Tea lovers must mention Lu Yu's "Tea Classic", and those who love purple sand pots must read "Yang Envy Tea Pot System". Just as the "Tea Classic" is the world's first tea monograph, the "Yang Envy Tea Pot System" is the world's first famous book to study purple sand pots. Zhou Gaoqi, author of "Yang Envy Tea Pot Series" (?) ~1645), a native of Jiangyin (now part of Jiangsu), lived in the Ming Dynasty's Wanli, Tianqi, Chongzhen, and Qing Dynasty Shunzhi periods. Zhou Gaoqi established the historical status of the purple sand pot research expert because of this book. Because it is recorded in the book that Shen Jun used "JiaShen April Death", that is, in 1644, this is the upper limit of the time of writing that can now be known.
▲ "Yang Envy Tea Pot Series" book shadow
According to Kangxi's "Chronicle of Jiangyin County", Zhou Gaoqi was a school bully when he was a child, and ranked first in the county when he was examining Xiucai. He is intelligent and studious, proficient in ancient Chinese, rich in books, and has been hired to edit the "Chronicle of Chongzhen Jiangyin County", which has been handed down to the world, such as "Yang Xian Tea Pot System", "Dongshan Jiao Tea Products", "Reading History" and so on, and should be a well-known local writer. Loving my hometown, inheriting the cultural context, making a name for my hometown specialties, and establishing a legacy for local talents is itself a manifestation of patriotism. The county chronicle listed Zhou Gaoqi as a "zhishi", that is, to commend his loyal deeds, but the death of Zhou Gaoqi was quite obscure, "living in Lishan, the rangers suddenly arrived, they were dragged to the bottom, they were angry and unyielding, and they died", probably because under the Prison of Qing Dynasty writing, they could not write it all. In fact, in the summer of the second year of Qing Shunzhi (1645), the famous Jiangyin Anti-Qing 81 Incident occurred in history, and the Qing soldiers slaughtered 100,000 people. Zhou Gaoqi took refuge in yuriyama when the city was destroyed, and was killed by the rebels.
When Zhou Gaoqi wrote the book, he did not have the name of "purple sand", but called it "clay", called the pot "clay pot", "Yixing pottery", "Yang envy tea pot" and so on. The whole book has more than 3,000 words in one volume, focusing on the biography of 31 pot makers such as Fu Chun and Shi Dabin, examining their lives, appreciating works, and commenting styles, which are rich and detailed. The style is divided into 7 categories: "founder, beginning, everyone, famous artist, Yaliu, Shenpin, and Other Schools", which was originally a method often used by the ancients to evaluate poetry and painting, such as commenting on Tang poetry with "authentic, everyone, famous artists, and wings", on calligraphy with "divine products, wonderful products, noh products, elegant products", and paintings with "Yipin, Shenpin, Yapin" and so on. Zhou Gaoqi essentially equated these folk craftsmen with poets, painters and calligraphers, which was undoubtedly valuable in the feudal era when "everything is inferior, but the reading is high".
Zhou Gaoqi "because of the pottery pottery and the system", so in addition to discussing the origin and rheology of the purple sand pot, the whole book also discusses the characteristics of mountain mineral mud products and mud refining processes in various places. On the pot is naturally inseparable from tea, he said that "tea to the Ming Dynasty, no longer milled crumbs and incense pills to make a ball cake, this has been far more than the ancients", that is to say, the purple sand pot is with the reform of the Ming Dynasty tea making process and the development of the loose tea brewing method and the rise, so the book also discusses the tea tasting pot experience, "the pot for real tea, is in the new spring live fire, swirling and swirling, with the full color, sound, incense, taste of the connotation" "the pot should be small and not large, should not be shallow and not deep, the pot lid should not be ang, tang li tea, and the unity of the yin".
