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Recently, the cross talk industry has been very lively, and the reason is that there is an intangible cultural heritage cross talk conference hosted by the mainstream cross talk circle. This much-anticipated event kicked off in the cold spring and brought together many cross talk actors, including some old artists such as Jiang Kun, Dai Zhicheng, Li Jindou, Feng Gong, etc. At the same time, there are also young cross talk actors involved, such as Chen Hanbai, Miao Fu, Wang Sheng, Jin Fei, Chen Xi, Guo Yang, Brother Guo Liang, etc. However, it is a pity that Guo Degang and others from Deyun Club did not appear, which also raised a series of questions about the inheritance of traditional Chinese cross talk.
First of all, let's take a look at Deyun Club, which has always been loved, but also controversial. Although their cross talk works are in the limelight for a while, the commercial atmosphere is too strong, and the main goal is to make more ticket sales, which cannot be ignored. In order to attract the audience, they had to cater to the taste and used a lot of ethical memes, which made their works entertaining, but empty in depth and connotation. This kind of cross talk performance is a bit like cultural fast food, which can quickly cause the audience to laugh, but it is difficult to inherit, let alone become a classic, for future generations to learn from.
In fact, although Deyun Club's cross talk works are very popular, they are difficult to compare with the classics in traditional cross talk. This also raises the question of whether Deyun Club can be competent in the long-term inheritance of traditional cross talk. In cross talk, a traditional art with a history of more than 100 years, how to ensure the continuation of this cultural inheritance is a difficult problem to be solved urgently.
Looking at the situation of Deyun Society, it is difficult for us to see a clear inheritance plan. Guo Degang, Yue Yunpeng, Meng Hetang, Qin Xiaoxian and other actors do not have classic works that they can handle, which makes the inheritance of cross talk face a huge challenge. If left unaddressed, the precious cultural heritage of cross talk may decline again.
In stark contrast, there are many old faces at the 4th Intangible Cultural Heritage Crosstalk Conference, who represent the glory of cross talk. However, the key inheritance work should be pinned on the younger generation of cross talk actors. These young actors, such as Jin Fei, Chen Xi and other new forces of cross talk, are the future of traditional Chinese cross talk. They carry the hope of traditional cross talk to ensure that this cultural heritage will not fade.
In this young generation, Sheng Wei and Ma Jun, a pair of cross talk actors, unexpectedly became dark horses. They all graduated from the Northern Qu School and served as teachers to teach students. Although they did not have a clear teacher, they were guided by the young horse. Young Ma Ye, that is, Mr. Ma Zhiming, was born in a traditional cross talk family and has the ability to teach cross talk in person. This has laid a solid foundation for Sheng Wei and Ma Jun's future in the cross talk industry.
Deyun Club seems to have put commercial interests first, so the task of inheriting traditional cross talk may need to be entrusted to young actors like Sheng Wei and Ma Jun. They have a good foundation and the true inheritance of traditional cross talk, which makes them expected to become a new generation of representatives of traditional cross talk. The inheritance of cross talk culture needs to be paid attention to at all times to ensure that this precious cultural tradition will not be lost in contemporary times. Therefore, at this intangible cultural heritage cross talk conference, we saw the hope for the future and witnessed the continuation of traditional cross talk.
Revelation:
A recent intangible cultural heritage cross talk conference has brought us a lot of thoughts. First of all, we should cherish traditional culture and protect and inherit intangible cultural heritage. As a part of traditional Chinese art, cross talk carries rich historical and cultural connotations, and its inheritance is crucial to the continuation of Chinese culture.
Second, we need to examine the impact of commercialization on traditional art. As a representative of the cross talk field, Deyun Club has achieved great success on the road to commercialization, but this has also led to its works focusing more on commercial benefits rather than cultural inheritance. This reminds us that when promoting traditional culture, we should pay attention to balancing commercial interests and cultural values to ensure the purity and longevity of cultural traditions.
Finally, the emergence of the younger generation of cross talk actors shows that there is still hope for the inheritance and development of traditional Chinese cross talk. Young actors such as Jin Fei, Chen Xi and Sheng Wei Ma Jun have shown talent and potential, and they may become the mainstay of traditional cross talk in the future. It also reminds us of the importance of encouraging the younger generation to participate in and inherit traditional cultures.
Summary:
The recent intangible cultural heritage cross talk conference has triggered a deep reflection on traditional cross talk and its future. As a part of China's intangible cultural heritage, traditional cross talk carries a long history and cultural connotation, and its inheritance is crucial to the continuation of Chinese culture. However, some mainstream cross talk groups such as Deyun Club pursue economic interests on the road to commercialization, resulting in a strong commercial atmosphere and a lack of cultural value in their works. This has sparked a discussion about the balance between the inheritance and commercialization of traditional cultures.
Although Deyun Club has achieved great success in the cross talk industry, its cross talk works focus too much on catering to the audience's tastes to make profits, while ignoring the inheritance and innovation of traditional culture. Although this kind of commercialization-oriented cross talk work can be successful in the short term, it is difficult to become a classic, let alone be passed down for centuries.
What is particularly worrying is that in the absence of classics and willingness to inherit, once the representative of Deyun Club such as Guo Degang retires, the future of Deyun Club will face huge challenges. Traditional cross talk has a history of more than 100 years, and someone needs to carry this cultural banner. However, under the current situation, Deyun Club has not shown this potential, which means that the inheritance and development of traditional cross talk may need to find answers in other fields.
The 4th Intangible Cultural Heritage Cross Talk Conference shows the demeanor of many older generation of cross talk actors, who represent the glory of cross talk, but what is even more inspiring is the emergence of the younger generation of cross talk actors. Young actors such as Jin Fei and Chen Xi, as well as Sheng Wei and Ma Jun, the dark horse actors, have shown talent and potential, and they may become the backbone of traditional cross talk in the future.
Although Shengwei Ma Jun does not have a strict teacher, they have an authentic professional background, and they have been trained by young horses born in a traditional cross talk family, which provides strong support for them to work hard in the cross talk world. This also allows us to see that the inheritance of traditional cross talk in the future may rely more on the younger generation of actors, who need to continue to learn traditional skills and innovate in the modern context to ensure the continuation and development of cross talk art.
To sum up, the Intangible Cultural Heritage Crosstalk Conference is not only a wonderful performance, but also triggers deep thinking about traditional cross talk, commercialization and inheritance. We should cherish traditional culture, while examining the impact of commercialization on traditional arts, and encourage the younger generation of cross talk actors to actively participate in and inherit traditional culture, so as to ensure the prosperity and development of cross talk art in the future. Only in this way can China's traditional cross talk continue to shine on the stage of world culture.
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