Lin Xiaojie: Selfless self

This article was first published in Harper's Bazaar magazine, and this article is the author's version executive producer / Ge Haichen

Photography/ Guo Surui Editing / Zhang Jingxuan Makeup / Paul Cao Styling / Yutian Jessie Ma Interview and Writing / Lu Yanni Coordinator / Qiao Mai External Production & Video / Lisa Ranran Hu Lighting / Christy Art / You Yue Assistant / Wenyu Zhao Liu Yida

It began with a dialogue, a gaze, a burst of laughter that broke the sad silence, and a parting that caught off guard but was also prepared. We tried to find out in one of the most talked about episodes of the season and considered the best of the moment the secret of how she was able to hide herself in her role, and then learn a story that she personally uncovered.

In every Chinese mother portrayed by actor Lin Xiaojie, she is imprinted with the world she sees with her eyes, and the storms she endures physically and mentally. What makes everyone feel close, familiar, déjà vu like a mother, is the inseparable resemblance between her life and ours.

Lin Xiaojie: Selfless self

Interview, written by: Lu Yanni

—

"Mom"

Two tables were set up in the hall, and a table was being prepared.

At the door of the house, in the kitchen, people are always coming in and out. The one who was coming out of the kitchen with two plates of food in her apron was the hostess of the house—a diligent and quick person at first glance. The kitchen door was narrow, and when she came out, she was just in time for another person to enter, and the two people let and go at the door, but each time they leaned to the side at the same time, and the hostess was happy first.

The light is good and the atmosphere in the house is mild but not lively.

Screenshot of "The Long Season"

If the story starts here, you almost think it's a wedding feast. Until, a black-framed photograph was brought into the room. The person who came held the photo and asked the hostess, where to put it? The hostess's eyelids quickly lifted and flicked away, waved her hand and quickly shook in the air, did not answer, as if this was the least important and least worth wasting time thinking about at the moment, turned around and entered the kitchen again, beckoning everyone to sit down quickly. In that photo, frozen and unable to move, is her son, who has just become an adult, who was originally a good son with all beards and tails.

If you are not watching this drama "Long Season" for the first time, here, in fact, you already know that the mistress of the family, the wife of the hero Wang Xiang in the story, Luo Meisu, and Wang Yang's mother, have already made up their minds at this moment, Zhang Luo finished this meal, sent away relatives and friends, she also has to follow her son. So in the dinner later, in the grief of black oppression, she was still able to pop out after eating a bite of the dish, and she was happy that she had no accurate head in her hand, and the salt was too much. Others didn't understand her emotions, but she knew that she no longer had the strength to grieve, and she had even thrown away the idea of living, and she only wanted to clean up all this in front of her and accompany her son.

Screenshot of "The Long Season"

"Many people say that Romesu is because she can't bear to let the child go (causing him to drown away), so she has a lot of guilt, which is certainly a reason, her heart is dead, but I think as a mother will be so decisive (make the choice to commit suicide), will it be because she believes that there is another world, Yang'er is already in that world, I want to be lucky that I may still be able to find him and accompany him, which is more likely to be a belief of Romesu."

Because of the deep understanding of the mother-son relationship between Luo Meisu and his son Wang Yang in the play "The Long Season", when the actor Lin Xiaojie was at the other end of the video connection, retelling his understanding of this scene through a thin screen, the "Yang'er" that inadvertently flowed out of his words suddenly hit my nose. I was trying to prevent tears from flowing here, and Lin Xiaojie on the other side was already wiping the tears from the corners of his eyes with a tissue.

Mother Luo Meisu (played by Lin Xiaojie) and son Wang Yang (played by Liu Yitie)

Actor Liu Yitie, who played Luo Meisu's son Wang Yang in "The Long Season", remembers very well that he met Lin Xiaojie for the first time in the car downstairs on the first day after he joined the group. "Son, Yang'er, come up quickly!" The latter only used a word and a greeting, and swept away the strangeness of the first meeting. Until now, they are all referred to as "Ma" and "Yang'er".

Not only the people in the play, but even the audience who have never known each other in Tiannanhai and Beibei began to be willing to directly call Lin Xiaojie "mother" and "aunt" on social networks. She took them all. "Many people say that I remind them of their mother, and after watching this drama, they are willing to look back and think about their mother, will reflect on whether they did not understand their mother's love, and what will their mother do if they encounter such a situation in the play one day... This kind of creation has shocked and helped many people's lives so much, and as a creator, I feel satisfied and moved."