In the book, Zhou Gaoqi also left a precious commercial and economic historical value for the purple sand pot at that time. He called the famous works "a pot weighs no more than two, and the price weighs every one or twenty gold", so that "the price of soil and gold competes", that is, a pot of "gold one or twenty-two", the value of which has exceeded the annual income of the county magistrate at that time, "Zheng Qipin", which is undoubtedly a luxury (see "Xu Classmate Tears Up When Dabin"). The frenzy of the upper class in pursuing purple sand pots reflected the booming handicraft commodity economy in Suzhou at that time.
Zhou Gaoqi has a clear view in the book "Yang Envy Tea Pot System", "The Only One-Respecting Shi Dabin", listed as the only "everyone", called "Ming Dynasty Liang Pottery Let a Moment", Shi Dabin is an unprecedented master of pot art, laying the foundation of the technical system of purple sand pot production process, and creating a wealth of amazing works. The Wu family also had the tradition of inviting Shi Dabin and his apprentices to Zhu Caotang to "sit and perform" pot making, which is equivalent to the current "Purple Sand Craft Master Studio", which shows the status of Zhu Caotang in the purple sand pot industry. Therefore, Zhou Gaoqi "gets the axe to the banmen, and the knife must see Guan Gong", and the purple sand pot monograph written is a summary of the results of the appreciation and discussion of pot art in the top purple sand art museum.
Zhou Gaoqi liked the purple sand pot, but the famous pot could not afford to buy, so he retreated to ask for a second time, searching for the "broken pot" appreciation of the famous family abandoned by his friends. He has a poem self-deprecating "For the spring Dabin all the famous pots are not easy to do, give but do not be true, and the side search is mutilated in the good deeds of the family with self-pleasure, poetry to explain the ridicule":
Yang envy the famous pot set, Zhou Lang does not abandon flaws.
Shang Tao Yan ancient meaning, draining yang real tea.
Yan Shi was paid jun, and Qi Shi also drove a car.
Also know useless, carry the pair of desires to destroy the flowers.
After reading the poem, his friend Wu Honghua praised: "Use the trickle to buy jun bones, and Sun Bing is full of feet, as a metaphor for the residue pot." Bo Gao is a true connoisseur, elegant and needless to say." That is to say, Wu Honghua praised him as a true connoisseur of purple sand. In his poem, Zhou Gaoqi used the allusion of "a thousand gold to buy a thousand lima dry bones" to compare his love for the famous family's residual pot, and used the foot-disabled military expert Sun Zhi "Qi Shi" to compare the function of the famous family's residual pot, which is indeed a perfect fit, and the two sentences are really the whole poem "poetry eye".
<h1 class="pgc-h-arrow-right" data-track="25" > annotation of "Yang Envy Tea Pot Series"</h1>
Preamble (original)
Pot in tea set, useful for one ear. And the famous spring of Seocho, the temperament is sent, the cave of the immortals is blessed, and the incense of the Brahma King is the sea lotus state. The trial is still good, and the good things that are not good have been done. Therefore, tea to the Ming Dynasty, no longer milled crumbs and herbs to make dough cakes, which is far more than the ancients. In the past hundred years, the pot has deposed silver tin and Fujian Yu porcelain, and Shang Yixing pottery is far closer than its predecessors. Tao Yue to take all? Take it any way. With the soil sand of this mountain, it can produce the color fragrance of real tea, not only Du Gongbu Cloud "pouring silver into jade amazing eyes", but also high flow to avoid vulgarity. As far as the famous hand is, a pot weighs no more than two, and the price weighs every one or twenty gold, which can make the earth and gold compete for the price, and the world is becoming more and more magnificent, and it is enough to feel enough. It is because of the potter's clay.
Preamble (Notes)
In the preface, the most important content is how the purple sand pot arose - the Ming Dynasty changed the "tuancha" to loose tea, and the purple sand pot was made of "Benshan Soil Sand" (Huanglongshan Purple Sand Mine), which could produce the color and fragrance of tea, and for a while surpassed the silver pot, tin pot, Fujian and Henan porcelain, and became a trend. The work of a well-known craftsman, the pot is less than two weights, but it is worth one or two dozen gold, comparable to gold.
