His "personality signature" on the Internet is: "Playing stinky chess, reading broken books, blindly writing poetry, scribbling, desperately smoking cigarettes, dead or alive, not getting up, happy and messy." Chen Danqing also said, "His spontaneous personality in this life makes all of us feel that we are pretending, and the women and eroticism he paints make all men ashamed." ”
His costumed beauties are soft, fragrant and charming,
The lasciviousness and evil spirit that verges on the paintings of the Spring Palace;
Modern beauty plump breasts fat buttocks,
Very oriental style of beauty;
It has added a kind of Chinese painting to the world
Full of love, youthful and exciting,
A special new female figure with a provocative nature.
He is -- Zhu Jianxin,
One became popular because of the painting of the "Spring Palace Diagram",
It is also accompanied by appreciation and criticism
A controversial painter.
Although not from a famous family
But it is also "authentic"!
Zhu Xinjian, born in Nanjing in 1953, is a native of Dafeng, Jiangsu Province. He is a member of the China Artists Association, a professional painter, and a first-class painter of the Nanjing Academy of Calligraphy and Painting. Not from a chinese painting background, never visited a mustard garden, and "open milk" comes from daily life. A few flowers and a bird on the wall newspaper of his father's unit, and his mother took back the brush characters on the old slogan, which he thought was good-looking and admired.
In those years, the spittoon, the exercise book, and the pencil case were printed with indistinct paintings of Qi Baishi, a black rumbling shrimp, a crab, and several morning glory flowers. Back covers such as "Childhood", "Little Friends", and "Juvenile Literature" usually have the works of some big painters printed on them.
In 1976, Zhu Xinjian entered the craft and decoration major of Nanjing Academy of Arts as a worker, peasant and soldier cadet, and was still the "most inaccurate one" in the class. After staying in school to teach, he turned to Chinese painting. There are several teachers who are optimistic about him, such as Dong Xinbin and Chen Dexi, who are optimistic about the things that belong to the painters who escape on paper.
The Rat Marries (1983)
He graduated from the Fine Arts Department of Nanjing University of the Arts in 1980 and stayed on to teach. In 1987, he designed the character modeling of the animation films "Mouse Marrying Daughter", "The Adventures of Jin Yuanguo" and "Pipilu and Lusisi" for Shanghai Fine Arts Film Factory and CCTV.
Don't take the "right path", painting the "Spring Palace Map" turned out to be a hit!
Although Zhu Xinjian was not from a famous family when he debuted, he was also a "wulin" Orthodox Sect - graduated from the Fine Arts Department of Nanjing University of the Arts, but Zhu Xinjian, who did not want to be bound in his bones, wanted to do the opposite.
In 1987, in the Hubei Youth Art Exhibition, Zhu Xinjian brought a batch of "Jin Ping Mei" woodblock illustration style small-footed women painting "Beauty Figure" to the exhibition, which immediately aroused the strong dissatisfaction of the old artists, and the crutch poked the floor of the art museum to the mountain, because no one had ever dared to openly paint women so charming and sexy.
The critic Li Xiaoshan once said that the women in his paintings have no soul, no personality, only desire and spring sleepiness, just playthings. Every time Zhu Xinjian held a painting exhibition, he printed this sentence on the preface.
There are also feminists who believe his work insults women. One year his painting was printed on a poster at the Munich Film Festival in Germany, and local women marched in protest. He later said, the eight precepts of the pig, speaking of men, let's write the eight precepts of the pig like that, is there a man who organizes a parade?
Seeing the tricks and dismantling the moves, Zhu Xinjian had his own set of methods. Generous, funny, sometimes rogue, sometimes naïve.
Unexpectedly, this "historic" criticism actually made Zhu Xinjian a hit. In the face of criticism, Zhu Xinjian also made clear his attitude, "He talks about his, I do mine." Life is a pleasure, and painting is also a pleasant thing." Since then, Zhu Jianxin resigned from public office and became a professional painter, and "little-footed women" have become his "signature dish", winning him countless fans.
Naturally "lustful"
Paint women with Qi Baishi's pen and ink!
Zhu Xinjian clearly distinguished between "wind and current" and "hooligans", and he jokingly called himself a "pretend hooligan". At that time, Wang Shuo also called himself: "I am a hooligan, who am I afraid of?" Zhu Xinjian perennial cotton undershirt with trousers and even beard pulling. But this shape not only did not scare away the girls, but his studio was always beautiful like a cloud, girls or soaked in it to read and comb their hair, or wear a bikini to walk around, Zhu Xinjian used a brush to keep drawing them. You can't believe it!
"Lustful" in Zhu Xinjian's nature,
Plus a "truth" that he realized from Zen Buddhism,
It made him dare to use the Chinese literati for thousands of years to refine
A set of originally used to express the Zen heart Dao bone, the moon white wind qing,
The pen and ink Dafa of alpine flowing water,
Unbridled smear on the fat powder layman.