Screenshot of "The Long Season"

Lin Xiaojie still doesn't know how the casting team and director of "The Long Season" saw the shadow of Romesu in himself. After joining the group, she also felt "nervous" and "not relaxed" all day long, and some old friends learned that she was in Kunming when she returned to China, and she politely refused to invite her to a party. "It's not that I don't want to contact them to meet, but I want to wait until the scene is all filmed, I grasp this character myself, and then go out after I am steady, otherwise I will feel guilty, if I don't do what should be done well in the creation because I am distracted, leaving regrets, I will be very uncomfortable."

A still from "The Long Season"

In Liu Yitie's memory, Lin Xiaojie's every day in the crew was "immersive". The two traveled to and from the station and the shooting location almost every day, and they were also in the same lounge between work. No matter in and out of the play, this "mother" has never given him a "sense of withdrawal" - "For example, after finishing work, he suddenly found that he was facing Lin Xiaojie, no." Even after the director shouted "card", their chat was "with the feeling of mother and son", "without that sense of identity switching and disengagement".

Liu Yitie likes and needs this way. "I am this person during this time, so that I can give myself and my opponent real stimulation, so that we can believe each other more." On the way back to the hotel from the scene every day, Lin Xiaojie will continue to chat and communicate with Liu Yitie in the plot state, review the day's play, and discuss how to be better together.

A still from "The Long Season"

On the filming site of "The Long Season", each scene generally has four to five opportunities to "do it again". Liu Yitie said that whether it is walking, auditioning, or real shooting, Lin Xiaojie will continue to "add and subtract" in every performance. "She never takes it all over, even if it's just a word and a look, every movement is carried out over and over again in the state of real shooting." In the end, Lin Xiaojie's widely praised performance state that is infinitely close to the reality of life in the finished film is actually formed in such a careful and repeated pounding. "She just got all the scheduling, lines and performances in her chest and then expressed it naturally... In the end, it is very smooth and familiar, which makes the viewer feel very real."

This is Lin Xiaojie's return to his homeland from a distant land after more than 20 years, picking up his former acting profession, just like bending down to pick up a shell on the beach at low tide in the evening.

—

"Mentor"

Lin Xiaojie has been taught by Lin Xiaojie since she was admitted to the Shanghai Theater Academy in 1980, whether it is making movies after graduation, or later leaving Australia, until she breaks into Hollywood and then returns now, she has always held it in the palm of her hand and dare not forget.

"Actually, all the working methods I use in my performance now are learned from school." In the "80th acting class" that Lin Xiaojie attended, Ms. Wei Shuxian was the class teacher. "In addition to giving us lessons during the day, she would come at 6 o'clock in the morning and in the evening when we arranged sketches, which was simply 'long' in school. Once when I was sick and didn't eat in the cafeteria, she brought us to her house to cook for me, which was not only a teacher, but also an enlightenment for all aspects of our lives."

Screenshot of "The Long Season"

Lin Xiaojie self-commented that "performance theory is not good", and he knows how to remember what the teacher teaches. In addition to Stanislavsky's "experiential school" acting teaching, Class 80 "experimentally taught us to find external methods of expression, such as practicing crying and laughing in various ways." Lin Xiaojie directly used the scene where Luo Meisu suddenly laughed in a suppressed silence at the dinner table after Wang Yang left, as an example, "This laugh is reasonable, but this laughter also has to be skillful, without skill you want to laugh you can't laugh, I think I may be here to use what I learned in school."

Teacher Wei Shuxian is now in her nineties, and she is still teaching people tirelessly on the front line of performance teaching. When Lin Xiaojie was filming the latest drama in the United States a while ago, he once encountered a performance bottleneck: "Suddenly I am very confused, how to improve my ability?" How do you make the character go to a higher level?" When she was lost, the object she found in a fog was still her mentor. "From time to time, I go to Teacher Wei's Douyin - yes, you see how great she is, she is still teaching with the most advanced things at such an age. She will teach young people in short videos, don't ask what you feel now, let me ask you first: where are you from today? What's your mission line? What is your relationship with this person?" These most basic problems are the roots and seeds that are most inseparable from performance, and Lin Xiaojie has overcome those confusions by grasping them. "My experience is that not all the things taught by the teacher are returned, and some are left to use, and if you can get everyone's affirmation, that is the affirmation of our teacher's teaching."