Founding (original)
The monks of Jinsha Temple have long escaped their name. Smell the Tao Jiayun, the monk is idle and quiet, learn and the pottery jar urn, pluck its fine soil, refine it, knead it into a fetus, regular and round, make hollow, heel Fu mouth, handle, cover, attached pottery cave burned, people pass it on.
Founding (Commentary)
In the founding chapter, it is mainly a description of the origin of the purple sand pot. Mentioned to listen to the potter, there is a Monk of Jinsha Temple, learning from the pottery jar and the pottery urn, refining the mud, kneading the mud tire by hand, using tools to regularize the carcass, and hollowing out the middle, with the spout, pot handle, lid, and button, put into the pottery cave and burned, which is rumored to be used.
Shoji (original)
For spring, xuexian Wu Yishan Gong Qingyi also. Yishan Reading Jinsha Temple, for the spring in the service of the time, stealing the old monk's heart, but also digging fine soil embryos, tea spoon cave, finger skimming inside and outside, fingering the snail text can be pressed. The fetus will be tired, so the abdomen is still in rhythm, depending on the truth. The present generations, maroon dark, such as ancient gold iron, Dun Pang Zhouzheng, allowed to call the gods hanging down! Shi is surnamed Gong by his grandson Gong, also known as Gong Chun. Everyone proves to be Gong, and when Yu Wu Talks about his family, dabin imitates it, and the word "for spring" is engraved, which is enough to fold the litigation cloud.
Dong Han, the number houxi, began to build the Diamond Fancy, has been skilled.
Zhao Liang, Duo Ti Liang type. There are also rumors of good names.
Xuan Xi.
Shi Peng, the father of Da Bin, is for the four families, the Wanli people, all of whom are provided for Jinye after the spring. Dong Wenqiao, and the three families are more ancient and clumsy.
Li Maolin, line four, the name yangxin. Make a small circle style, Yan in the park, allow the name to play.
Since then, the pot has been made of another tile, and the sac is closed into the pottery cave, so the former name of the pot can not avoid the oil and tears of the cylinder altar.
Beginning (Note)
The book mentions the legendary "originator" of the purple sand pot , the spring offering. As Mr. Wu Yishan's scribe, in the leisure time of reading and doing miscellaneous work, he imitated the monks of Jinsha Temple to pick up the soil embryos, put them in the mud embryos with a teaspoon, and pressed them with their hands to make a beautiful pot tire. Because of the surname of gong of his descendants, people wrote Gong Chun, so people once recognized the offering spring as Gong Chun. Later, when the author of this book saw the purple sand pot imitated by DaBin at Wu Zhou's Liaojia, he impressively engraved the word "offering spring", which was enough to prove the error of the previous statement.
In addition to offering spring, the book mentions the "four famous masters of the Ming Dynasty" - Dong Han, Zhao Liang, Xuan Xi, and Shi Peng. All four are ming dynasty wanli people. Among them, Dong Han style is skillful, and the first "Diamond Flower" purple sand pot. The other three styles are archaic, among which Zhao Liang's works are mostly Tiliang pots, shi peng, who is the father of Shi Dabin, the purple sand. As for Xuan Xi, this person is not described in detail in the book.
Li Maolin, the fourth among his brothers, is known as Yangxin. He is good at making small round pots, smart and simple.
Since then, the pot making process has undergone major changes, the pot embryo is no longer directly fired, and it is also made of 'tile' (Note: personally understood as a box bowl), closed in it, and put into the kiln for firing. Therefore, before this, the purple sand pot was inevitably contaminated with the oil stains of the cylinder altar (Note: personally understand it as falling glaze).
