Facing the red carpet camera, he was undaunted, Huang Xiaoming: I have oiled, but I have never been ugly
As soon as the red carpet headshot of the Shanghai Film Festival came out, Huang Xiaoming faced the direct camera, no matter what the original picture was, he could bear it.
Huang Xiaoming used to oil, but really not ugly.
The success of oil control in these years first requires strong self-discipline and kinetic energy output.
Celebrities and ordinary people on the road to weight loss and shaping, the input-output ratio is the same, they have to go through a long ordeal, and even a lonely period of lovelessness.
Especially as an actor, Huang Xiaoming sometimes needs to be shaped in a very short time for the sake of the role, so he will take some extreme and unhealthy weight loss methods, and he has suffered a lot.
This kind of suffering can also temper his willpower, so he has to shape the suffering of the character, not the good of shaping the character before. Bitterness is more real, more close, and good, more inclined to be even, such a character has no surprises, a little unremarkable, and is easy to repeat over and over again.
The good role also carries an idol aura, and the actor himself is easy to perform in the comfort zone, which will give the audience aesthetic fatigue and narcissism. When these factors are stacked, the performance will be greasy and the understanding of the role will be single. Why are many actors performing oil now, and there is also this "good role" reason, the script itself is thin, and the role can be so good that many similar roles can be found every year.
Huang Xiaoming's previous oil originated from these points. Give up the requirements for yourself, the comfort zone is indeed very comfortable, equivalent to the kind of "more money and less life" that we ordinary people think, but actors are to occupy public resources, and you constantly output greasy images in your comfort zone, which is to be attacked by the group.
So in previous years, he was also whipped and complained by the audience.
Huang Xiaoming is good at this, he dares to face all kinds of criticism, and he can listen to bad words. This is different from many celebrities.
Celebrities live in a vacuum world, and they are easy to be fragile over time, just like parents overspoil their children, then the child's resistance to stress is naturally weak.
Huang Xiaoming broke this natural barrier of stars and ushered in his own unbreakable standing.
Participating in the variety show "Chinese Restaurant", he worked seriously throughout the whole process, and he was like this for several seasons, slowly re-accumulating market favorability, which is also a long-term shaping route.
Celebrity you have to change the direction of public opinion, you can't please, you can't be in a hurry, the audience is more rational, more informed, and more confident.
Like some rat-eyed stars, addicted to short-term speculation, short-term profits, but the market changes too much, you can fire in this cycle, but the next cycle immediately makes you find no such person, muddy through the center of the earth.
Huang Xiaoming's transition period lasted for several years.
"The Wind of Langya List" is the first step to oil, the IP effect of this drama is very strong, and the previous one has reached a very high level. Huang Xiaoming simplifies the complex, using a restrained, closed performance method to show the role, it is difficult to close the performance, it is necessary to break through the inner quiet, and the impetuosity of the past licensed goods must be reduced.
Including "Sideburns Are Not Begonia Red", he went to cater to some trends in the market to make drama elements, but also kept the stability of the performance. After all, he has strong commercial value, and many times when it comes to his level, he will think about how to better integrate with the market, but also keep the confidence of the actor.
The TV series is slowly oiled first, and the market feedback is slowly getting better.
He also began to regain his original intention and make efforts in movies.
"The Man in the Wig", looking at the poster, you can know that it is a realistic theme, revealing the kind of life that is all kinds of things.
There is also "The Last Truth", a suspense film, which is also a hot track in today's market. The poster is beautiful, looking forward to the film.
With the sincerity and dedication of these transformations, Huang Xiaoming's past national foundation can be rejuvenated.
The accumulation of the past is a fortune, but it requires that your entire career line be coherent and not disconnected in between.
The original "Great Han Tianzi", including the early "Wind Sound" and "Chinese Partner", these past highlight reserves, can not be gnawed as old originals, will always gnaw out.
Only by continuing to move forward steadily in the follow-up, these old books will maintain and increase their value.