Screenshot of Wei Shuxian's TikTok

Lin Xiaojie enrolled in the Shanghai Theater Academy that year, and there were some twists and turns. After receiving the admission notice, the original unit, Harbin Pingtheater, was unwilling to release her, and the two boxes dragged on for a while, and the drama broke the rules and insisted on keeping a place for her, so she reported to school two and a half months later than the others. After enrollment, Wei Shuxian had a conversation with Lin Xiaojie, and the sentence told Lin Xiaojie to also remember now: "Teacher Wei said, Lin Xiaojie, as a good actor, never just create one genre or only play yourself, a good actor is a person who can create all kinds of personalities. She said, Lin Xiaojie, you have to be such an actor."

The class went to Wuxi to experience life, Lin Xiaojie and Teacher Wei lived in a room, and one night Lin Xiaojie heard Teacher Wei suddenly get up, turn on the small lamp and write something on the book at the bedside with a pen. "She said that she suddenly thought of something when she was half asleep, so she immediately wrote it down for fear that she would forget it when she woke up tomorrow. She said that we must be our best and best selves at every moment, so that there will be no regrets in our lives."

Teacher Wei strictly ordered students not to wear makeup during school lessons. "She said that good actors should never be self-conscious, never forget yourself and live for the role. She said that you always wear makeup to appreciate yourself, how do you put yourself into the role?"

Screenshot of "The Long Season" tidbit

During the filming of "The Long Season", Lin Xiaojie had an extremely short conversation with director Xin Shuang to withdraw from the character creation, Lin Xiaojie asked the director not to mind his age: "If there is anything I don't do well and is not suitable, you have to be strict with me." That time Xin Shuang gave Lin Xiaojie a reassurance: "There is something special when you perform." Lin Xiaojie never knew what the "special thing" Xin Shuang said, and did not dare to ask again. When we talked about the audience's and commentators' praise for Romesu's portrayal, Lin Xiaojie's most frequent words were also "I don't know" and "I don't understand" - looking at her "ignorance" of herself from the outside seems to be in line with Teacher Wei's request to her forty years ago: "You always appreciate yourself, how do you put yourself into the role?"

The only thing that is certain is that Lin Xiaojie does not dare to bury his head back into Luo Meisu's fate.

Lin Xiaojie shares his work on Weibo

When "The Long Season" began to air, Lin Xiaojie was filming the latest drama in the United States, and she took advantage of the gap to watch the whole drama. "In addition to reading the narrative of the story, the other thing is to check your own performance." She didn't "100% immerse herself in it" and "didn't dare to go back and brush it a second time", "I didn't feel that I didn't have the courage to look at it again". The pain caused by playing Luo Meisu made Lin Xiaojie "a little unable to jump" after a year had passed, and she didn't want to be pulled back by the plot to live in it again.

—

"Twilight in a Foreign Land"

Although people have been wandering in a distant foreign land for more than 20 years, Lin Xiaojie still has not learned the "enjoy life" attitude that everyone in that world respects.

"The education we received when we were children was to study hard and improve every day, and there was no word that taught us to enjoy ourselves and enjoy life." Lin Xiaojieyou remembers that even if he went out to watch a movie when he went to school, he would feel unsteady and feel "too presumptuous of himself". "Should I be reading in the library at this time?" The way of doing things that I learned when I was young, no matter how far you go to different places, it is difficult to change after all.

Later, after leaving her acting career completely and starting a business and setting up a factory, Lin Xiaojie heard two employees discussing her. "They say, our boss Lin is a person who will not enjoy life, do you see what she has besides work? She had no interest. Later, I thought that what they said also made sense, I did live a very boring life, and I didn't know how to enjoy it. At that time, I also thought why, I thought about it, or because I was educated since I was a child."

Lin Xiaojie's old photo

Both his mother, who was a doctor, and his father, who was a cadre, loved literature and art. "My mother is a very avant-garde woman, smart and sensitive", giving children great freedom, not forcing everything, but will let children learn to experience and understand by themselves. Dad is traditional and strict, and has high requirements for Lin Xiaojie and his sister. "When we came back five minutes late from school, he had to ask where he was going and who he was with. It has always been said that girls must be self-respecting and are not allowed to go out casually."

