High-looking, high-talent emerging director François Oujon.
is one of the few film masters in France who is still willing to "tell a good story".
As a devout Hitchcock "believer", Ou Jong has always been keen to depict plots intertwined with suspense and lust.
He once said that love should be filmed like murder, and murder should be filmed like love.
In addition to "Entering the Hall", "Flower and Moon Appearance", "Two-Faced Lover" and other extremely "eye-catching" restricted masterpieces.
Ou Rong also has a comedy series featuring witty humor, "The Women's Trilogy".
This year, the grand finale finally appeared -
My crime
My Crime
The film is adapted from the play of the same name by French playwrights Georges Bell and Louis Wenay, and the story is set in the thirties of the last century.
Two potential newcomers, Nadia Teleshkovich and Rebecca Mad, play the heroine Madeleine and the female partner Pauline respectively.
Madeleine is an actor who has not acted, and Pauline is a lawyer who has not received a case.
The two lived in a small apartment in Paris, and life was quite difficult.
Madeleine has a boyfriend, the son of a tire tycoon.
Unfortunately, his father did not have a dime, and he himself did not want to work, but needed Madeleine to subsidize his life.
What is even more ironic is that this poor rich second generation is willing to "sacrifice" himself for love.
I plan to marry another ugly-looking rich family, and after getting a huge dowry, I will come to support Madeleine...
The relationship is not going well, and things at work are getting worse and worse.
Madeleine couldn't get an audition for a small supporting role, but she was caught in the big producer's unspoken rules.
With a strong personality, she had to hurriedly escape from the producer's villa and return to the apartment to complain to Pauline.
But not long after, the police came to visit the house, saying that the producer was shot in the head and died at home, and the 300,000 check he had just raised in the morning was missing.
Madeleine, who is poor and has just auditioned, is undoubtedly the biggest suspect.
However, the police did not say anything to death, but only asked Madeleine not to leave Paris as a witness.
Pauline was very excited about the case delivered to the door.
Her mind raced without asking Madeleine what she had done.
Instead, while reassuring her that she could receive 12 francs a day as a witness, she came up with a very trendy means of responding to the lawsuit.
At the same time, the acting judge in charge of the case is also ready to make the death of a well-known producer his way to get rich.
In order to ensure procedural justice, the judge first summoned a construction tycoon.
He once bought a property of the producer, and the death of the producer saved him from paying the final payment, which was a proper motive for killing.
But on the day of the crime, the construction tycoon was a guest at the judge's home.
Therefore, although he is suspicious, he will certainly not be a murderer.
Next, there is the "long-awaited" Madeleine.
The conflict that rejects the unspoken rules is, of course, a definite motive for killing.
The pistol that the police secretly found in her apartment was the direct evidence to identify the murderer.
The judge was confident that as long as the trial was officially held, he would be able to quickly take down Madeleine.
To everyone's surprise, the two young girls did not talk about martial virtue at all, and generously admitted the fact of murder as soon as the trial began.
Pauline then began to denounce the darkness of society from a feminist perspective in order to win the sympathy of the jury, believing that it was a legitimate self-defense killing.
Subjective and objective evidence also supports Pauline's claims.
The check for 300,000 yuan was found hidden in the producer's humidor, indicating that the money was not the motive for the murder.
Madeleine's boyfriend also came forward to testify, proving that she is an honest and good person, and his behavior of killing people to protect her chastity touched him even more.
The boyfriend's outpouring touched the men in the jury present.
Madeleine's acting outburst speech moved the remaining women.
The judge had no choice but to hammer the word and acquit Madeleine despite the killing.
This murder that caused a sensation in France ironically created a win-win situation.
The judge was promoted and raised because of the exception;
Pauline became a sought-after lawyer because of her excellent performance in court;
Madeleine, who was at the center of the topic, instantly became a fragrant food in the eyes of the studio;
Even the rich second-generation boyfriend changed his mind, no longer sought to take shortcuts, and honestly sold tires under his father.
When the situation was good, an uninvited guest suddenly came to Madeleine and Pauline's newly rented luxury villa-
Played by Isabel Huppert, the big movie star Odeit.
This "old man" of the silent film era has actually been out of breath for a long time, and now there is no drama to play at all.
She came here to take back what was rightfully herself.
To put it bluntly, Odeit is the real murderer of the producer.
When she was beautiful, the producer was her driver and lover.
But as they get older, the status of the two inevitably reverses.
On the day of the audition, Madeleine had just left the producer's villa on her front foot, and Odeite was uninvited on her back foot.
Trying to "borrow" 300,000 turnover turnover from an old lover.
The producer did not miss the old feelings at all, did not say anything, and took out a pistol and threatened Odeite to leave.
On impulse, Odeite grabbed the pistol and shot the producer's head...
After the crime, the innocent Madeleine was listed as a suspect, and Odeite was happy at first.
But when the two girls manipulated decay into magic, fame and fortune, she blushed.
So, for now, Odeite threatened Madeleine and Pauline with paying her 300,000 francs or she would turn herself in to court.
The murderous pistol, as well as the producer's wallet, are her trump card weapons for her self-incriminating crimes.
Of course, the two girls who have just made their mark can't pay so much money now, and Odeit also understands this.
So, she went straight to the judge, hoping to repeat Madeleine's miracle.
Ironically, the conclusive evidence is clearly in front of him, but the promoted judge does not want to reopen the case.
He also tried to convince Odette that it was better to try his luck by finding a random unsolved case and confessing guilt...
On the other side, Madeleine is also racking her brains to find a way to save herself.
She finds the construction tycoon who had a close relationship;
Without saying a word or two, he began to untie his clothes...
How to think that this uncle who does not look very serious is actually the most principled man in the whole film.
He righteously said that it is okay to help, but the unspoken rules are not necessary.
And Madeleine's Yang Mo is another plan to kill two birds with one stone.
She asked the construction tycoon to visit her boyfriend's father, helped her clarify that she was not the real murderer, and invested 1.5 million francs in her bankrupt tire factory.
In this way, the tire tycoon readily agreed to Madeleine's marriage to her son;
He also took out 300,000 yuan to fund the acting career of his idol Odet that year...
When one person's secret becomes a group of people's secrets, it no longer matters what the truth is.
It is better to put it on the stage and continue to shine in the flowers and applause~
The first two parts of Ou Rong's "Women's Trilogy" are "Eight Beautiful Pictures" and "Vase", and the original harmless little humor of humans and animals is finally completely "killed crazy" in this finale.
Both supporters and opponents of women's rights can't help but scold him.
But is there a possibility that this gray tone constructed by Ou Rong is the real appearance of reality.
That was true in the thirties, and it is true now.
Probably this is the real, offensive art.