▲ Beijing Poly 2019 spring auction purple sand pot special, two when the big Bin pot transaction price of 21.85 million yuan
Everyone (original)
Shi Dabin, Shaoshan, or Tao soil, or miscellaneous sand soil, all kinds of money are sufficient, and all the earth colors are also sufficient. Not to be feminine but simple and tight, wonderful. At first, he imitated the spring to succeed, liked to make a large pot, and then traveled to Loudong, smelling chen Meigong and Langya, Taiyuan Dukes tasting tea and giving tea, which was made as a small pot. There is a body in several cases, and people are idle and thinking. The famous masters before and after could not reach, so they were left behind by the Tao people, and the eyes of the empty group were good.
Everyone (note)
The whole book only makes Shi Dabin "everyone", mentioning that he sets the strengths of each family, is good at making various utensils, and the mud color of the utensils he makes is also colorful, not pursuing gorgeousness, but simple and elegant, wonderful. (Note: From here, we can see that the characteristics of purple sand ware: diversified vessel types, rich mud color, simple and elegant look). Shi Dabin made pots, imitated the spring in the early days, liked to make large pots, and later traveled to Loudong (referring to the area of present-day Kunshan and Taicang) to accept Mr. Chen Meigong and Mr. Langya Taiyuan Zhujia to taste tea and give tea, and changed to making exquisite small pots. In the future, many famous artists could not reach it, and they were revered by potters (purple sand craftsmen) as the benchmark of "dayaware".
Famous Artists (original)
Li Zhongfang, Xingda, Mao Linzi, timely Dabinmen, for the first place in gaozu. The system gradually became more sophisticated, and his father was governor Ofungu. Zhongfang tasted a pot in his hand and looked at his father: What is this brother? The common cause calls it "dude pot". After entering the Golden Altar, he competed with Wen Qiao. The Dabin pot that has been passed down in this world is also made by Zhongfang, and dabin sees the reward and signs itself. Time people speak day: Li Da bottle, shi daimyo.
Xu Youquan, a famous shiheng, so non-tao people also. His father, The Great Binju of Hershey, extended to the family school. One day, the powerful Bin made a mud cow for a play, not immediately, Youquan snatched its pot of soil and went out, just in time to see the sleeping cow under the tree will rise, still bent a foot, staring at the kneading, bending the shape. With the eyes of Dabin, I was amazed at first sight, and I knew: If the son is wise, the other day will come out of me. Because of the learning for the pot. Variations, soil, antique and dignified utensils, with the color of the earth, Bi Zhi poor work, moving people's eyes. To taste the Bo Kao system, there are Han Fang, Bian Zhen, Xiao Yun Lei, Ti Liang Jie, Banana Leaf, Lotus Fang, Ling Hua, Goose Egg, Crotch Soel, Beauty Weeping Lotus, Big Top Lotus, One Horn, and Six Sons. The mud color has the names of begonia red, cinnabar purple, dingyao white, cold golden yellow, light ink, agarwood, water blue, durian skin, sunflower yellow, and shining pear peel. All kinds of variations, brilliant. However, in his later years, heng sighed to himself: My essence is not timely and coarse.
Masters (Commentary)
In the Famous Masters chapter, two of Shi Dabin's high-ranking disciples are mainly introduced, Li Zhongfang (the son of Li Maolin, a Ming Dynasty pot maker) and Xu Youquan.
Li Zhongfang, who is known for his literary ingenuity in pot making, is quite appreciated by Shi Dabin, and occasionally sometimes Dabin's favorite works will stamp his own seal on Li Zhongfang's works. At that time, people were known as: Li Daquan, Shi Daimyo.
Xu Youquan, good at observation, good at making all kinds of pot types, but also good at the application of mud (Note: including according to the mud properties of different mud, hair color and utensil type, as well as mud blending, it can be seen that the mixing of raw ore mud in addition to the famous purple sand factory compound ingredients, ancient has existed. Only in modern times, the mud blending process has been mixed with chemical pigments, foreign mountain materials, water glass and other external objects by profit-making people, which has changed the essence).
