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The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

author:A sea of calligraphy

This calligraphy textbook is called "Eighty-four Laws of the Structure of Large Characters", which was written by Li Chun, a minister of the Ming Dynasty, on the order of Emperor Zhu Qiyu of the Ming Dynasty, and was specially used as a calligraphy textbook for the emperor, mainly focusing on the body of the calligraphy.

Eighty-Four Law on the Structure of Large Characters

--Regular script--

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"
The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"
The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

1. Skyfall

To cover the upper and lower methods, it is advisable to clear the upper and lower turbidity.

2. Ground loading

To row down and load up, it should be light and heavy.

3. Let left

Raise the left and low on the right, if there is an image of humility on the right.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

4. Let go right

It is advisable to tower on the right and flat on the left, if the left has the grace of obedience.

5. Divide the frontier

Take the left and right flat without giving in, like two people standing side by side.

6. Three even

Take the middle and not bias, if the left and right are arched.

7. Second paragraph

It should be divided into two halves, and slightly increased and reduced compared to its length.

8. Three stops

It should be divided into three sections, measure its density, and stop with cloth.

9. Upper Step

Be wide and clear above and narrow and turbid below.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

10. Step down

Be wide and light underneath and narrow and heavy above.

11. Left Step

Make the left large and thin stroke, and the right small and thick.

12. Step right up

The right side should be wide and thin, and the left side should be narrow and fat.

13. Occupy a lot of land left and right

It is necessary to be thin and long on the left and right, and fat and short in the middle.

14. Up and down the floor

It should be wide and slightly plaque up and down, and narrow and not long in the middle.

15. Medium Step

It should be wide and light in the middle, and narrow and heavy at both ends.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

16. Pitch hook

The upper cover should be narrow and short, and the lower wrist should be wide and long.

17. Flat four corners

The upper two corners should be flat, and the lower corners should be aligned, and the shoulders should be draped.

18. Open your shoulders

The upper shoulders should be opened, and the lower feet should be closed, and the shoulders should be unloaded with straight feet.

19. Draw evenly

Black and white are evenly joyed.

20. Intricacies

The three parts are afraid of becoming a crime.

21. Drainage

If you do not show it, you will be cold and lonely.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

22. Be meticulous

Careful strokes are used, and if they are not hoofed, they are loosened and scattered.

23. Suspension needle

The word of the hanging needle, do not use the middle vertical, if the medium vertical is less spirit.

24. Medium vertical

In the middle vertical zigzag, do not use the hanging needle, if the hanging needle, the word is unstable.

25. Shangping

The upper one is flat, the smaller one is on the left, and the wrong one is in the corner.

26. Lower flat

Those who are flat, the smaller ones are on the right, and the status is not bad.

27. Top width

Those who are wide at the top, although it is difficult to be large below, but the long one takes advantage of the good side.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

28. Width below

The lower wide, the upper is already pointed, with a short and square good.

29. Reduction

Those who reduce should be reduced, and those who do not reduce should be remarkable.

30. Minus

Those who reduce the hook should be reduced, and if they are not reduced, they will be re-hooked without body.

31. Let the horizontal

Let the horizontal one, take the horizontal stroke long and do not bear it.

32. Let straight

Let those who are straight, be straight and not biased.

33. Yokole

Transverse, but flat and powerless.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

34. Even-even

Those who are equal, if they are both strangled, lose their power.

35. Longitudinal waves

The wave of longitudinal waves, only happy to hide the head and end.

36. Shear waves

The wave of transverse waves, first you must expand the neck and wide chest.

37. Longgo

Fierce and fierce, but afraid of the defeat of the bending force.

38. Henggo

Hengge no Ge, especially straight and flat.

39. Bend your feet

The hook of the bent foot must be pointed and wrapped in two points

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

40. Carry on

If you carry on the above, it is advisable to align the fork in the center.

41. Tseng Tou

Those who have been headed, use the upper opening and the bottom closing.

42. Its feet

Its feet are opened with the upper and lower ones.

43. Rectangular

The rectangular one, happy four straight and wide.

44. Short square

Those who are short square, your shoulders are flat.

45. Hook-up

Those who hook up, hook up must be another one, not tired of writing.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

46. Heavy skimming

Those who skim heavily, do not commit the stone of teeth.

47. Save up

The points of accumulation should be oriented, not masonry.

48. Ranking

The point of the arrangement must be changed, otherwise it is the shape of the chess.

49. Gonu

The word Gonu should not be wrapped, and if wrapped is used, the word will not be square.

50. Hook

The word of hook should not be used Nu, if you use Nu, the word is the most difficult to fill.

51. Medium tick

The word of the middle tick, but the bias is good.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

52. Hook

The word of the hook is also happy to be right.

53. Stretch the hook

The word stretch hook is only in the flexion and extension of the body.

54. Hook Hook

The word of flexion and hooking, we must know the body and stand flexion and extension.

55. Left droop

If the left is drooping, the right side should not be too long.

56. Right hang

If the right is drooping, the left side must be shorter.

57. Under the lid

Those under the cover should be divided equally between the left and right.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

58. Take advantage of it

Take advantage of the lower side, the two sides are flat.

59. Longitudinal wrists

The wrist of the longitudinal wrist should be long, but I am afraid of the bee's waist and crane knee.

60. Transverse arm

The horizontal wrist is too short, and it is not suitable for crane knees and bee waist.

61. Skimming

The most short-sighted skimming, still suffering from rat-tailed bull head.

62. Sideways

Horizontal skimming prefers to be long, but is afraid of bull heads and rat tails.

63. Skimming

The method of joint skimming, remove the head of the skimming, and face the chest of the upper skimming.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

64. Loose water

The method of scattering water, the front of the next point, should be the end of the upper point.

65. Fat

The fat person is slightly fat, and as for the puffiness.

66. Thin

The thin must be less thin, while Hugh is barren.

67. Loose

Thinning the sparse drain, but using fat and thick.

68. Dense

Although the cloth is tight, it should be comfortable and comfortable.

69. Heap

The piles are overlapped and overlapped, and it is advisable to spread evenly at the heavy places.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

70. Product

The accumulation of the total disorder, with the complexity of the disorder and rounding.

71. Bias

Partial proportions must also be partial.

72. Circle

Circle: This joy surrounds the circle.

73. Oblique

Although the oblique is oblique, and one of them should be square.

74. Positive

The right one is right, and the four sides have no leftovers.

75. Heavy

The heavy will be great.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

76. And

The right must be wide.

77. Long

Elders don't like to be short.

78. Short

Write shorter

79. Great

The big is big, and the big is better than the cluster.

80. Small

The small ones are small, but the noble ones are abundant.

81. Towards

Although the seeker is welcomed, the brothers and sisters must also be avoided.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"

82. Back

The back is fixed, and the vein car is self-penetrating.

83. Lonely

The lonely are lonely, but suffer from frivolity and thinness.

84. Single

The single shape is single, and the emphasis is on handsome and clear length.

The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"
The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"
The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"
The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"
The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"
The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"
The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"
The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"
The Emperor's Imperial Calligraphy Textbook "Eighty-Four Laws of Large Character Structure"