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Sima Nan's regular script, both willow and tendon, and Chu Kai is wide and sparse, is a clear stream in the book world

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Sima Nan's Regular Script: The Perfect Combination of Tradition and Individuality

Inscription: "Who is the individual Grandma Wang?" I believe we have not yet received an answer to this question. However, on the self-media platform, I found an author worth mentioning - Mr. Sima Nan. He is not only able to point to the essence of the problem, but also can discuss the problem in a humorous way, which always brings freshness.

In Mr. Sima Nan's certification, we can see the word "calligrapher", which shows that he has unusual self-confidence in his calligraphy. As it turned out, he did have the strength. Next, let's enjoy Sima Nan's calligraphy works.

The biggest feature of Mr. Sima Nan's regular script is that he sticks to the tradition while showing his personal style, which sets an example for us. He is especially good at inheriting and applying Tang Kai, incorporating the brushwork of Liu Gongquan's regular script, and flexibly using the shape of Chu Suiliang's regular script, and even cleverly borrowing the brushwork of Xingshu. Such regular script is eye-catching, and you will definitely like it too. As we all know, the most difficult thing to do in regular script is to be flexible, but it is easy to perform in his pen, which is really different. The level of his regular script is comparable to that of professionals and calligraphers, do you agree?

We can clearly see that his writing is full of changes, free and free, without any deliberate processing and carving. It's a manifestation of his personality, and he's truly "I write my heart by hand". In addition to the starting pen, his line of writing is also very steady, and the texture of the lines is strong. Each line is delicate and powerful, giving a sense of strength. And he pays attention to contrasts in his writing, such as the layering of ink and the contrast of shades of lines, which show his extraordinary ability to control the pen. At the same time, his dots and brushstrokes are full of personality and a sense of piety. Judging from his pen-brushing treatment, his writing style mainly draws on the "scripture writing style" of the Tang people, which is a typical existence. It can be seen that he has a solid foundation and profound kung fu in the post. What kind of understanding and opinion do you have about Mr. Sima Nan's regular script?

From Mr. Sima Nan's regular script, we have gained a lot of inspiration. CalligraphyOnly traditional calligraphy can be full of vitality and be recognized by the public. Especially in regular script, at the moment when ugly books are rampant, Mr. Sima Nan's regular script is like a clear stream, nourishing people's hearts and making people enjoy. I don't know what kind of understanding you have about Mr. Sima Nan's regular script? Remember to like, share, retweet, and follow.

Sima Nan's regular script, both willow and tendon, and Chu Kai is wide and sparse, is a clear stream in the book world
Sima Nan's regular script, both willow and tendon, and Chu Kai is wide and sparse, is a clear stream in the book world
Sima Nan's regular script, both willow and tendon, and Chu Kai is wide and sparse, is a clear stream in the book world
Sima Nan's regular script, both willow and tendon, and Chu Kai is wide and sparse, is a clear stream in the book world
Sima Nan's regular script, both willow and tendon, and Chu Kai is wide and sparse, is a clear stream in the book world
Sima Nan's regular script, both willow and tendon, and Chu Kai is wide and sparse, is a clear stream in the book world