Guo Jingfei's new drama: A group of hot potatoes, why is it cuter the more you watch it?

The unorthodox teacher in "The Day of Chasing the Light", with a group of "problematic" students, reads the least favored penultimate class, and walks the road of arrogance and blood that turns over against the wind.

Teachers, students, and parents are all vivid and interesting.

Hao Nan, played by Guo Jingfei, owes in appearance, has a number of oily roads, and has a strange painting style.

Actually?

Warm-hearted, warm, and reliable.

Whether it is leading students to the cause of "equal eating in the cafeteria", helping children to come to the "confidential internal information" of the leading class next door, or gradually helping students untie their hearts, it is very interesting.

The teacher has a play, and the group portrait of the students is also outstanding.

First, the group portrait of problem students

The fourteenth class that Hao Nan took over, a hot potato in capital letters.

A whole class of kids is hard to bring.

The head teacher tried to send warmth and was pouted back forever.

Ren Zhen and Gao Yuan, treating Hao Nan's booing and warmth, one cold and one hot, one with prickly and one polite;

Ren Zhen mixed with the prejudice against him before, carrying the baggage and heart knot that he refused to confide, focusing on a "where are you cool and where to stay".

Gao Yuan is polite, polite, and communicative, and at first glance his attitude is mild, but in fact, he is more oily than the explosive-type Ren Zhen.

When asked why, he said that he handed in the blank paper because he was in a bad mood;

Being deeply talked about, he immediately "threatened in disguise": I should be in a bad mood again when talking again.

Even quickly gave advice: you care more about other students, I will work hard, and I will not hand in the blank paper next time.

Minute by minute, words and sentences to Hao Nan, who is particularly capable of chattering, is speechless.

In the current broadcast content, Hao Nan and the two have different teaching trust progress bars and trends.

Ren Zhen loves to learn, but the psychological pressure is too great and he is often anxious.

A specific issue cannot be addressed;

The second is that the "gangster" Hao Nan was very repulsive in the early stage.

With stories such as helping her uphold justice, clearing up the stigma of thieves, and "fighting together" for the canteen cause, Ren Zhen also put aside his prejudice against Hao Nan.

On the other hand, Gao Yuan's heart for learning is rooted in the heart of the loss of his brother.

How the play will respond to this in the future is unknown.

In the group portraits of students that have been launched so far, families have difficult scriptures, and each person is burdened with a lot of trouble.

The problem of the original family appears too frequently in various film and television dramas.

It is easy to become a tool of extreme blood, or a false and old-fashioned progress bar.

And "The Day of Chasing the Light" starts from the education mouth of the homeroom teacher, unveils the introduction one by one through the introduction of the psychological teacher, and then tells it specifically, the texture is relatively delicate.

For example, regarding the sensibility and anxiety of the class leader Xiaoxiao, the play is designed with anxiety details of "constantly picking hands".

Another example is Xia Fan, who has few scenes, and the current play lays the groundwork for "paying too much attention to dressing up".

The child goes out late at night and lies about tutoring.

The mother's focus was neither learning nor safety, but "don't dress so old-fashioned".

Urge the child to change into a set of harness clothes, and pay special attention to wearing a hairpin for her and tidying up her hair that does not need to be tidyed.

There is nothing wrong with loving beauty, but the focus is misplaced during the critical period of the exam, and the boy his daughter goes to see is unaware, laying a lot of "going to accident" foreshadowing.

A few words of the boy meeting and commenting are full of PUA meaning;

I hope the little girl won't be hurt.

In addition, Wang Fang, who does not like to learn, Jia Kun, who wants to follow Erin's sister to Shanghai, Wu Kai, who wants to learn to draw but was "suppressed" by his mother, etc., the types of problems are very varied.

Let's talk about Wu Kai's painting.

Parents do not allow children to draw, and they appear frequently in various plays.

The paragraph of "Chasing the Light" has a mother's too strong sense of control and suffocating pre-love;

Second, there is a pencil close-up of the "sense of horror substitution".

Before, a mother ordered "wear this tomorrow", and the child's weak sentence "I will wear black for several days" was fiercely stabbed by the mother;

Later, the camera focused on an ordinary pencil on the table, and the mother watched the pencil, and the murderous spirit gradually rose.

Found several pencils in his stationery box and angrily took them away.

The play focuses on specific, ordinary, and tiny stationery pencils, using seemingly ordinary and ordinary props to carry the stormy and suppressed parental emotions of "I am for your good";

The contrast between tiny food and strong explosive emotions, the contrast between ordinary stationery and extreme states, is quite tense.

2. Unit module of the main case

To some extent, the process of Hao Nan helping children solve problems one by one in "Chasing the Light" is also similar to the unit module in a broad sense.

It is seamlessly interlaced and has a clear linear block structure.

For example, Jia Kun's paragraph, the loneliness and expectations of left-behind teenagers, "not sensible" and "too sensible", are quite typical refractive unit modules.