Xu Youquan's works are imitations of Hanfang Bian Zhen (Yin Zhi, ancient wine vessels), Xiao Yunlei, Ti Liang Jie (Yin You, ancient bronze wine), banana leaves, lotus fangs, diamond flowers, goose eggs, crotch sols, beauties, weeping lotuses, large top lotuses, one-round horns, and six sons. Mud colors include begonia red, cinnabar purple, kiln white, cold golden yellow, light ink, agarwood, water blue, durian skin, sunflower yellow, shining color, pear peel and so on. (Note: Also because of the ancient books, the particularly elegant and beautiful names have also been used by contemporary people with hearts to mix mud)
▲Ming Ou Zhengchun Chrysanthemum petal pot Height: 7.2 cm Width: 12 cm
Yaliu (original)
Ou Zhengchun, multi-standard flowers and fruits, style jingyan. (Yijun, Ou kiln)
Shao Wenjin, imitating the great Han Dynasty, is still alive. County Wen Silver.
Jiang Boshi, name Shiying. Four of them and Da Bin disciples. After Jiang Hou was a guest of Wu, Chen Meigong changed his word "Shi" to "荂" (上荂下夸), because of his high flow, he was secretive about his own business, but what he did was not bad.
Chen Yongqing, working with the time, and the young trick is behind. Negative force is still angry, and the taste of hanging officials is in the middle of the rope. Commonly known as Chen Sanzi. The style is still workable, such as lotus seeds, soup mothers, bowls, and round beads, irregular and round, and has been extremely delicious. Imitation bell too Fu close intentions, falling ink clumsy, falling knife worker.
Chen Xinqing, imitation of the time, Li Zhuchuan apparatus, there is a Youmeng Uncle Ao, so it is not used qing. Although his works are rich and beautiful, they are lean and neat, and they are not elegant. Look at the sleeping rate, boast of flood drinking, and travel between the rooms. Do not do your best, but serve more disciples to cause, and only cut the department. The so-called scheming turned rough, and it was not sung again when "Weicheng" was also sung.
Min Lusheng, a famous sage, imitated the families, gradually entered a good state, and the people were quite mellow. Seeing the transmitter, it is humble to plan, not afraid to change, and the trick is also into the way.
Chen Guangfu, imitating spring and shida, is an entrance to the room. Heaven forbid. Fleas look at each other, not extreme, but through their hands, they are also specific and subtle.
Yaliu (commentary)
In the Yaliu chapter, Ou Zhengchun, Shao Wenjin, Shao Wenyin brothers, and Jiang Shiying are introduced, all of whom are shi Dabin's disciples. As well as Chen Yongqing, Chen Xinqing, Min Lusheng, Chen Guangfu and other pot makers. Among them, it is worth mentioning that Ou Zhengchun is good at flower utensils, and Chen Yongqing's representative works such as lotus seeds, tang po, bowls, round beads, etc., are still quite popular traditional classic instruments by players.
▲Chen Zhongmei Tianji pot
Shinshi (original)
Chen Zhongmei, a native of Wuyuan, first made porcelain in Jingdezhen. There are many people with karma, and they are not enough to become famous, and they are abandoned. Good with pot soil, intended to make all kinds of play, such as incense boxes, flower cups, fox stoves, paperweights to ward off evil spirits, heavy hammers and engravings, fine ghost work. The pot resembles a flower and fruit, embellished with grass worms, or a dragon plays with the waves of the sea, stretching out its claws. The statue of the supreme master, solemn and merciful, radiant, dazzling flowers, incredible. Wisdom and dragon sleep, Daozi, the mind is exhausted, in order to die in the sky.
Shen Junyong, Mingshi Liang, Heel Zhongmei's wisdom and Yan Qiao's enemy. The pot style is connected to the Ou Zhengchun school, which is still like all things, made for utensils, not still square, and the bamboo shoots are not sewn with silk hair. The magic of the soil, the color of the heavens, the golden stone tongjian, well-known since childhood, people know "Shen Duo comb". Yixing is known as weeping hair. Qiao Yu was also killed in April.
