Xiang Neng's hit spy film was put on hold this year.
The seven-year layout of "Infernal" has whetted the appetite of the public. The "double showdown" between Jin Dong and Wang Zhiwen is exciting just thinking about it. However, the script is too bad, and no matter how good the actors' acting skills are, it is in vain.
When "Infernal" was overthrown, "Thin Ice" once again took over the banner of spy war films.
The supporting role can be called "fairy casting", but the leading actors must be famous or unknown, with acting skills, but no acting skills. The plot is very dramatic, and the minutes make people take action. When things go on, no one cares. Bad drama.
There are many spy war movies, but none of them can really quench the thirst of this year's spy war film fans. At this moment, the horse breeding shot, and a film "Stalker" broke into the audience's field of vision. Just looking at the ratings is enough to see the potential of this dark horse. No doubt.
The ratings are crazy, but the voices of not watching are getting louder. What's the problem?
In fact, "Stalker" is still plagued by the old problems of "Infernal" and "Thin Ice". The script is vulgar and clumsy, full of loopholes in logic, and has no spy war film characteristics. It's hard to believe that this is the product of the screenwriter's nine years of preparation.
The head of the intelligence department is purely in love, the heroine Tao Yuling's IQ is not online, and the behavior of leaving the child in the hotel for several days makes people want to turn off the TV immediately.
The male protagonist Fang Jiashu's face is full of the "stupidity" of the undercover character. If this is placed in "Lurking" and "Cliff", he will definitely not be able to survive even 5 episodes of cannon fodder.
Actors with acting skills cannot shine because of limited character design, but actors without acting skills completely fall under the screenwriter's "random fabrication", such as Tao Yuling's adopted child Leyan.
He loses his temper anytime and anywhere and acts for no reason. This character is a minefield for the audience.
The appearance of the little actor pretending is not as cute as a child at this age should be, which is very offensive. Except for the undercover identity of the male and female protagonists exposed at some point, her addition has no other impact on the main plot.
Although there are thousands of reasons for viewers to leave the show, there are also some viewers who are willing to "pay", not for the flawed plot, but for the good actors in the show.
After successfully removing the oil, Huang Xiaoming became fresh and stylish. As an agent, he gives the feeling of "New on the Beach". He is handsome again, and his acting skills are not affected.
"Sun Xing", who has done all kinds of bad things in "Black Storm", is "unchangeable" in "Stalker". Fortunately, he was stupid enough to become a "funny person" in the play. The complex character makes the audience love and hate him.
"Stalker" is not just a male drama, but also depicts two women with very different personalities. One is Tao Yuling, a "dumb daughter-in-law" from the countryside, and the other is Su Yalu, which fully shows the beauty and charm of the female agent. Each of them is a striking person.
Some people will marvel at Jiang Xin's natural and simple taste, while others will be obsessed with Wan Qian's arrogance and sexiness. The two not only have differences in appearance and temperament, but also fully reflect the gap between divine food and acting skills.
In the entertainment industry, where everyone has a professional background, Jiang Xin's education is somewhat unsatisfactory. It is not the Beijing Film Academy or the China Theater Academy, but an ordinary vocational training course. However, her non-competitive credentials didn't make her a "lost" gem. But everyone. ”
"After all, God will reward you with food." Jiang Xin, who entered the entertainment industry, was still a little famous during the period of obscurity.
For example, Zhang Jizhong version of "Dragon Babu", Mu Wanqing played by Jiang Xin, is naïve, strong on the outside and soft on the inside.
Although her face is often covered by black veils, her stunning beauty cannot be concealed. Even if there are beautiful women such as Liu Yifei, Chen Hao, Liu Tao, Zhong Liti and other beauties competing for beauty, Jiang Xin still became popular with her unique charm.
In "The Legend of Sword and Fairy", a woman who falls in love.
"Seven Fairies of Joy" has a distinct personality.
Although these classic characters are not the protagonists, they are still remembered by the audience. They are good characters and beautiful characters. With these two sharp weapons, Jiang Xin began to "ride the wind and waves" in the entertainment industry.
