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Ma Weidu said: Yan Geling is so beautiful, so beautiful that no one dares to chase her.
Yan Geling's beauty was inherited from her mother, but her mother's beauty was exchanged for a life of ups and downs.
However, Yan Geling has won the reputation of "beautiful writer" because of her beauty, and she has been happy and happy all her life.
The lives of this mother and daughter are different because of what choices?
01
Ma Weidu and Yan Gelingsheng were in the same era, in the late 1980s and early 90s, he and Wang Shuo, Liu Zhenyun and others set up the "Haima Film and Television Creation Studio", and created the influential TV series "The Story of the Editorial Department" and "Haima Song and Dance Hall".
"The Story of the Editorial Department" has made many people, such as Ge You, Feng Xiaogang, Li Liping, Hou Yaohua, Fu Biao and so on.
Yan Geling entered the editorial office where Ma Weidu worked because of her writing, so the two had an intersection.
Ma Weidu said that at that time, as soon as Yan Geling appeared, it shocked many young people, and she was incredibly beautiful, which made the young people at that time "respect and stay away".
Many years later, Ma Weidu and Dou Wentao talked about Yan Geling, saying that he and Feng Xiaogang both had the feeling of "not daring to offend", and Dou Wentao joked: I don't believe you didn't want to chase.
Ma Wei said reverently: I really don't have my share, and even if I look at it more, I feel that it has desecrated yan Geling's beauty.
02
Where does Yan Geling's beauty come from?
It is undeniable that her parents gave her intelligent and beautiful genes, but the self-shaping of the day after tomorrow is the root of Yan Geling's achievement.
Yan Geling has loved dancing since she was a child, which allows her to know how to express the most feminine side of women.
Feng Xiaogang's "Fanghua", Zhang Yimou's "Jinling Thirteen Chao", "Lu Gang Yan Zhi", Chen Kaige's "Mei Lanfang", Chen Chong's "Heavenly Bath", Zhang Aijia's "Maiden Xiaoyu", as well as the TV series "Iron Pear Flower", "A Woman's Epic", "Little Aunt Duohe", "The Ninth Widow", the character personality flowing in Yan Geling's text, you can spy her inner rigidity and external femininity.
Yan Geling's debut novel, Seven Warriors and a Zero, recounts her personal experience as a war correspondent who has rubbed shoulders with death several times.
At that time, she was only 21 years old, and in the rain of bullets and bullets, she felt the cruelty of war and the cold and warmth of the world, and finally merged into her writing.
Almost all of the characters in Yan Geling's works have soul dialogue with her, and there are few assumptions in her words.
"Little Aunt Tatsuru" is written about the life story of a foreign woman, in order to penetrate the heart of the characters, she crossed the ocean to the place where the character archetype lived to experience life and understand the customs and customs.
"Little Aunt Duohe" was put on the screen, and through the roles played by Sun Li, it came to life, allowing people to see a woman with a special identity, the dedication and forbearance in a special era.
Yan Geling's delicate emotions, undisguised appeal to the end of the pen, so that the characters are full and full, and the people and things around her have become the soul of her pen.
"A Woman's Epic", she used her mother as a character archetype to create the character of Tian Sophie. From 1947 to the 1980s, it was a 30-year bumpy life.
At the age of 16, Tian Sophie was pure and frank, she hated the fraud, darkness and the atmosphere of the city, and longed for a cleaner, more romantic and more passionate life, so she loved ignorantly, insisted on undeterred love, and used her weak shoulders to carry the hard years of work suspension, husband exile, and family wall.
If you can't eat enough, you also have to find a way to ensure your husband's nutrition, and even go to the suburbs to fish for toads in the middle of the night to make delicious dishes and secretly carry them to your husband.
She dreamed of the future in her heart, and finally had a future, reunited with her beloved husband, and spent her old age in peace.
Yan Geling's flowers gave her mother a happy ending, and perhaps the mother in her heart should have a happy ending.
When "A Woman's Epic" was put on the screen, the Douban score was as high as 8.3 points.
Did Yan Geling have the regret in her heart? Did his mother really get soul comfort?
03
Yan Geling's mother Jia Lin is a literary and art worker, when she was young, but a big beauty in a hundred miles, even if she wore a flower cotton jacket and flower cotton pants of the fifties and sixties, she also showed her style and posture, and could not hide the seductive youthful atmosphere, so that waves of hot-blooded handsome men, and even rich and powerful people flocked to it.
Not to mention her first-class acting skills, naturally many people want to fall in her pomegranate skirt.
At that time, many pillars of the troupe would choose to marry rich and powerful men.
But Jia Lin was dismissive, at the age of 18, she couldn't help but fall in love with Xiao Ma, the deputy head of the troupe, who was untrimmed, silent, and immersed in creation all day.