Lin Xiaojie was not yet 15 years old when he was admitted to the theater because of his talent, and he had to live in school, and he had to do morning work every morning before dawn. "I remember that time when I was particularly impressed, that is, I didn't dare to sleep at night, because I knew that after falling asleep, it was a nightmare." She is selected and cultivated according to the "horn", in fact, she doesn't have to practice so hard, but she prefers to be the same as everyone: "They can practice and I want to practice, they can do what I have to do, that is, they are more truthful, and they refuse to lag behind."

Even the exams have to compete to turn in the papers earlier than everyone else. "Once my mother went to a parent-teacher meeting, and the teacher said that a classmate in our class had failed the last paper, and someone handed in the paper in 15 minutes and scored 100 points - it was me." Lin Xiaojie said that from childhood to adulthood, he was like the kind of toy that was wound, "I always have to be strict with myself, and I can't stop the brake."

Lin Xiaojie shared mountaineering in the United States on Weibo

In this way, Lin Xiaojie went further and further from home to the theater, from Harbin to Shanghai, to Guangzhou, and until he went abroad to Australia. When my sister left home, my mother stood at the crossroads every day and cried, "my heart is the same as grabbing it", when she arrived at Lin Xiaojie, she didn't know how her mother lived, she only knew that she wrote family letters "very diligently", and looked forward to receiving family letters every day. At that time, without these high-tech means of communication, a letter from home often took ten days and a half months to arrive, and people had a more real understanding of "distant".

Lin Xiaojie cut the thread barefoot in the garment factory, and later because she cut it cleanly, she was noticed by the supervisor and taught her car clothes, so she could make more money.

Later, I went to work as a nurse in a dentist's office in Chinatown, and during the interview, the boss's mother said, "Is there any mistake, find such a beautiful girl to be a nurse for a few days?" I got married in two days." As a result, Lin Xiaojie has been working for many years. The dentist at the time once asked her, "Do you love to be clean at home?" You see you've been cleaning in the middle of your work." "I thought to myself, I'm not so clean at home, I think with your money, you give me 6 yuan an hour, I can't be idle, I have to work for you when there are no patients." Many years later, she went to other clinics to see her teeth, and when the nurse was not around, she could directly help the doctor with the treatment lamp. "I said I used to be a dentist nurse."

Lin Xiaojie shared on Weibo in the United States

Later, she also went to the cultural club in Chinatown to sing and worked as a DJ, and the only job she didn't do was as a front desk clerk in a restaurant. "I was young at the time, I didn't want to cause trouble, so I wanted to hide behind."

All of the above happened when Lin Xiaojie was in his twenties. Before that, she had graduated from college, started her career as an actor in China, made several movies, appeared on magazine covers, and was a star whose fame was rising. Many people who knew her well heard that she made clothes in factories and worked as a nurse in a dentist's office, but they did not believe her. "Say, how could she possibly pick up the spit of others?"

Many people's lives are a relatively straight road, at most a few forks, but Lin Xiaojie's life is really like a big tree, with many branches, and every fork in the road, she has the ability to make them out of a different life.

Lin Xiaojie shared Aurora on Weibo

"Now think about how tiger you were when you were young, and many things were chosen by yourself, not forced by others. I didn't even feel bitter, I didn't pity myself, I didn't feel pain, I felt quite proud, you see, I can afford to put it down."

There is only one moment, the only moment, Lin Xiaojie will put many unspeakable emotions in it, remember and be willing to say it after time passes. It was on the Sydney Bridge, where she would pass by every day after class, and one day, at dusk and sunset, she saw - "all the people on the street, everyone is happy, whether they are driving or walking... This is their home, their world. The place was beautiful, and suddenly I thought how nice it would be if it were my own home, or my family here. But it's not, no matter how beautiful it is, it's not my hometown." For many years, she stopped thinking about similar questions, and many things became vague and distant. "It may be that I consciously stop comparing and thinking, but this scene can never be forgotten, forever."

The person in the play only realized after everything happened and everything changed possibly, only to want to recover the past and run to tell him to "look forward, don't look back", and the person outside the play understood the true meaning of fate early, she first decided to "look forward" before she began to step into her future life.

