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There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

Director Guo's new drama "Cloud Feather" has been raised.

Unexpectedly, the "Guo-style aesthetic" was blown up.

The protagonist's appearance is pleasing to the eye, the character is sick and crazy, and the CP is unconscious.

Even the obscure and unclear pictures have been carefully tasted "cinematic texture".

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes
There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Network       

Director Guo's aesthetic is big and the netizens who love this mouthful violently said:

You can question everything about Director Guo, but you can't question his aesthetics.

For Yan Control, Director Guo deserves the Taimiao.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Weibo       

Before that, Guo Jingming himself was full of confidence.

Known as "Cloud Feather" is "beauty frenzy, Yan dog feast".

Beauty is over.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Weibo       

In fact, Guo-style aesthetics relies on the long-standing hot terrier in the masterpiece "Small Times" - Gu Li is rotten and smelly, and Lin Xiao scolds people for being advanced... It has long been revived again and again in domestic entertainment.

And the wind of "Small Times" still blows until 2023.

"Cloud Feather" is still a pure Guo flavor, and even the famous scene of slap blood has been reproduced from the era sisters to the palace brothers.

It is worthy of "Small Times 5: Feudal Era".

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes
There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes
There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Network

Aesthetics is Guo Jingming's painstakingly cultivated skill.

Further inward, the beauty in his eyes is often inseparable from the man's hue and flesh.

Today, her sister will taste the unique male color under Guo's aesthetic from a few episodes of "Cloud Feather".

The man is in charge, and it is not only Guo Jingming who makes a lot of money.

Friendly reminder: This article contains a large number of male nudity scenes, please watch with caution.

Look, he's so beautiful

Director Guo filmed "Cloud Feather", as always, played steadily.

It tells the story of a female assassin pretending to be a bride and entering the palace house to perform a mission, but it is a beautiful slow-motion PPT TV series.

In this palace family, there are four brothers with entangled relationships, and the male taste in Guo's aesthetic revolves around these four men.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      The four brothers of the palace family, source: Douban      

The most important thing for men is beauty.

In order to emphasize the beauty of these men, Guo's aesthetic repeatedly uses the three axes of the gatekeeper - blowing wind, close-up, and slow motion.

As soon as the male protagonist appeared, a gust of wind blew his hair in his face, and the slowed down camera only silently typed the two big words "beautiful" on the screen.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Cloud Feather"

The trick of blowing wind, close-up, and slow motion, Director Guo has used the fire of pure blue.

The male protagonist and the female protagonist looked at each other affectionately at first sight, so.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Cloud Feather"      

The male protagonist and his brother are at war with each other, and it is still the same.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Cloud Feather"

The crazy brother who shows the male protagonist's absolute beauty is still the same.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Cloud Feather"

Even the appearance of the supporting characters must blow an evil and wild breeze, blowing the handsomeness they attach to every strand of hair.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes
There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes
There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Cloud Feather"

If you don't blow the wind, you can't bring out the beauty of a man?

No, snow will do.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Cloud Feather"

In short, every slow motion is like Guo Jingming shouting in the ears of the audience: Look, he is so beautiful.

It cannot be said that there is no skill, only that it is all feelings.

And the men once again verified the long-term love of Guo's aesthetics for decades in the déjà vu of Jingqing:

The deep mixed blood feeling of the facial features, the slim and thin juvenile feeling, and the fat powder feeling of red lips and white teeth.

Everyone wore heavy makeup, so thick that tears flowed down their eyes leaving two lines of white soup.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Cloud Feather"

Coupled with the generally plain clothing of female characters, netizens sent spicy comments:

Delicate earth, male pet style, funeral style, and waji.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes
There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes
There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Weibo       

Of course, the highlight of Guo's aesthetic is always undressing.

The male protagonist lost his father and the first step in inheriting the position of the head of the family, get off.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Cloud Feather"

The male protagonist finished taking off, and his eldest brother practiced martial arts in the snow and continued to take off.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Douban      

A more outrageous male drama unfolds on Jin Jing.

She is a flower idiot raised by the strict palace family, and as soon as she appears, she is surrounded by a group of oily muscular naked men called "Miss".

