" has been greatly upgraded in terms of production, from costume design to photography, it has been carefully planned to present the original flavor and artistic temperament of history. In addition, cinematic cinematography and composition are used in the play to create a cold and chilling sense of pathos that immerses the audience.
Compared with Yu Zecheng, Zhou Yi, the protagonist of "Cliff", has experienced more hardships and faced a more complex situation. Zhou Yi not only had to deal with the various factions of the Kuomintang, but also had to deal with the Japanese army and the puppet Manchu government, and many forces were intertwined with each other, and interpersonal relations were complicated. Zhou Yi's situation in the workplace is also more cruel, he is not a celebrity around the leader, and his personality is more introverted and silent. Compared with Yu Zecheng, he is not so likable.
In addition, in terms of feelings, the relationship between Zhou Yi and Gu Qiuyan is more complicated, the two are neither family nor love, but a special kind of comradeship. This vague emotional relationship also brings confusion to the audience, because spy war dramas usually do not emphasize emotional clues.
Despite the fact that "The Cliff" strives for authenticity, there is also one
Some problems and bugs. For example, there are too many trivial things in life shown in the play, which slows down the pace of the plot and makes it difficult for the audience to continue to pay attention. In addition, the plot of Zhou Yi's sacrifice to reveal the traitor inside ultimately failed to materialize, and this plot design caused dissatisfaction among the audience. Zhou Yi abandoned his original partner and son when he sacrificed, which also affected his image to a certain extent.
However, in any case, both dramas have their own highlights. "Latent" is mainly dramatic, creating deep characters and a tight plot that immerses the audience. The outstanding performances of Sun Honglei and Yao Chen add a lot to the series, and they create vivid characters that are unforgettable.
In contrast, "Cliff" pays more attention to authenticity, providing the audience with a more realistic historical experience through well-planned production and realistic plot presentation. Zhang Jiayi and Song Jia's performances are also top-notch, and they successfully portray complex characters that keep the audience hooked.
On the whole, although "Latent" and "Cliff" are both spy war dramas, they have obvious differences in creative style and emotional expression. "Latent" focuses more on drama and entertainment, while "Cliff" focuses on restoring historical truth, presenting a more realistic plot and characters. Both dramas have their own uniqueness, each attracting the attention of the audience and providing the audience with a different spy war drama experience.
Through the comparison, we can see that "Latent" and "Cliff" have been successful in different aspects, and each has its own unique charm. Viewers can choose to enjoy both episodes according to their preferences and interests, and no matter which one they choose, they will be able to experience a different emotional and audio-visual feast. The diversity of spy war dramas and the different creative styles make this type of drama richer and more interesting, bringing more choices and fun to the audience.
"Latent" and "Cliff" are two controversial spy war dramas, each with different characteristics and charm. From my personal point of view, both shows have their own unique features, and it is impossible to simply conclude which one is superior. Let me start with my thoughts on Latent.
First of all, I think the contribution of "Latent" in the field of spy war dramas cannot be ignored. The show adopts a unique narrative structure, dividing the spy war drama into two parts: the "werewolf killing" game and office politics, successfully combining entertainment and reality. This innovation opens up a new creative path for spy war dramas, and also allows the audience to have a deeper understanding of the complexity behind spy war while entertaining. In addition, the performances of the actors were also highly praised, and they played their respective roles vividly and powerfully, especially the performances of Sun Honglei and Yao Chen, which were impressive.
However, some people criticized "Latent" for having the problem of the protagonist's aura being too strong, believing that the plot was not tight enough. From the plot level, the performance of the protagonist Yu Zecheng seems to be too perfect, and he can successfully complete almost every task, which may make some viewers feel that the plot is too idealistic. In addition, some people also pointed out that "Latent" is relatively traditional in terms of production standards, and the picture and lens language are slightly outdated, which may also affect the perception of some audiences.
Now, let me turn to my opinion on The Cliff. Unlike "Latent", this drama pays more attention to realism and authenticity. The script is derived from "Borrowed Gun" and has been carefully revised in the script adaptation to show a more realistic situation. In addition, the characters and plots in the play have more historical originals, presenting a more realistic spy war situation for the audience. The performances of the actors were also highly recognized, especially Zhang Jiayi and Song Jia, who brought the characters to life through their excellent performances.
However, compared to other characters, the protagonist Zhou Yi's fate is more bumpy, and he faces more enemies and difficulties. This realism makes it easier for the audience to relate to the protagonist, but it also makes the plot more brutal and sad. In addition, some trivial details of life in the play may cause the pace of the plot to slow down and make the audience feel impatient. Zhou Yi's emotional line is also relatively complex, and his relationship with Gu Qiuyan is full of ambiguity and ambiguity, which also confuses some viewers.
To sum up, the two dramas have their own merits. "Latent" has performed well in the innovation of spy war dramas and the performance of actors, while "Cliff" pays more attention to realism and authenticity, and profoundly shows the bumpy fate of the protagonist. Viewers can choose to enjoy both dramas according to their tastes and preferences, as they both provide viewers with a different but interesting spy experience. In any case, both dramas have left an indelible mark on the development of Chinese spy war dramas.
The above content information is from the Internet, relevant data, and theoretical research on the Internet information, which does not mean that the author of this article agrees with the laws, rules, opinions, behaviors in the article and is responsible for the authenticity of the relevant information. The author of this article does not assume any direct or indirect legal responsibility for any of the above or related issues.