Why do I say that? Because when Lin Xiaojie told me about the sunset on the Sydney Bridge, I asked her, was there really no other choice at that time? Will it get lost? Not sure about the way forward? She said softly: "No, no, at that time, I only know to look forward, I can't turn back, because there is no way back."

The moment she suddenly said these words, those fabricated, imaginary faces, scenes, and the reality and illusion that actually happened in a life shattered and disintegrated at the same time, and then merged, all turning into a golden blizzard.

INTERVIEW

Lu Yanni: Does "The Long Season" bring back a lot of your own memories of your hometown in Tohoku?

L: Yes. I really feel that I have not left the northeast, because my family is still in the northeast, except for me, who has walked far alone, my parents and relatives are still in their hometown. Now that I think about it, Romesu really took a little from this cousin, and took a little more from that cousin, and I think that what is suitable for this character is used on it.

Lu Yanni: How long before this shoot, how long had you not touched the yarn?

Lin Xiaojie: Ouch, it's been decades, it should be the 80s of the 20th century, and it hasn't been knitted again. When I was a child, the sweaters were knitted by my mother, and there were various patterns, and they could be removed and re-knitted, and the good wool was removed and continued to knit, which was particularly warm. I remember that in the crew of "Life Is Not a One Way Road", the first time I got the subsidy, I bought woolen for my mother and knitted clothes, and also knitted it for my brother. Weaving wool, you don't have to look at it when it's cooked, you can knit it while chatting, your hands will not be idle, and you won't waste time.

Lu Yanni: Was it a very difficult choice to give up the profession of actor in the first place?

Lin Xiaojie: I had the opportunity (to continue performing) in Australia at the beginning, when I first went, a few of our alumni who attended the theater, as well as a few Chinese who were engaged in theater, did a drama together, called "Black Eyes", and rented a venue in a very large theater in Sydney, and the venue was full. After that play, I also played the heroine of two TV series, but soon I realized that at that time - the 90s of the last century - there were not many Asian stories, plus by that time I was married, my own business was also starting to start, I had a garment factory, I had children, so I turned my focus to that side and worked for more than 20 years, as Boss Lin. After this experience, I also know more clearly, in a film crew, how many things the producers have to manage and how difficult they are, so as an actor, I try not to cause them any trouble, and do my job well, which is the best.

Lu Yanni: In the more than 20 years when you are not acting, do you still watch plays, watch dramas, and watch movies?

Lin Xiaojie: (shaking his head, waving his hand) Don't look, try not to think about it, don't look at it, because that has nothing to do with my major, because my major is no longer there, I will spend more time and energy thinking about my own career. I like to be single-minded.

Yanni Lu: You're not the kind of person who defines yourself in terms of "what I do", you are the kind of person who knows "who I am" and then decides what to do, right?

Lin Xiaojie: Since I was a child, I have been a hard-working and not squeamish person. My mother sometimes said that she regretted letting her children work since she was a child, saying that our children are too capable of hardship and will be tired when they grow up in the future, but my father taught us to learn to work by ourselves since childhood, and it is useless to only be coquettish and crying.

Lu Yanni: Do you know that there is a saying that "a coquettish woman will have a good life"?

Lin Xiaojie: Is that right? I don't seem to have heard this. I always feel that it is very important for women to be self-reliant, and I also feel that I have to rely on myself all my life. I have always been working all my life, I have never relied on anyone to support me, and I am still very proud, at least I can always do what I want to do, live myself, be my own master.

Stills from the movie "Don't Tell Her"

Lu Yanni: Can you share what you poured into shaping the mother in "Don't Tell Her"?

Lin Xiaojie: At that time, the director was based on his mother, and I stayed with his mother for a week to observe her and get to know her. His mother is a very real person, and she knew that I was going to create this character, so she told me all her life experiences and her understanding of things. At the premiere, I joked with the director that I knew more about your family than you did.

Lu Yanni: Another point I would like to ask you in particular, how should people clarify their identity at different stages and identify with this identity? In today's society, girls will have too many identities, have social positions, and are children, wives... Many girls find it hard and difficult because they don't know how to sort it. For example, she wants to pursue her career, but she feels guilty about her children when she comes out to work. Do you have any experience to give?

