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Introduction:
In the 80s and 90s, Hong Kong actresses conquered the audience with their own unique beauty and excellent acting skills, but the years were not spared, and their faces grew old, and they took different ways to deal with this phenomenon. Some actresses choose to maintain their youthful appearance through aesthetic surgery, however, this often leads to troubling sequelae. Other actresses tried to re-enact classic roles, but the results disappointed the audience. This phenomenon has led people to think about beauty, age and natural aging, and how to maintain their place in the entertainment industry.
Analyse:
Actresses such as Kwan Zhilin, Wen Bixia, Zhao Yazhi, Zhou Haimei, Li Ruotong and Zhang Min were once representative beauties in Hong Kong, but with the passage of time, they faced the challenge of aging appearance. Some actresses choose to fight the years through aesthetic surgery, however, this practice often leads to excessive smoothness and stiffness, making it difficult for the audience to recognize their former demeanor.
For example, Kwan Zhilin was once known as "Hong Kong's No. 1 beauty", but her aesthetic surgery made her face look stiff and unnatural, losing the beauty of her youth. Similarly, Wen Bixia also relies on medical beauty, but her makeup has become intense, making her no longer look youthful and sexy. Zhao Yazhi also experienced a similar situation, she appeared overwhelmed during her live broadcast, and also let the audience see the swelling of her face.
On the other hand, some actresses try to re-enact classic roles, but their acting performance is greatly reduced. Zhou Haimei's performance in "Fragrant Honey Sinks Like Frost" was spit on, and Li Ruotong also lost her former charm when trying to re-enact Xiaolongnu. Zhang Min received negative reviews for copying Zhao Min's character.
These situations led to a discussion among the audience about the balance between beauty and acting. Beauty in your youth is important, but how to gracefully age and continue to show acting and charm are equally important. Some actresses, such as Lin Qingxia and Pan Hong, chose to face their age gracefully, not only maintaining their dignity, but also winning the love of the audience.
Personal opinion:
In my opinion, everyone has the right to age naturally, and age should not be the only measure of the value of an actor or public figure. Aesthetic surgery can delay aging to some extent, but if overused, it can lead to an unnatural and uncomfortable appearance. And trying to reenact a classic character is a courageous attempt, but it must be premised on moderation and sincerity, otherwise it will ruin the audience's fond memory of the character.
The entertainment industry should pay more attention to the acting skills and performance of actors, not just their appearance. Audiences prefer to see the maturity and diversity of actors at different ages. In addition, society should be more respectful of everyone's choices, whether they choose to age naturally or maintain a youthful appearance through aesthetic surgery.
Revelation and Truth:
This phenomenon reminds us that beauty is fleeting, but true charm and value come from the improvement of inner qualities and acting skills. Aesthetic surgery can be an option, but it must be used with caution to avoid over-dependence. At the same time, age should not be the only measure of personal value, everyone has the right to show their charm and talent at different ages.
Summary:
Hong Kong actresses in the 80s and 90s used to shine in terms of beauty and acting skills, but with the passage of time, they faced the challenge of aging appearance. Some chose to maintain their youthful appearance through aesthetic surgery, but faced unnatural and stiff sequelae, while others tried to re-enact classic roles but did not perform well. This phenomenon reminds us that beauty is short-lived, and true charm comes from the improvement of inner qualities and acting skills. Society should be more respectful of everyone's choices, whether they choose to age naturally or maintain their youthful appearance through aesthetic surgery. Most importantly, actors should pay attention to acting and performance, while audiences should pay more attention to the intrinsic value of the actor, not just appearance. In this way, we can better appreciate the actors in different years
Age shows diversity and maturity. This also brings an important consideration to the entertainment industry: actors are not only appearances, they are artists with rich inner world and emotional expression ability.
In addition, this phenomenon also reminds us of the problem of aesthetic surgery. Although aesthetic medicine can improve appearance to some extent, it should be done under the principle of caution and moderation. Excessive aesthetic surgery can not only lead to an unnatural appearance, but can also pose health risks. Therefore, individuals should make informed decisions when considering aesthetic surgery with a full understanding of the risks and consequences.
Finally, audiences and society also have a responsibility to look at the changes in actors in a more balanced way. Age is irreversible and everyone goes through the process of aging. We should be more respectful and appreciative of actors who choose to age naturally because they demonstrate the wisdom and maturity that age brings. At the same time, we should also give some tolerance and encouragement to actors who try to re-enact classic roles, because they bravely challenge their limitations and try to put on the best performances.
To sum up, actresses in the entertainment industry face the challenge of aging appearance, which has triggered deep thinking about beauty, age and acting skills. Actors should pay attention to the improvement of inner quality and acting skills, the audience should view the changes of actors in a more balanced way, and aesthetic surgery should be used under the principle of caution and moderation. This phenomenon teaches us that true charm comes from within, and that age is only a part of life and should be respected and appreciated.
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