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Title: The literary generation of the crosstalk industry is inherited in the crosstalk world, and the literary generation can be described as a gathering of famous artists, Su Wenmao, Li Boxiang, Gao Yingpei, Ma Ji, Hou Yaowen and many other familiar names belong to the best. Most of this generation of comedians were born in the thirties and forties of the last century, and among them, Hou Yaowen is a younger generation. However, it is worth mentioning that even in the literary generation, there are also post-80s actors, and compared with predecessors such as Zhao Xinmin and Su Wenmao, the post-80s generation of writers can be described as deeply different.
Qiu is handsome and can be described as the best among the post-80s writers. His crosstalk talent is among his peers, and it is no wonder that Guo Degang invited Qiu Yingjun back then. However, Qiu Yingjun rarely mentions his generation. Perhaps because in the crosstalk world, his status is not fully recognized. If his generation is clear, Qiu Yingjun will definitely become a representative figure of the literary generation.
Qiu Yingjun's master is one of the four great treasures in the crosstalk world, Jiang Baolin. In 1988, Jiang Baolin was accepted as an apprentice by Ma Sanlikou Alliance. At that time, after Ma Sanli solemnly criticized Li Jiechen at the acceptance ceremony, he suddenly turned to Jiang Baolin and said, "From today onwards, you will be my apprentice." This sudden decision surprised Jiang Baolin. Although he has been accepted by the Ma Sanlikou Alliance, this move has not resonated much in the crosstalk world. After all, no matter how high the seniority, you must also follow the rules, and you cannot call a teacher at will. Jiang Baolin did not dare to consider himself a treasure generation.
Jiang Baolin accepted a group of college students as apprentices in his later years, and Qiu Yingjun was one of them. If Jiang Baolin is counted as a treasure generation, then Qiu Yingjun's group of college students have become part of the character generation. They will become the uncles of predecessors such as Zhao Weizhou, Jiang Kun, and Feng Gong, however, fortunately, this title is not generally accepted in the crosstalk community. Qiu Yingjun has never considered himself among the literati generation, but if Ma Sanli's words count, Qiu Yingjun is a theoretical representative of the literal generation.
Xie Jin was known as "Master", mainly because he was once studied by Li Wenshan under Wang Shichen. However, this move is controversial, mainly because the worship teacher in the crosstalk industry has certain rules. Either by the master brother or by the most prestigious senior brother in his generation. However, it was clear that Li Wenshan was neither a senior brother nor the most prestigious member of the division. If this is also accepted, then any of the comedian can worship the junior brother at will. Therefore, Xie Jin's generation is not fully recognized in the crosstalk world, mainly because the procedure for worshiping teachers does not comply with the regulations. Of course, there are also some post-80s literary comedians in the crosstalk industry, and their generations are indisputable. Moreover, these two are still cousins, Malacca and Ma Xiaochuan. The grandfather of these two is Ma Sanli, the difference is that Malacca's father Ma Zhiming is a comedian, while Ma Xiaochuan's father is not. Malacca Zheng'er Bajing worships the Shi Bao character generation crosstalk artist Wang Fengshan, and Ma Xiaochuan worships the Shi Bao character generation comedian Chang Baofeng. Although these two are not old, they have a clear generation, and they can be called the representative figures of the post-80s generation that no one dares to question. Crosstalk has a long history, and Malacca and Ma Xiaochuan have become the leaders of the crosstalk family. Despite their young age, their worship procedures are strict and standardized, and no one dares to question them. Xie Jin also comes from a crosstalk family, but the way to worship is controversial, some people agree with it, others question, after all, the procedure of worshiping a teacher is not completely in line with the rules. As for Qiu Yingjun, his status as a literary generation is only theoretical, after all, he is not a son of a family, a college student, if he wants to be in such a high rank, not only peers, I am afraid that even he himself is difficult to accept. This generation of literary comedians has achieved remarkable achievements in their respective fields, although they have different generational disputes. With their unique artistic charm, they have made positive contributions to the development of the crosstalk community. The inheritance of crosstalk requires more talents and beauties to work together to carry forward this traditional culture so that more people can appreciate its charm.
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