What really makes Jiang Xin popular all over the country is his classic "The Legend of Zhen Huan" forever.
She plays Concubine Hua, arrogant and domineering, smart and charming, beautiful enough to make people forget her "bad" under the background of beautiful brocade. Jiang Xin single-handedly took over all the highlights of the first 42 episodes.
Even if the last 34 episodes have famous scenes such as "Concubine Xi returns to the palace" and "blood relatives recognize relatives", without Concubine Hua, many viewers will feel tired of watching.
With excellent acting skills, Jiang Xin can always play "bad roles" in new ways.
For example, Fan Shengmei in "Ode to Joy" has a strong vanity, but the money she earns all fills the bottomless pit at home, which makes people sigh. The personality does not make people sympathetic, but Jiang Xin's performance makes people feel a trace of sympathy.
Jiang Xin's good acting skills are undoubted, but his figure has been criticized.
Her tall, curvy figure makes it difficult for viewers to classify her as a stunning beauty, but it turns out that her figure can sometimes "contribute" to shaping characters. This time "Stalker" is the most vivid example.
Tao Yuling, played by Jiang Xin, has a fierce and fierce personality, and is also a rural woman who raised two children. The protagonist is rustic and vulgar.
No makeup, fierce double chin, dirty coarse clothes, handsome figure. Just by looking at this image, Jiang Xin brought a village woman to life.
Be a tiger when you should be a tiger, and hide when you should hide. This complex role was played just right by Jiang Xin. Her mood changes are all under her control. As soon as she asked, tears came, smooth and natural, and the ability to empathize was extraordinary.
All in all, Jiang Xin's acting skills can be called "gods". In contrast, Wan Qian's acting skills appear rigid, always cold and arrogant, and "sincere" as always, but relying on his slim figure and elegant temperament. "Deceiving" the public.
Wan Qian seems to be carrying heavy idol baggage in front of the camera.
Whether happy, angry, disappointed or reluctant, she always stared, pouted, and seemed to be smiling. She had never seen such a complex expression. Her acting skills are not bad, but they are not explosive either.
It can only be said that Wan Qian is very "smart" and knows how to "curry favor" with procedural acting skills.
Looking back at the characters created by Wan Qian on the screen, most of them are cookie-cutter routines.
For example, in "County Party Committee Compound", she does not have much expression, and her lines are clean and neat, which really shows her strong side.
But in front of his beloved, his face still exudes an indescribable sense of superiority. At best, his acting skills are also limited. To put it bluntly, no matter what he does, it looks the same to everyone.
And Wan Qian in "Summer and Winter in Short", this is how she is when she is angry. It can be said that she does not express joy or anger.
She was in control of the victory, and she was secretly happy in her heart, but her face was expressionless. Luckily, sunglasses that covered her eyes helped her a lot.
But when the plan fails and others turn their backs on her, Wan Qian is like this. Subtle changes in her performance can only be seen under a microscope.
Compared with Jiang Xin, who became famous at a young age, Wan Qian has been in the entertainment industry for more than 20 years and has been on the edge of the entertainment industry for a long time. She is equivalent to a "transparent person". She graduated from Shanghai Theater Academy and has so many resources that the public can overlook. There are only a handful of works that are being talked about.
Even more ironically, as an actress, she is not out by work. Instead, it became popular for a while through variety shows "Sister Riding the Wind and Waves". Eventually she became famous, and then said in the interview: I didn't have a red heart in the first place.
After the popularity receded, Wan Qian became Wan Qian who was "as pale as a chrysanthemum". Film and television sources still accompany each other, but she can play one after another. How can she get out of the circle with homogeneous acting skills?
It must be admitted that some people are born to eat the job of actors.
Wang Baoqiang, who has a basic background, Zhao Liying, who worked as a salesman and restaurant waiter before becoming famous, and the "Fengshen Boy Group" carefully selected by director Wu Ershan, or Lin Yun, the "pearl in the entertainment industry". Stephen Chow's "The Sea" selected nationwide.
Their acting skills are not inferior to those of serious academics. Their untrained, wild acting skills, no traces of performance, no obvious stereotypes, make it easier for the audience to get into the play.
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