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<h1 class="pgc-h-arrow-right" > Zha Sheng Xing Book Inscription Theta Tuoben Appreciation:</h1>
<h1 class="pgc-h-arrow-right" > booker introduction:</h1>
Zha Sheng (1650-1707), zi Zhongwei, trumpet sound mountain, Zhejiang Haining Yuan Huaren. In the twenty-seventh year of the Qing Kangxi Dynasty (1688), he entered the priesthood and was elected as a Shu Jishi of the Hanlin Academy and was taught editing. When the Kangxi Emperor chose Confucian ministers to serve as advisers, he was recommended to the Zhinan Study for many years, and at least Zhan Shi was moved. The calligraphy is exquisite, and the charm of Dong Qichang is particularly exquisite. The Kangxi Emperor praised: "Other people's books are tacky, but Cha Sheng is a vulgar ear." The work is different for a long time. "Zha Sheng was cautious and diligent in his work, and was highly valued, and the Kangxi Emperor gave books, paintings, royal pens, and Yantai, and gave di Xihuamen, and the name of the imperial book "Fade Yuan". The character is high, and the treatment of others is not distinguished between noble and inferior, and all are treated equally. There were many calligraphers in all directions, and he often lit candles at night. He is the author of "The Collection of Tamyuan Hall". At that time, people called Zha Sheng calligraphy, Zha Shen xingshi, and Zhu Ziheng paintings as "Haining Three Absolutes".
Learning experience: Do not be close to the pen and writing of contemporary people, because there are many problems. Carefully copy a piece of paper or so every day, and it will definitely have an effect after a period of time. Practicing calligraphy can calm people down when they are manic, which is certainly good. Truly entering the world of calligraphy, many things are imperceptible, and people's temperament and cultural literacy will be improved.
Copying and creating are the two most important stages of learning calligraphy. From ancient times to the present, there is hardly a calligrapher who has not come from the cyclical process of "copying-creating-copying-recreating". Learning calligraphy first copied and then created, first inherited and then innovated, this is the minimum procedure and method. Copying focuses on technical training, mastering the technical rules in the calligraphy works of the ancients; The creation focuses on artistic understanding and appreciating the artistic charm of the calligraphy works of the ancients. There is no solid, serious, and hard copying, and the creation is just an empty word; But there is no pursuit of creation, copying will also lose the power and meaning, only the combination of copying and creation, both pay attention to technical practice, but also pay attention to artistic understanding, in order to go up to a higher level.