laitimes

The amorous style is really not Zhu Zhu's character in "Sister Lang"

author:Harper's Bazaar
The amorous style is really not Zhu Zhu's character in "Sister Lang"
The amorous style is really not Zhu Zhu's character in "Sister Lang"
What is her beauty in the list of "Top 100 Most Beautiful Faces in the World" for ten consecutive years?
The amorous style is really not Zhu Zhu's character in "Sister Lang"

Since the broadcast of the fourth season of "Sister Lang" "Riding the Wind 2023", Zhu Zhu's beauty has hardly left the hot search.

From the debut in a red dress and ruffling her long hair, to the first stage in a white dress to sing "Half Bend of the Moon", the style of red roses and the charm of white roses can be substituted into the same face from now on.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

In the first performance, her performance on stage with seductive red-lipped cat's eye makeup and shaking her long seaweed hair made netizens shout #There is a beauty that does not care about my life and death#.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

Listed on the list of "Top 100 Most Beautiful Faces in the World" for ten consecutive years, when asked in an interview about the criteria of the top 100 beauties, Zhu Zhu answered with four words, namely original (original), daring (bold), haunting (unforgettable), unique (unique).

The amorous style is really not Zhu Zhu's character in "Sister Lang"
The amorous style is really not Zhu Zhu's character in "Sister Lang"

These four words also further explain why Zhu Zhu's amorous atmosphere is so different.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

In recent years, under the influence of the white, thin and young aesthetics, everyone has tried their best to get closer to the "sweet girl style" and "girl group style". Compared to being neatly associated with the "girly feeling", the sensuality of the style can be beautiful without effort, but it is eclectic.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

The beauty of Zhu Zhu is too recognizable.

This face, which has been selected as the world's top 100 most beautiful faces for 8 consecutive years, may not be the most perfect and delicate if you take out the facial features individually - her eyes are slender and the tail of her eyes are slightly drooping, which is completely not related to the "fox eyes" with charm and style in the impression, but with a touch of coldness; The face shape is also a full mature woman's face, and the ratio of atrium to people is longer.

The combination of atmospheric facial features and appropriate facial white space does not require special expressions, just sit there quietly, and the intriguing style and brightness are enough to be unforgettable.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

It is said that red lips are a special skill for amorous beauty, and it is particularly convincing on Zhu Zhu's face. The corners of her mouth are upturned, her lips are full, and her superior lip shape is painted with red lips, which is intuitive and intense.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

Just as she performed on the stage makeup in "Sister Lang", she also chose red lip makeup, so that the cat's eye makeup full of charm has a sense of strength of a big woman, whether it is in the C position or not, people can't take their eyes off.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

The best thing is that she laughs, a pair of pear swirls skillfully neutralize the coldness in her eyes and the lust of her full lips, balancing her charm and charm just right, a little more dusty, less a little distance, just a glance can make people remember her unique style.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

The sexiness of amorous beauties is never copied in bulk. The same female stars who take a variety of amorous routes, mention Zhu Zhu, Shu Qi, Ni Ni and others, not only will they not feel that they are similar or similar, but each has their own distinct and unique temperament.

Shu Qi's style and sexiness are more lazy and casual, Ni Ni is to make her fair lady more advanced, revealing a natural delicate Yin Tao even if she enters middle age, Zhang Yuqi is beautiful and imposing.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

Beautiful and recognizable, which is probably why we are happy to see the style return to the aesthetics of domestic entertainment.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

The reason why Zhu Zhu's style and beauty are so direct to people's hearts is more than the externalized symbols such as red lips and wavy long hair that lies in the expression conveyed by her eyebrows.

As mentioned above, Zhu Zhu's eye shape does not have a strong charm, and the soft and gentle water bay eyebrows have a classical temperament, so that a pair of eyebrows full of story can convey love but not be abusive.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

During the rehearsal of the play, even if Zhu Zhu does not apply heavy makeup, no face or light appearance, the investment and concentration in her eyebrows is enough to attract people.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

In "Children of the Qiao Family", she faded her costume and played Ma Suqin, a rough and working woman who suffered a lot of hardships in life. Although she is dressed low-key and has a simple face in the play, the fragility and tenacity in her eyes, and the misery but hopeful, are enough to make the audience believe that Qiao Erqiang is moved by her and misses her.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

Many people's understanding of Zhu Zhu's beauty and style comes from the role of Li Na in "Elite Lawyer". In the play, Zhu Zhu has long hair with retro wavy curls, painted bright red lips, confident and beautiful, and swaying when walking.

The amorous style is really not Zhu Zhu's character in "Sister Lang"
The amorous style is really not Zhu Zhu's character in "Sister Lang"

However, Zhu Zhu in life rarely chooses the wrap skirt that Li Na often wears in the play that shows her good figure and bright colors. Zhu Zhu's private clothes prefer low-key neutral colors, focusing on silhouette and drape, even if the design is simple basic, she wears the body without losing the charm, and still looks charming.

The amorous style is really not Zhu Zhu's character in "Sister Lang"
The amorous style is really not Zhu Zhu's character in "Sister Lang"
The amorous style is really not Zhu Zhu's character in "Sister Lang"
The amorous style is really not Zhu Zhu's character in "Sister Lang"

This also proves that the real sexiness and sultry do not only come from the outside coquettish and flattering.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

On and off stage, before and after the camera, Zhu Zhu's style and sexiness always carry a big woman's freedom. Not for the sake of pandering, every smile is self-care.

This freeness can be said to be a vivid portrayal of Zhu Zhu's journey along the way.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

As a child, under the guidance of her family, she not only received art edification, but also learned the knowledge of science and engineering. The education and care given by her family gave her more life choices since she was a child, and she also constantly thought about what she wanted to be in the process of growing up freely.

Although her family is well-off, she is not a pampered flower in a greenhouse, and she does not want to become the heroine of cool dramas such as "Beijing celebrity goldfinger open". Choosing to enter the entertainment industry and go to Hollywood to break into it relies on a serious struggle. She went to different crews around the world and saw the world, and the hardships she had endured for the role and the tiredness she swallowed had precipitated into her confidence.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

Because he has the confidence in his heart, he can blurt out "let her, there are more men" in the interview. Even if the other party is the heir of the rich Fiat family, in her opinion, it is just "the story of an ordinary girl falling in love with a boy, there is nothing to say."

Only with a strong sense of inner framework can she understate the controversy, and let her beauty and style stand there steadily, not afraid of anyone, and not pleasing anyone.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

Ride the wind and waves, become a rose in your own right. The various styles written by her life experience make her more and more relaxed and casual now, and her eyes have a sense of wanting to tell and rest.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

In the end, what is revealed between the eyebrows is more inner cultivation.

Looking back at Zhu Zhu's growth experience and the road to fame, he can calmly deal with the gains and losses of chickens and insects in life, but also dare to face the winds and waves in his fate, and do not forget to keep some "outsiders" dullness and purity as a self-reserved land, which is why Zhu Zhu's style always carries a kind of light wind relaxation.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

True amorous and sexy is spontaneous and does not cater to the male gaze. In a natural, comfortable state, strong gender colors radiate from themselves, which is original, bold, unforgettable, unique beauty.

The amorous style is really not Zhu Zhu's character in "Sister Lang"

Some of the images come from the Internet

Read on