And Xiao Ma didn't like Jia Lin, maybe this didn't matter.
When Jia Lin took the initiative to confess to Xiao Ma, Xiao Ma looked squarely at the handsome woman in front of her.
Xiao Ma has also reached marriageable age, and since someone takes the initiative to love himself, he will "accept" it.
Jia Lin was as happy as a flower, and more like a lark singing around her beloved all day.
She naively thought that the unassuming man next to her pillow also loved herself, but this was just her wishful thinking.
After marriage, Jia Lin always maintained a girlish heart, even if she became a mother, even if her youth was not there.
Yan Geling, a daughter who is slowly growing up, also feels that her mother's love in front of her father is too "flattering", and she feels that her father only has affection and no love for her mother.
Yan Geling hopes that her mother will wake up, but her mother is obsessed with love, wishful thinking, and stubborn love.
In the special era, Xiao Ma was delegated, life was hard, in order to ensure Xiao Ma's nutrition, Jia Lin would rather save money with herself and her children, but also fried a basket of small silver fish, and then entrusted someone to give it to Xiao Ma.
Xiao Maping returned safely, but he was very indifferent to the thoughts of his wife, Jia Lin, day and night.
Jia Lin also felt this indifference, but she was unwilling to accept the truth.
And the fact is that Xiao Matou did not return to the reason of borrowing out to collect wind, and never returned, leaving Yan Geling, his brother and his mother to stay together.
Finally, a "letter of resignation" arrived: Xiao Ma fell in love with another woman and begged Jia Lin to let go and complete a pair of wild mandarin ducks.
Jia Lin was not willing to believe it even more, she wanted to exchange time for space, waiting for Xiao Ma to change her mind.
Cruelly, she spent 8 years of loneliness without a message, and also staged a farce of visiting relatives in Hangzhou.
Yan Geling, who acted with her, actually took the side of her father.
She advised her mother: instead of suffering alone, it is better to bear it alone, and learn to let go.
Lonely and helpless, Jia Lin finally chose to let go, and then married hastily. But in the end, she did not get happiness, and her only sustenance in her later years was that the children came to see her in their leisure time.
A woman who has spent her life creating fairytale love is not even around her daughter in the last moments of her life.
In the face of life, Jia Lin was confused all her life, and facing death may be a relief.
After all, the man he has loved all his life has not only replaced the pillow with another woman, but also written a book for this woman, "Iron Pear Blossom", and left her with only four cold words: never loved. What is even more ironic is that his own daughter adapted "Iron Pear Blossom" and put it on the screen.
04
Some people and things really can't understand, after Jia Lin's death, Yan Geling did not want to live.
In her essay "The Lost Territory," she wrote, "I swallowed three times the usual dose of sleeping pills, lay in bed, and waited for the pain to catch up, and wait for the tears to catch up." The sleeping pills didn't work at all, and I swallowed a larger dose of the medicine again. By this time the night outside the window had faded. I have no dreams, no sleeps, and no thoughts. Without my mother, the territory of the motherland is in my heart, and since then it has been missing a piece. ”
Undoubtedly, Yan Geling loves her mother deeply, but she does not approve of her mother's choice of life path, to be precise, she prefers her father's attitude towards love. Therefore, Yan Geling's lifestyle is very different from her mother's.
Yan Geling, who has just opened her heart, is a bit like a mother, and she is married to Li Kewei, who has a similar interest.
After the marriage, Yan Geling found that the two were not suitable, and immediately cut the mess quickly.
Three years later, Yan Geling married the American diplomat Lawrence, after which Yan Geling did not lose herself, she insisted on writing, and insisted on "beauty".
She was used to stopping her day's writing before four o'clock in the afternoon and then dressing herself up to welcome her husband home.
Self-disciplined woman, life is like poetry, life goes on and on.
The love of living dependent on men has no self, just like Luo Zijun in "The First Half of My Life", it is also very common to be replaced by a woman with a plain appearance.
It is said that when Wu Yue first took over the role of Ling Ling, he was a little skeptical of life: just by virtue of me being able to defeat Ma Yili?
She not only defeated, but also won a big victory.
Self-disciplined women are not only able to save themselves, but also have lethality. Of course, this is not to praise the scheming "self-discipline table", just to say that self-disciplined women must be different, and the fate of self-disciplined women must be in their own hands.
Love is beautiful, and self-discipline can escort it. Yan Geling chose a completely different life path from her mother, depending on her attitude towards life.
She lived to become the "too beautiful" in Ma Weidu's mouth, and the life she wanted was natural: the former son mei was only a jun, and she was able to do it with her hands.
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