The poem "Lovesickness" by Tang Dynasty poet Wang Wei uses red beans as a symbol of love to express longing for his lover.
In the poem "Lovesickness", Wang Wei uses red beans as a carrier to express his longing for the land of the southern country. He wrote: "Red beans are born in the south, and a few sprigs are sent in spring. May you pick more, this thing is most lovely. In these four poems, Wang Wei uses red beans as sustenance to express his longing for the southern country. At the same time, he also hopes that his lover can pick more red beans, because this item can best express lovesickness.
The red bean, because of its beauty and symbolism, became a symbol of love. In ancient times, people used red beans to express their longing for their loved ones, while modern people used red beans to express their longing for important people such as relatives, friends, and lovers. As a cultural symbol, red beans represent the Chinese nation's pursuit and expression of beautiful emotions.
May you pick more, this thing is most lovely. After listening to this poem, do you also begin to miss your distant relatives and friends? Send them your blessings!
(Note: The above copy comes from AI technology)
Works on display:
Hao Yi
Yao Shufang
Li Shaobo
Zhao Zhongsheng
Tan Qiying
Yao Shufang
Hao Yi
Exhibition time:
September 26, 2023
Exhibit Content:
Wang Wei (Tang) "Lovesickness"
Original text of the poem:
Red beans are born in the south and send a few sprigs in spring.
May you pick more, this thing is most lovely.
Poetry Interpretation:
Red beans grow on the land of the southern country, and I don't know how many new branches grow every spring. I hope you can collect them to your heart's content, because it is the most acaciac.
Poetry Writer:
Wang Wei, born in 701 AD and died in 761 AD, was a Maha Shu (蛘) and a Maha Jiushi. A native of Puzhou, Hedong (present-day Yuncheng, Shanxi), his ancestral home is Qi County, Shanxi. Tang dynasty poet and painter.
Wang Wei participated in Zen enlightenment, learned the Zhuang channel, proficient in poetry, books, paintings, music, etc., flourished in Kaiyuan and Tianbao with poetry names, especially long five words, many mountains and rivers, and Meng Haoran was collectively called "Wang Meng", known as "poetry Buddha".
Calligraphy and painting are so wonderful that later generations recommend it as the ancestor of Nanzong landscape painting. He is the author of "Wang Youcheng Collection" and "Secrets of Painting", and has about 400 poems.
Su Shi of the Northern Song Dynasty commented: "The poem of taste Maha, there are paintings in the poem; Look at the painting of Zhao, there is poetry in the painting. ”
About the author of the calligraphy work:
Hao Yi (Shijiazhuang, Hebei, 1974), began to learn seal carving and calligraphy at the age of 14, and studied under Mr. Niu Xiao, a famous calligrapher in Hebei at the age of 18, and is now a member of Shijiazhuang Calligraphers Association and Hebei Financial Calligraphers Association.
Yao Shufang (female, Shaoyang, Hunan Province, 1965), master of Huazhong University of Science and Technology, economist, lover of calligraphy and ancient poetry.
Li Shaobo (Baoding, Hebei, 1967), an amateur calligraphy enthusiast, has been studying calligraphy for many years.
Zhao Zhongsheng (Yueyang, Hunan Province, 1970), a businessman, hobby calligraphy.
Tan Qiying (female, Yueyang, Hunan Province, 1956), member of Chinese Poetry Association, member of Hunan Poetry Association, Elderly Calligraphy Association, Press and Publication Calligraphy Association, Yueyang Yinglian Society, Poetry Association, and Calligraphy Association. Lianmo's works have won many awards.
Welcome more calligraphy lovers to participate in the "Writing Classics Online Exhibition"...