Divine Products (Commentary)
In the chapter of Shenpin, two craftsmen who played an important role in the history of purple sand are mentioned-Chen Zhongmei and Shen Junyong. Among them, Chen Zhongmei is good at and loves to match soil, and is good at making flower utensils, bionic utensils, and stationery supplies. In chashe's view, his contribution in addition to harmoniously combining porcelain craftsmanship with purple sand craftsmanship, created the "heavy skeletonized through carving" purple sand technology. Throughout the history of purple sand, the flower works and miscellaneous miscellaneous works he created are epoch-making and extremely artistic, and it is difficult for latecomers to stand out. It can be called a "divine product". The following figure shares two works that Chashe personally likes particularly: 1. Rui Beast Kettle; 2. Zun Zun.
▲ Ming Xu Shiheng flat shoulder olive pot
Faction (sic)
Everyone sees Wang Daxin's "Leaf Language Supplement".
Xiuning people, font zi, number guling. (Note: It is suspected that a person's name is missing here)
Shao Gai, Zhou Houxi, Shao Ersun, and Wanli People.
Chen Junqing, also a disciple of DaBin.
Zhou Jishan, Chen Hezhi, Chen Tingsheng, Cheng Yuncong, Shen Junsheng, good imitation of Youquan, Junyong, and Tianqi and Chongzhen.
Shen Ziche, a Chongzhen shiren, made a pot that was quaint and simple. Taste the diamond flower pot made for people, the inscription is known: stone root spring, mengding leaves, gargling fresh teeth, polyester dust hot.
Chen Chen, the word is common, the work is engraved pot, and the near people are more fake hands. Also the Tao family in the book Junye.
Engraving the pot style, instant Dabin Chuqian can write ink, paint it with a bamboo knife, or use a mark, and then transport the knife into a character, (Chen Gongzhi with a pen) calligraphy is leisurely and elegant, in the "Yellow Court", "Le Yi" paste, people can not imitate, appreciate the family to think otherwise. The second is Li Zhongfang, also in calligraphy. If Li Maolin, Zhu Shu is only a record. Zhongfang is also a big engraver of the times, and his technique is inferior.
The imitation of the name pot is "pro", which is better than when the calligrapher and painter entered.
Tao Hao rumors: The pot family magic hand is called the three major. It is said that Shi Dabin, Li Dazhongfang, and Xu DayouQuan are also. Yu Wei turned a word: Ming Dynasty liangtao let a moment. He is a big man, and he is a bandit.
According to legend, when the pot soil was first used, there were first foreign monks who went through the village, and the day called: selling wealth and nobility. earth. The crowd scoffed. Monk: Don't buy expensive, how about buying rich? Because of the introduction of the village, it refers to the cave of the mountain produced soil, and the hair, the fruit is prepared with five colors, and the rot is like a brocade.
Tender mud, out of Zhao Zhuang Mountain, and all the color of the soil, is the sticky fat can be built, cover the clay pot of the Beggar Also.
Stone yellow mud, out of Zhao Zhuang Mountain, that is, the stone bone that has not touched the wind and the sun. Tao zhi is changed to cinnabar color.
Azure mud, out of the Li Villa, Tao Zhi became dark liver color. And its sandwich has pear skin mud, pottery pear jelly color; light red mud, pottery pine flower color; light yellow mud, pottery bean green color; honey mud, pottery light ochre color; pear skin and white sand, pottery light ink color. The mountain spirit is full of veins, cultivating changes, and still revealing all kinds of strange clouds.
Old mud, out of tuanshan mountain, pottery is white sand stars, according to Ruozhu Zhen, with azure, stone yellow and zhi, into a light and dark antique color.
White mud, out of the big tide mountain, pottery bottles are used for it. This mountain has not been used and is carried from the northeast branch of Jiangyin Qinwang Mountain in My Hometown Baishi Mountain.
