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Introduction: Recently, a short drama called "Escape from the British Museum" caused a sensation in the field of self-media, not only becoming a hit, but also igniting the feelings of home and country on the whole network. With the creative power of self-media, this work shoots a story full of family and country emotions, which triggers people's thinking about domestic entertainment and self-media. This article will show the impact and story behind this short drama by reconstructing the structure of the article and the way the plot is narrated, as well as adding your own insights.
In today's entertainment industry, the competition in the fields of domestic entertainment and self-media is becoming increasingly fierce, and a remarkable short drama "Escape from the British Museum" has emerged in this context.
The short drama consists of only 3 episodes and is only 17 minutes long, but it has sparked widespread discussion and praise. With the creative power of self-media, it breaks the boundaries of traditional internal entertainment, ignites the feelings of home and country on the whole network, and triggers deep thinking.
The main line of the story revolves around a modern artefacts called "Little Jade Pot", who is in the collection of the British Museum and is the only artifact that has not been stolen, like an innocent messenger, who can only find her way home. However, she carries a bag of "family letters" that record the longing and nostalgia of overseas cultural relics. With the help of the male protagonist, she embarked on the return journey across the ocean and brought these family letters back to the motherland.
The content of these "family letters" makes the audience linger. Tang Sancai Pony describes the loneliness of running around the cage several times a day, the Ming Dynasty dragon pattern glass tells the pain of a hundred years away from home, and the Qing Dynasty ivory figure set explores the tragedy of being taken away by foreigners. The bronze statue of Emperor Zhenwu of the Ming Dynasty shouted for the soldiers in Guanxi, hoping that they would die in their homeland. These cultural relics seem to come to life in an instant, conveying the wish for eternal peace in the home country. No matter how many times the audience watched it, they would be deeply touched and tears would fall.
Amazingly, the level of production of this skit far exceeded expectations.
The copywriting breaks the framework of traditional internal entertainment and gives a reassurance to the field of self-media. Makeup did not lose to the costume drama with hundreds of millions of investment, but gave the character more vitality with exquisite skills. Most importantly, the pattern of this work has taught many people a lesson, telling them that self-media can also have a big pattern, and can also touch on deep social issues.
At the same time, TV dramas in the field of domestic entertainment are still sticking to the rules, taking the love of immortals as the main line, and they will be buried with the world at every turn, and a bowl of white porridge can make people grateful to Dade. This kind of outdated plot setting can no longer meet the needs of the audience, and it also makes people question internal entertainment.
In contrast, the self-media people in the new era are gradually changing the entire entertainment industry by singing the feelings of home and country with sincerity.
What's even more exciting is that this skit has a chain reaction. Self-media people, teachers, bloggers, netizens, foreign media and bloggers from various countries have joined in calling for the return of national treasures. This short drama is not only a success of an entertainment work, but also a rise of a social phenomenon.
It teaches us that traffic is no longer fake data, but real resonance. The younger generation is becoming more responsible, they love cultural heritage and are willing to protect it.
It's an encouraging sign that the world is getting better, no longer blindly chasing capital, but pursuing conscientious making.
The "Purple Microstar" of 2023 may no longer be a big star to explode, but a thousand people who do things with heart and a sense of responsibility. They are changing the world, being proud of their home and country, and applauding everyone who is warm and powerful. The world is slowly getting better, and this short drama "Escape from the British Museum" is a witness to this change and an agent of this change.
(The cases and pictures are from the Internet, without any bad direction.)