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Cloud Feather"

As a noble lady, she can also show her face and enjoy it, and reach out to the guards to attack her chest.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Cloud Feather"

"Cloud Feather" has its own Tang Wanru, projecting Guo's aesthetic's bizarre reverie and evil taste for male color.

Sure enough, Director Guo can use the lens to shoot all men as male pets.

And you and I are all part of his play that shows his private sexual proclivities.

The male color is boundless, side by side with you

Selling male color in the name of the director, Director Guo was already familiar with it before "Cloud Feather".

After all, there were legends in the early years:

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes.

It's just that now, Director Guo has become much more restrained.

Compared with the previous scale, "Cloud Feather" can only barely be regarded as an appetizer.

At that time, "Small Times" was born, and four films were filmed in a row, and the domineering president Gong Huan changed from Feng Xiaoyue to Jinrong.

The actor has changed, and all that remains unchanged is the naked beautiful flesh.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Small Times"

Waves of fresh meat are updated, no matter how many lines you are, as long as you come to "Small Times", you have to go into battle shirtless and shoot all kinds of themed male blockbusters.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Small Times"

When it comes to "The Trail of Jue", men in the fantasy world also love to show their flesh.

CG special effects made Wu Moufan's six-pack abs and exaggerated mermaid line, and Li Zhiting did not wear a top.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes
There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes
There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Jue Ji"

A certain Lun fights heartily with his upper body naked in "Qingya Collection", and it seems that the value of force is directly proportional to the area exposed.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Qingya Collection"

Only the married man Zhao Youting asked Director Guo a soul question:

"Director, why do you want to undress when you cast a spell?"

Only then did he escape the fate of showing his flesh.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Network

is to perform a variety show, Director Guo also has stripping KPIs to complete.

A sexually transformed version of "Painted Skin", the male Xiaowei stood up from the water with his thin chest, and the foundation of him and Wang Sheng also planted the cause and foreshadowing.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Network

In Director Guo's place, whether you are a delicate boy or a domineering president, a muscular man or a mixed-race beautiful man, they all come, and they should all be taken off.

Therefore, instead of saying that Director Guo is a director and Guo's aesthetic is a genre, it is better to say that Director Guo has been a male aesthetic salesman from beginning to end.

His drama must have aesthetics in the plot, aesthetics in the core, and aesthetics in logic.

Mainly, Director Guo also recognizes his own aesthetics:

My aesthetic is very accurate, and I can't say good, because there is no difference between good and bad aesthetics.

Aesthetic criterion means that I know very well what the aesthetic of the public is, and then I will give him something half a block higher than this aesthetic.

Over the years, he has also made a signboard by relying on aesthetics.

The male and female protagonists of "Cloud Feather" are attracted by his same set of words "leave your most beautiful/handsome look".

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Network

And in this era, Guo Jingming, who sells beauty, has never been lonely.

Especially when the seller is "male".

This summer, the naked "Fengshen " proton group on the big screen exploded, and the flesh rattled, once again verifying the vast market of male consumption.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Feng Shen"

The traffic password of the male star's strip show muscles has been tried and tested repeatedly, and the stamina is not small.

And once their clothes are off, they are not so easy to put on again.

Proton Group's variety show has been officially announced, and undressing is just around the corner.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Weibo       

Even if Yu Shi is just shooting perfume advertisements, he has to show off his good figure naked.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Network

Moreover, earlier this year, the coconut tree had already used muscular men to give Neiyu some small male shocks.

The male model full of flesh danced in a confusing brushing dance, exuding a rare "girly" temperament, which brought great heat to the coconut tree.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Network

Men undress publicly, such as male bodhisattvas descending to pudu godly women.

It has been ten years since "Small Times", and male consumption is no longer a new thing.

But whenever a man shows his upper body, it is still easy to cause a phenomenal sensation, so that Director Guo has not changed his original intention for ten years, and the latecomers have followed.

Of course, many people will say that this is a man serving women, a welfare for women.

But is this really understanding women, catering to women, serving women?

Man and horse, and then what?

Women are really too willing to pay for the so-called male color.

As we all know, the "change" that is delayed is also the "change" that changes the life.