Lin Xiaojie: In fact, everyone will have such troubles, sometimes it is really difficult to choose, depending on yourself, many things we have to grow in continuous choice and learning. When you don't have the conditions to balance, you have to believe that the choice you make is the best, don't feel guilty, because you must be doing your best to be the best self and the best mother, and the children will definitely understand the mother in the future. Everyone's dreams are different from what she likes and what she can do, so there is nothing to feel guilty about, go according to your own feelings, at that moment, you are worthy of yourself, worthy of others, worthy of conscience, you will never feel regret.

Lu Yanni: In what way would you reward yourself for all your hard work and strength?

Lin Xiaojie: In the past, rewards and rewards were the satisfaction obtained at work, and in business, it was also a satisfaction to endure a challenge and then win. I have come to this age in my life now, and the biggest reward is that I can suddenly stop and think, we will not live in this world forever, life is short, what do I really need? What have I really lost? What is something I really can't regret? Then it occurred to me that my dream since childhood was to be an actor. Then I gave up, and now I'm back acting, which is a great treat to myself.

Yanni Lu: Now that you have made the choice to come back and perform, what are your goals and expectations for yourself?

Lin Xiaojie: I came back to acting at this age because I like it, I just came to play, but I can't play sorry for others and sorry for myself. If I want to play, just have fun. I didn't have any career ambitions, and I thought it was good to have the right role for me. There is something that resonates with me, better. I belong to the state of half-ticket friends and half-retirement, do something I like, and let me have no regrets in my future life.

Yanni Lu: What do you think of the value of all the professions you have done, the people and things you have experienced, to your performances?

Lin Xiaojie: I think for me, these are all wealth, as an actor, it is rare to have such an experience, I live steadily according to the way of ordinary people. I don't know (how to describe the specific value), these experiences were not deliberately chosen to be an actor, those choices were made to survive, to live better. In fact, many foreign actors have a second job outside of acting, perhaps this is a difference in philosophy.

Lu Yanni: The real hearing, real seeing, and real feelings in your creation will bring a lot of "hurt", right?

Lin Xiaojie: Absolutely. It hurts. Even after it's over, it takes a long time to pop out. Our generation from parents and school education is really like this, I want to mention Teacher Wei Shuxian again, she once told me a sentence that impressed me deeply, she said: Lin Xiaojie, what is the most important thing to be a person? You want to do things the best and why? Just to look back and not let yourself regret it. You did everything you could, even if it didn't achieve the result you wanted, but you won't regret it. Life must be without regrets.

Editor: Teng Yun

"This is my 15,769th landing, and it is also my first landing."

Zhang Songwen, × Monday: Look, those two people walking calmly on the ice

Mei Ting X Meng Jinghui: There is no reason, just concentrate on making a flame

Wu Pi: Theatre is not work, so I leave the cleanest piece for it

Ma Yili: How do you know that others are not as sensitive as us?

All my dreams have only been seen by all of you

Yang Jue ×Little Tiger: Pick up the fragments of life one by one, connect them, maybe they can become poetry

Zhang Gayi VS Huang Jue: The wildness and innocence in them cannot be ridiculed

Xin Shuang Lu Jing: Believe it or not, "life" does not affect everyone to do nail art together

Fan Wei: That sentence was not spoken with Xin Shuang

The person who wrote the "confession" for the movie "The Wandering Earth 2"

