<h1>The most important superstar</h1>
In 1996, the 28-year-old Le Yun fell from the thirteenth floor of Hong Kong to the ground, and a generation of famous flowers who had the opportunity to participate in the 86th edition of "Dream of the Red Chamber" died in the downtown area of Hong Kong, staging a martyrdom that was a hundred times more miserable than the movie.
While countless people lamented Le Yun's red face and thin life, they also regarded Luo Lie as the object of a thousand fingers. This beautiful-looking baby could have had a great future, but she could not escape the net of lust for the rest of her life.
At the same time, Luo Lie was regarded as the embodiment of the evil leader, and was criticized by various fans, and still has been under fire.
Of course, what followed was also the absurd incense that Luo Lie had existed for 65 years and his film career of nearly 40 years. As we have deduced, Lo Lie's visual life may be like a complex and unstable compound, more variable than any Shaw actor.
Born in Malaysia in 1938, Lo Lie, whose original name was Wang Lida, became the most respected actor in Shaw after being admitted to the "Southern Training Course" in 1962.
If you look at Luo Lie's face, there are two temperaments of good and evil to accommodate the intersection, and in the slightly correct facial features, there is a fierce atmosphere standing in the eyebrow, and the rogue can be achieved and all can be promising.
But if you change according to the role of the movie, Luo Lie can become a hero in one second and a hero in one second. What's more, Luo Lie's cunning eyes raised a fierce tiger that could swallow everything in the world, and Luo Lie, who was locked up, was full of arrogance and arrogance, and luo Lie who was released was heinous.
Throughout Luo Lie's 40 years of shadow, it can almost be described as high quality and high quantity; after being a disciple of Zhang Che with Wang Yu in the late 60s, he became a black and white double hero with a one-armed knife; in the 70s, he became a fool with Chu Yuan.
At the end of the 1970s, after going further to Taiwan and interpreting the martial arts to the peak, he retired to the jianghu in the 80s and dared to make green leaves. Luo Lie's life interpretation style can be described by four words: water, fire, cai, and Tao.
<h1>Bruce Lee is a superstar of equal name</h1>
Perhaps thanks to the pride of Luo Lie's weak crown years, his heart was full of chivalry and refused to incarnate as a Shuluo; when he was young, Luo Lie did not show the arrogance of the Great Demon King.
However, in Luo Lie's decent role, although she has a righteous heart, compared with bloody heroes such as Wang Yu Dillon, In addition to chivalry, Luo Lie shows a hint of gentleness, which makes her get the favor of women in the movie and also encounters blood and light disasters many times.
Neither Dillon's masculinity nor David's wanderings, Lo Lie's justice is always like water, swinging under the blows of evil layer by layer, until he sacrifices himself and swallows up sin.
Of course, the righteous Luo Lie is always full of tragedy, being stabbed through the chest by his father-in-law in "Iron Hand Ruthless", and killing the eldest brother with a short foot in "Ten Thousand Arrows Through the Heart".
Only in "The First Fist of the World" do we see the most tragic winner, raising his blood-stained hands and disappearing into the heavens and the earth.
<h1>Two sides of human nature</h1>
In terms of character appeal, justice doesn't seem to be able to bring too many blessings to the list; in the masculine Shaw Dynasty in the 70s, the masculine atmosphere of the screen, the good character is always forgotten repeatedly.
And the first impression of Luo Lie is nothing more than countless anti-angles. In the reverse corner, Luo Lie's eyebrow qi seemed to have a spirituality, from the inside of the screen to the outside of the screen, the strength of the soul was unprecedented.
In "Dragon and Tiger Fight", the Japanese with long hair and shawl seem to have descended into the world, and the chill brought by people is unprecedented in Zhang Che's films.
Subsequently, in Cheng Gang's "Fourteen Female Heroes", Luo Lie was more relaxed, fierce and vicious to the fullest, despicable moves, Luo Lie was like a natural Western Xia fourth prince, controlling the valve of evil in the world.
Sure enough, this Shaw blockbuster was admired by more people; in many films in the 70s, Luo Lie fully demonstrated the potential of his villain, and the evil and pseudo-poison could be used, and he used all the treacherous means on the screen again and again, dominating the world of Shaw martial arts again and again, punishing good and promoting evil, and trying again and again.
Given the rich experience of life, Luo Lie can always find an appropriate balance between good and evil. In reality, Luo Lie is from the film and television circle, hunting for fangs and hunting in the lights, once known as the ever-changing king of the Shaw clan, and once persuaded Di Jiang, who had already broken up.
Of course, in addition to success, desire is also infinitely expanded.
<h1>Non-replicable White Brow Daoist</h1>
In the later film and television career, the good and evil Luo Lie has been gradually diluted, with the good control of the two extreme temperaments; in the films of Chu Yuan and Gu Long, Luo Lie can be both good and evil, and good and evil seem to be like the black and white chess pieces in Luo Lie's hand, reversing only in one thought.
In the Chuyuan Jianghu, if Dillon is a small student, Luo Lie is a martial ugly; Dillon is a martial student, and Luo Lie is a literary ugly.
Later, Luo Lie's control over drama was extended to many of Hou Chuyuan's works, such as Dongdao Nagari in "Rulai Divine Palm" and the Taoist master in "Mantian God Buddha", and his sense of detachment made his acting skills a plaything that he could relax freely.
If Luo Liefang is a real person outside the square, then Luo Lie's harvest is a demon master. In the 1977 film "Hong Xiguan", but compared with the protagonist Chen Guantai, the success of Luo Lie's modeling is more commendable.
Luo Lie's white-browed Daoist in the movie is childlike and sinister, but the iron cloth shirt martial arts have been enshrined. And Luo Lie's every move in the movie shows a powerful aura, and the strangeness and unfathomability of the white eyebrows are vividly interpreted.
Luo Lie almost dedicated his best performance in his acting career, and then the shape of the White Brow Daoist was used by Chen Honglie and Liu Jiahui in other film and television dramas, and the White Brow Daoist in "Kill Bill 2" is Quentin inspired by Shaw's films, which also makes it one of the most classic film and television images.
<h1>Bleak old age</h1>
With the collapse of the Shaw dynasty in the mid-1980s, Lori switched to ATV in 1988 to become one of its biggest supporting roles. In the promotion of newcomers and juniors, Luo Lie spared no effort, He Jiajin, Yin Tianzhao, lin Jianming felt the grace of his knowledge.
Although Luo Lie, the year of the flower armor in the early 1990s, made occasional appearances in many Hong Kong films, they were all mixed up and hidden in the city.
On November 2, 2002, Luo Lie died of a heart attack on the way to Shenzhen Hospital at the age of 64.