1. Details

First of all, the opening details, leopard print manicurs are very memorable.

Jia Kun and Erin's sister met for dinner, and after ordering the food, they tried to catch him as a guinea pig, "I just learned a leopard print manicure, I want to practice with you."

The detail of leopard print manicure is quite cute.

Jia Kun twisted and pinched unwillingly, but willing to give up principles for the other party, the closeness of the relationship between the two and the warmth of the boy's mind were all online.

Erin emphasized several times that "otherwise you will be scolded by the boss again tomorrow", and the work status and pressure are clearly displayed.

In addition, a can of chili sauce sent from his hometown, an exercise book used by the brother of a colleague in the nail salon (he also specially commissioned the other party to write cheering greetings for Jia Kun), and a phone call from his father to return to work at the construction site all made the embarrassing situation and warm relationship between these two children very concrete and vivid.

In the house that Jia Kun rented alone, his clothes could only be dried indoors.

The walls were covered with newspapers.

Bedroom, living room, study, kitchen all in one.

Pots and pans and quilt tables are all in this small private room.

In the corridor outside the door, there are stoves and other kitchen utensils.

It is no longer the style of "although the setting is very poor, the home still looks more beautiful than the model room and the decoration of small book Internet celebrities", it is very landed and tight.

Another example is that Jia Kun fell ill late at night and Erin took him to the hospital, and the details are also full.

Erin was busy taking a taxi, and Jia Kun was in pain under the roadside lamp.

The appearance of the shops on the street, the pavement environment, etc., are silent supplementary statements to his living state.

Erin only greeted an open-air tricycle.

The two went to the hospital in this three-wheeled cloak, and they really had a bit of the lonely embarrassment of "asking if life is so desolate", and a little bit of mutual dependence.

In the hospital, Jia Kun's line is "Actually, I liked to come to the hospital when I was a child", because my parents will only come when I come to the hospital;

Such perverse and strange perverse words, the reason for "parents will come", instantly writes (similar/broad) the sadness and loneliness of left-behind children.

Therefore, in Jia Kun's life blueprint, a good life is to have a home, to be with Sister Erin, and to take parents around and no longer separate.

Solid details, reasonable logic and emotional flow all make the character very supportive.

2. There is a universal mapping phenomenon

Jia Kun's parents work outside, moving around and around, making money very hard.

Parents have done their best to keep their children entertained.

One does not know much about educational methods;

the second is neglect of companionship;

The third is that work and life are stressful and have no time to take care of much, resulting in a typical "absence of parents" model.

There was once a lot of resentment between the loved ones.

The heart of the old father's side is that I am tired of being a dog for you, why can't you understand something and fight for something?

The child's resentment is: Can you tell me what class I came from? Will parents come to you, have you ever been here? You remember to take care of me now?

Very typical.

In Jia Kun's father and son, you can see the cracks in the problems of many struggling families.

Unlike Ren Zhen's father's strange mode of being particularly unreliable and able to mess things up, Jia Kun's father seems much more "normal".

Normal effort to work on the construction site, normal care about children but no time to ask, normal trivial stumbling.

(It does not mean normal means reasonable and correct, just that normal is a relatively common state)

Although this is still a very dramatic expression, it reflects the common problems and pain points of many families who lack communication and resentment each other.

3. Light comedy closed loop oriented to pathos issues

Erin did not want Jia Kun to be distracted by the college entrance examination and wanted to leave the local area to go to Shanghai.

For Jia Kun, Erin is an existence that is "alienated from the whole world and warm to the people alone", and is a dear relative, a love and a pillar.

So Jia Kun is crazy and desperate, all reasonable.

At the critical moment, Hao Nan went online, and the firewood, rice, oil and salt began to reason from "maybe you can save ten yuan a day", saying "Does Erin want you to go".

Talk about the "poor couple" in a difficult situation that naïve teenagers never imagined.

It makes sense to take out your heart and lungs.

Persuaded, Jia Kun's final wish is to bid farewell to Erin and promise her the fireworks gift she once longed for.

The presentation of this paragraph in the play has romance, sadness and light comedy content, although the main line is very routine, but the look and feel is good.

Jia Kun's good brother Wang Fang "robbed" his classmates to collect fireworks money, endured the smell of each other's shoes, and did not pay much.

In the last second, it is worth disgusting "such old-fashioned fireworks content again";

In the next second, the two painting styles became funny again: the unlucky bear child frowned and "our money is only enough to buy such a little", which instantly diluted the routine and sadness.

Next, the "gangster" Red Mao led the little brothers to send fireworks: You teacher Hao asked me to send it.

Joy, burning, and solving problems.

Now that Jia Kun's heart has been resolved, he can finally return to the right track of learning, how can the other students in Class 14 solve the dilemma one by one?

Looking forward to the follow-up!