When the delay was still in place, an average of two male top men were popular, selling corruption and selling male color, which was already a shortcut to popularity verified by the market.

Even if it is not delayed, male actors have a greater probability of becoming popular than actresses, and a popular drama makes a boy group popular, which can be called a star-making artifact.

In the early years, "Ancient Sword and Qitan" became popular in one breath, including Li Moufeng, Chen Weiting, Qiao Zhenyu, Ma Tianyu, Zhang Zhiyao, and the "Ancient Sword Boy Group".

Just like this year's "Crazy", it also has its own "Crazy Boy Group".

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Little Red Book

Last year's blockbuster "Canglan Tips", the male protagonist pulled up the male four men and five men who did not have many scenes, and they could also form a "Cangyan Sea Boy Group".

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Little Red Book

There was also "Sauvignon Blanc" some time ago.

It was obviously Yang Zi dragging the three emperors to be exploded, and as soon as he turned around, netizens unilaterally let the emperors to be exploded and the female protagonist cut the table, and formed a "Sauvignon Blanc F4" with another actor.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Little Red Book

There is no woman's delay in beautiful love, and there is a woman's drama boy group brotherhood.

Men are in charge, women are removed, don't be ridiculous.

And the female characters in these dramas are disappeared, just like Daji and Queen Jiang in the shadow of the proton group, and the female model who was cut off from the live broadcast by the coconut tree has become the real "disappeared her".

Men are always standing on the cusp, ready for the next takeoff.

This summer, although "Barbie" has done its best, deconstructing all the grand narratives of the male perspective into "men and horses."

But the story of "Man and Horse" has been put on a more feminine skin.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Feng Shen"

As long as men give their flesh, there will be women's fanatical consumption and second creation.

It's like a variation of the Producer Vote, where female fans elect male traffickers who are well-named.

When her sister was talking about the male consumption behind the coconut tree male model is a false proposition before, she said -

Women think that they are the main body of consumption when they spend money, but the fact is:

Women are calculated to empty their pockets and enjoy false subjective status, while men who sell their hue can still manipulate women at any time.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: Network

In essence, as Luo Beibei pointed out when analyzing the star-making miracle of "Fengsheng", men are prone to fire, "precisely because there is still too little male consumption suitable for women."

The current male consumption is created for women by men who cannot depart from the male narrative.

The male color from the perspective of the male director is not so much the welfare of women, but the expression of narcissism and the projection of desire of the male director.

At the end of the day, it still serves and caters to men.

So, when you think you are consuming men, remember to see, where does fame and fortune end up in the end?

Your deconstruction and creation, and whose wallet and great future are enshrined?

Is the woman the subject, or is it the "disappearing her" hidden in the dust?

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "My Genius Girlfriend"      

Her sister has called countless times, we need to imagine the possibility of women's narrative, to imagine what men and men look like in the world told by women?

Is it a sexual transformation of the male-based narrative, which also de-dwarfies, objectifies, and sexualizes men?

Or is it possible to be more open and diverse?

I think the answer is still in Barbie.

There are countless Kens in Barbie's pink world, but for Barbie, this "Ken" is no different from that "Ken", and their most important characteristic is that they are not important at all.

They fight on the beach, ride horses, sing and dance, and have good looks and good bodies.

But they don't matter at all.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Barbie"

Because of the world of women, only Barbie is important.

She can become a president, a lawyer, a doctor, a police officer, a literary scholar, but she will not regard men, love, and marriage as her lifelong ideals.

Barbie is first sex, she doesn't care about men.

There is no "Guo boy" who can walk out of Director Guo's lens wearing clothes

      Source: "Barbie"      

What we need is more female-based narratives like Barbie.

It is not the illusion of beautiful men stripping for you to enjoy, not emptying your pockets and encroaching on your space, nor is it the existence that the words "hakimi" and "male bodhisattva" can define.

Only by stepping out of the male lies woven by men and seeing the missing voice of women can we see a banner pointing to freedom.

On this banner, independence, speculation and endless possibilities are written.

Don't get lost in algorithms, don't sleep in illusions, don't stagnate in numbness.

Sisters and sisters are destined to belong to a wider world.

Please always remember: you and I still have a lot to do.

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