King Kong Dashan sat on the ground

Lei Jia, see you on stage

Jiang Qiming, wander around, don't stop

Dawn Star in the Dark

Malone: Be part of the storm

| Xiao Wei | Huang Lu | Zhang Yuqi | Zhang Rongrong | Monday Wai || Good Sister Band | Qiu Wei | Dapeng | Chen Sa | Yang Jue || Huang Shujun | Yue Wenle | Wen Yongshan | Chen Kaige | Chen Hong | | An Yue Creek | Qiao Liang | Faye Wong | Lee Pingbin | Huang Lei ||「 Extreme Man Gang"| High leaf | Fan Wei | Di Li Gerba || Hu Ge | Jiang Yiyan | Zhang Aijia | Ye Bei | Song Huiqiao || Huo Jianhua | Wang Xuebing | Malone | Dong Jie | Lei Jiayin || Chen Xiaochun | Wu Yanshu | Blue Sky Wild | Feng Xiaogang | Liao Fan | | Dou Jingtong | Chen Kun | Zhou Xun | Deng Chao | Eason Chan | Liu Wen || Lin Qingxia | Tony Leung | Carina Lau | Takeshi Kaneshiro | Cuckoo || ZHANG Zhen | Shu Qi | Yi Yang Qianxi | Yin Fang | Yawen Zhu || Ma Yili | Jing Boran | Sun Li | Jiulian Real Person | Zhu Jie|| Li Bingbing | Li Jian | Pu Shu | Chen Bolin | Dong Zijian | | Huang Lei | Li Yuan | Lee Ronghao | Wang Qianyuan | Bai Baihe || Gao Yuanyuan | Liu Ruoying | Wang Ziwen | Wu Xiubo | Cai Guoqiang || Li Yuchun | Zufeng | Wu Yanzu | Guo Qilin | Song Joong Ki || Third Uncle Nanpai | He Jiong | Yue Yunpeng | Zhang Tianai | Haiqing || Han Geng | Li Chun | Chen Yanxi | Yuan Quan | Liu Haoran || Tanya Tsai | Zhang Luyi | Peng Yuyan | Yao Chen | Mei Ting || Du Jiang | Han Tongsheng | Li Xuejian | Zhao Youting | Ke Lan || Wang Luodan | Zhou Dongyu | Ma Sichun | Zhang Xiaoquan | | Yang Qianwei | Zhao Wenxuan | Ni Ni | Song Jia | Huang Bo || Yamei | Ariel Lin | Jin Dong | Luo Jin | Wu Gang || Jin Shijia | Spring/Summer | Hu Jun | Zhang Ziyi | Chen Number || Wang Kai | Li Xian | Luhan | Zeng Guoxiang | Wu Yue || Ye Yuhan | Wan Qian | Wu Zun | Chen Grain| Papi sauce || Li Zhiting | Hua Chenyu | Rao Xueman | Huang Xiaoming || Zhong Xintong | Hui Ruoqi | Zhong Chuxi | Tan Zhuo | Du Jiang || Zufeng | Sun Qiang | Zhang Xinyi | Zhang Yadong | Yu Feihong || Xin Zhilei | Chen Weiting | Jiang Wenli | Guo Jingfei|Liu Zi| | Yuan Hong | Tan Kai | Li Quan | Chen Chong| Wu Haochen | Spring and summer || Jia Zhangke | Jing Tian | Jin Shijie | Charmaine Sheh | Leung Fung Yee || Liu Cixin | Li Xing | Wang Xueqi | Yongmei | Liu Mintao || Wang Dong | Ning Zetao | Huang Miyi | Zhang Zifeng | Hipbell | | Wen Qi | Qi Wei | Baubert | Cai Xukun | Sa Ding Ding || Ang Lee | Tao Hong | Ohau | Banzan | Xiao Yang | Ridge || Liu Baixin | Hao Lei | Yuan Bingyan | Song Qian | Deng Jiajia | | Yu Entai | Li Gengxi | Yoko Spicy | Zhou Zhennan || Qin Hailu | HUANG Jue | Wang Xun | Wang Yibo | Duan Yihong | | Zhang Wenbo | Jiang Shuying | Chace | Li Yajing | Feng Yuanzheng || Zhang Lu | Zhang Cheng | Li Jiuxiao | Yan Chengxu | Zhou Zhennan || Chang Yuan | Ren Dahua | Guo Qilin | Yongmei | Wu Xin | | Yoko Spicy | He Saifei | Yao Tong | Zhang Ruoyun | Bai Lang || Bu Guanjin | Chen Minghao | Diplodocus | Zhang Songwen | Benyu Zhang || Chen Chuncheng | Liu Haocun | Ouyang Nana | Qiu Tian | Yue Xiang||Chen Jianbin|Yin Xiaotian|Zhang Weiliang|Bai Jingting|Shen Wei||Qu Chuxiao|Xu Lidong|Song Qian|Zhu Yilong|Li Kan || Li Xueqin | Ma Li | Li Lu | Li Xiang | Lu Jing | Wu Yanshu||Dong Yingda|Suda|Ma Long|Zhu Hongxuan|Li Guangjie||Li Xing|Zhu Fu|Xu Junshuo|Xu Jizhou|Xue Kaiqi||Jin Yucheng|Shao Yihui|Chen Chong|Jiang Qiming|Lei Jia|

The text is original and reproduction without permission is prohibited. Reprint contact the author or this account. Weibo: @吕彦妮Lvyanni

Reprint, cooperation, work contact [email protected]