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There are many children of Peking Opera families, and many of them are not worthy of the name, and in the Cultural Revolution, they looked at the talent without looking at the background

author:Jiang Feng's fishing fire is so worried

The art of Peking Opera has been passed down for more than 200 years, and many classic masters and famous actors have appeared in the Peking Opera industry for more than 200 years, as well as many families.

In recent years, we have seen that there are many children of families in the Peking Opera industry, and many of them are not worthy of their names, but they have become important actors, leaders, and artists in the Peking Opera Troupe, and they are all national first-class actors.

There are many children of Peking Opera families, and many of them are not worthy of the name, and in the Cultural Revolution, they looked at the talent without looking at the background

In fact, this is a kind of chaos, because in the past, whether you were a child of a family or not, what you valued was art and the evaluation of the audience.

There are many children of Peking Opera families, and many of them are not worthy of the name, and in the Cultural Revolution, they looked at the talent without looking at the background

Now some children of Peking Opera families are not very patient, but they are highly praised, and this kind of praise is beyond artistic standards, and they all belong to praise. Especially in some media, it is a certain artist at every turn, and a certain family has been handed down for generations, but the audience does not recognize it.

In fact, there are still some merits in this period of the Cultural Revolution, as far as the creation of model plays and revolutionary modern dramas is concerned, these plays during this period are very objective for casting.

There are many children of Peking Opera families, and many of them are not worthy of the name, and in the Cultural Revolution, they looked at the talent without looking at the background

Most of the choices for roles in this period are young people, not like the so-called "nominal angle theory" in the past, to see who is famous and who is old, in fact, these have nothing to do with the role. During this period, we see Qian Haoliang, Tan Yuanshou, Li Lifang, Song Yuqing, Liu Changyu, Hong Xuefei, Yang Chunxia, Ma Changli, Li Bingshu, etc. are all young generation actors, and even many of them have recently graduated from drama school, but they have created one classic role after another.

There are many children of Peking Opera families, and many of them are not worthy of the name, and in the Cultural Revolution, they looked at the talent without looking at the background

Therefore, the new choreographers of our current major theater troupe systems should not be based on some so-called top cards and family sons in the selection of roles, and should choose the right one.

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