In his words,
"I use Qi Baishi's pen and ink to paint women."
In the eyes of many famous artists, Zhu Xinjian's "beauty" has another treatment, and some even call it the arrival of another Qi Baishi era.
Chen Danqing read another taste:
"Zhu Xinjian, with his bohemian nature, painted the first batch of ink paintings featuring Jiangnan women, which can be called 'erotic' works. Neither a Rodin-style female body sketch, nor a erotic picture of Fisher, Zhu Xinjian's paintings actually have no 'sex' in them, and at most they can only be seen as sexual fantasies, essays, and graffiti.
As far as my memory of the 1980s is concerned, it was Zhu Xinjian who took the lead in justifying 'sex' in his paintings. At that time, if any Chinese man saw these paintings, he must have been pierced through the thoughts in his heart in an instant.
On the level of sexual desire alone, Zhu Xinjian's works simultaneously surpass the ancients' Spring Palace paintings. He makes us admit that his 'New Literati Painting' deliberately reneges on all the elements and rules of literati painting, just like completely vernacular, colloquial, and dialectic. ”
After reading the paintings of Zhu Xinjian, the author of "Farewell to the Overlord" and "Green Snake", li bihua, a Strange Woman from Hong Kong, asserted:
"No one has yet been able to describe a 'beauty' as sensually as he does. This alone is enough to make him invincible, and no one can knock him down. ”
Yu Mingyi said in the article "The Meaning of Zhu Xinjian":
"It is not surprising that there is a Zhu Xinjian on the banks of the Qinhuai River in Nanjing. The Yanxia of the ancient capital of the Six Dynasties of this Bay, every 300 years, will give birth to a monster, and our era will meet Zhu Xinjian.
Nanjing Qinhuai River is fortunate, our era is fortunate, let us know in this warm and wet and wet entangled brush and ink, there is a thing called literati painting is still circulating for a long time. ”
Painting makes people happy, and people make people happy!
Looking at Zhu Xinjian's paintings makes people happy,
Reading his books is also a joy.
His life creed is even more "convincing"!
He said in his book "Follow-ups of Life": "I don't blame me at the beginning of life, no one asked me to fill out a volunteer book or anything, I swore that I never applied to come to this world." Then, I began to pursue happiness. ”
Just like his "personality signature" said: reading broken books, blindly writing poetry, scribbling paintings, Zhu Xinjian's life, living a spontaneous, dashing!
Wang Lin, a literary and art critic, said a passage: "I wanted to come to Sichuan and the United States to see me when I was newly built, and the plane flew directly to Chengdu, and when I left the airport, I left." When I arrived at my house, I shouted: How come your academy is so far from the airport, and it cost me a thousand yuan to fight! What if I run out of money? I suggested: Paint it, I asked someone to buy it, so the new brother really painted a lot of paintings in my house. ”
In the eyes of his friends, Zhu Xinjian is a person who "spends money like dirt". Sold some paintings in France, returned to Beijing to live directly in the Continental Hotel, half a year later the money was spent, rented a residential building to live, still happy like a god.
At the end of 2007, Zhu Xinjian suffered from cerebral infarction aphasia and right hand hemiplegia, in this case, Zhu Xinjian still did not give up painting, he began to use his left hand, and in 2010 published the results of left-handed painting "Fat Powder Layman - Zhu Xinjian's Portfolio".
The literary world and the painting world are married
Revolutionize in an alternative way!
One is Wang Shuo, who writes novels, and the other is Zhu Xinjian, who paints. Interestingly, the two later formed a family.
In September 2013, Zhu Xinjian, the son of Zhu Xinjian, a master of the art world, and Wang Mixi, the daughter of the literary tycoon Wang Shuo, married Wang Mixi, and people in the literary and art circles helped each other. Zhu Xinjian has been in a wheelchair the whole time due to limited mobility.
In fact, as early as before the younger generations met, some people proposed that among the people who influenced an era in China, "there is Wang Shuo in literature and Zhu Xinjian in painting", and they all made a revolution in an alternative way on China's original aesthetic standards.
In early December 2013, Zhu Xinjian suffered a second stroke and was admitted to the Beijing Armed Police Corps Hospital, but this illness made Zhu Xinjian's body never recover. In addition, he suffered from cardiovascular disease and a number of other diseases.
At 2:23 a.m. on February 10, 2014, Zhu Xinjian died of ineffective lung cancer treatment at the age of 61.
Some people say that this one is in addition to eating
Are happy painters like gods,
Painted sexy women for years,
Now he has left behind countless beauties,
Go to heaven, may there be no sickness in heaven,
May there be countless little goblins in heaven! ”