Unearthed from the mountains, their caves are often good at migrating, there are vegetarian production here, and suddenly he who has obtained the caves, the spirit of the real mountain has a division, but they all go deep into dozens of zhang.
The house of the pot, the outside of each cave door, the soil is sieved, the deployment is deployed, the cellar is in it, the name is called the soil, the use of cooperation, each has its own heart, the secret is not taught. The pot is made into a ghost, so that it is extremely dry, but it is a pottery urn with five or six utensils, closed without gaps, and it is rare to be in danger of cracking the oil. If it is too hot, it is old, old is not beautiful, and if it is under fire, it is childish, and it is childish and rustic. If the kiln has a disguise, unbelievable, pouring soup and storing tea, clouds and xia, it is the work of god, billions or ears.
Tao Cave around Shu Mountain, the original name of the mountain is du, When Mr. Dongpo begged for Yang envy, he changed the name of this mountain to resemble the scenery in Shuzhong. Mr. Ancestral Qi yu mountain pepper, pottery smoke fly dyeing, ancestral ink, according to the "Erya Shishan" cloud, the sole, Shu. Then Mr. Rui changed his name, did not migrate to SangZi Yinhuai, or archaeology self-Xiyuner.
The pot is for real tea, and it is being used to live fire in the new spring, swirling and sipping, with the full potential of color, sound, fragrance and taste. Therefore, the pot should be small and not large, should be shallow and not deep, the pot lid should be ang and should not be stoned, the soup is fragrant, and the unity should be united; it should be poured out that is, it should be polyester, and it should be poured out. It is said that the pot is firm in texture, the tea is poured, and the summer month is not satisfied. I don't know how many moments and the tea is lost, and the more An Qian is! True tea is like cabbage, which is suitable for soup, such as bamboo shoots, and the wind is inferior. The theory of leisure is unhealable.
Pot, put into use for a long time, polyester day by day, spontaneous dark light, can be learned, this is the study of elegant offerings. If it is greasy and colorful, and the oil is sparkling, it is the monk light, the most despicable. Every time I see a good deed, the family has a lot of systems, and loves the dirt and dye, and the sleeves are stretched, but I am afraid to wipe it away, that is: I treasure its old color. I don't know if Xi Zimeng is unclean, can he fill Chen Orye? With the real tea, it is the god of the mountain, and the place is placed on the ground of the smoke miasma. Wouldn't that be great.
Faction (Note)
In addition to the introduction of several highly accomplished craftsmen, the chapters of the Other Sect are introduced. The most gratifying thing is to use a very concise and accurate language to explain to the reader the knowledge points of purple sand, mud, kiln, pot and so on, and read it carefully, which is quite beneficial to today's pot players to identify purple sand mud, style recognition, firing, and pot raising pots. In the view of the Chasa Society, it has the guiding reference value of "removing the false and preserving the truth". Like what:
1. Shi Dabin uses bamboo as a knife to engrave his own money and appreciate his family's use. It has created a precedent for purple sand ware.
2. Purple sand was originally called "five-colored earth". It also reflects the richness and visual perception of the purple sand mud material due to its natural color, the color of the kiln.
3. Detailed description of the vermilion mud out of Zhao Zhuang, the pottery is cinnabar colored; the azure mud out of Lishu (now the Dashuitan mining area, has become a park, the scope is very small, the ore source is rare); the old mud out of Tuanshan Mountain, the white sand star of the pottery, with azure and stone yellow, is light and dark antique. Chashe believes that the tuanshan mud (Duan mud); white mud, out of the Big Tide Mountain, is mainly used to make pottery vases, water tanks and the like (now it is also often used for makeup soil, mud with mud substrate).
4. In terms of using pots and raising pots, it is also emphasized that after a long time of use, the purple sand pot spontaneously "eclipses the light", that is, matte, daily frequent washing, frequent wiping, and can be learned. Therefore, raising pots is nourishing the heart, which is a natural and gradual process.