[I have something to say] Wang Xinling: Relying on sweetness to become popular again, when creating and making people, it is also fate!
Recently, Wang Xinling became popular again with "Sister Lang 3", and the song "Love You" caused a wave of "memory killing" among middle-aged fans. Wang Xinling's popularity caught people off guard, and at nearly 40 years old, she still showed shocking magic.
In the nearly 20 years since Wang Xinling's debut, she has not only maintained a perfect figure and fair skin, but her sweet and charming singing voice has not diminished in the slightest. For this sudden red, Wang Xinling seemed to be a little spoiled and responded lightly.
Looking back at Wang Xinling's peak, probably between 2003 and 2010, her songs were deeply loved by the majority of post-8090s. Compared with female singers such as Zhang Shaohan and SHE, Wang Xinling's sweet image is undoubtedly more distinct, and compared with them, Wang Xinling's popularity is indeed amazing.
Netizens speculated that Wang Xinling's rise to fame again was purely accidental, and some even questioned why Chinese mainland could not produce such a "sweet godmaster". Indeed, looking back over the past ten years, it seems that Chinese mainland has not appeared a female singer who is famous for "sweet". In contrast, Hong Kong and Taiwan stars sang so many sweet songs.
Why is this happening? I believe that good or bad music itself is relative, but there are complex factors hidden behind it. First of all, the difference in cultural atmosphere and heritage has caused the difference in musical style. Hong Kong and Taiwan pioneered the mainland in terms of music, and had international exchanges earlier, which made their musical styles more rich and diverse.
In addition, the difference in composition and lyric style is also one of the reasons. Mainland songs often rhyme to the end, with little room for word selection and lack of variation. The songs of Hong Kong and Taiwan have one song and two rhymes, and there is more room for word selection. In terms of composition, mainland works are more blunt, while those in Hong Kong and Taiwan are more tactful. This key may be more in line with our ear habits, so Hong Kong and Taiwan songs appear more good.
However, we don't need to worry about this, let alone feel "sad". Good singing knows no boundaries! Wang Xinling's popularity is inevitable. For many years, there has been a lack of decent female singers in the mainland, which has led to the dominance of online songs in the music scene, and many people's awareness of singers is relatively limited. And Wang Xinling's sudden popularity also made me see people's nostalgia for their youth.
At present, the pressure of society is gradually increasing, and more and more people recall their youth and seek an emotional escape. Perhaps we can't find a person or a song to satisfy the long-suppressed "DNA" in our hearts, but Wang Xinling's popularity allows us to see an expression of emotions, a dialogue with the past.
Finally, I want to ask everyone, do you like a "sweetheart godmaster" like Wang Xinling? She hopes to create more good memories with everyone through music, and hopes that everyone can do better and be better for the people around them. Would you like to grow up with her and go through all the journeys together?
