Give the last piece of self-reserved land that is delusional independent of the era of big data, and more support and care that does not require money.
Also give yourself a little more, free time outside of the algorithm.
Author | Nezha
Edit | Fly song
Original production by Little Wind and Little Waves
Being a supporting actress in the thunder drama has actually become the most flattering female star character at the moment.
After warming up for half a year, "Long Moon Embers" full of moths has finally been broadcast.
In addition to the male protagonist Luo Yunxi's thin bamboo pole-like single-door shape, and a series of absurd hot searches that greet his eyes, ears, nose, tongue, and physical state.
The first hot terrier related to the plot in the whole drama was actually contributed by the second female played by Chen Duling.
Although there are few scenes, Chen Duling has completed an effective broadcast KPI.
On a fanfiction platform, Ye Bingchang, played by Chen Duling, can beat one against three in terms of popularity.
The male and female protagonists combined and then spared the search volume of the play itself, only to barely match Sister Ye.
Most of the secondary creation videos on the homepage of Station B about "Long Moon Ember Ming" also revolve around Chen Duling's plot subline.
Another character she played was the vicious saint Tianhuan, who brought public opinion to the two poles of excitement.
Netizens either hate her to the bone and scold; Or just "Huanmen" and follow her crazy.
It's not that Chen Duling is popular, her acting skills and styling must be more wonderful than the male and female protagonists.
It is the role of the second female protagonist, because of the lack of scenes, good people and other reasons, it is easier to be more outstanding than the female protagonist.
As the saying goes, in a domestic drama with makeup or plot flashing thunder -
The male and female protagonists are responsible for the thunder, the male second is surrounded by the female protagonist, and the female second is responsible for the unique beauty.
"Long Moon Ember Ming" is the best example.
When everyone complained that Luo Yunxi was too thin and exaggerated, and Bailu's "Dunhuang style" became a beautiful monkey king, Chen Duling also had controversies such as "missing hair bags" and "Reuters fraud".
It's just that the male protagonist kicked himself into the public eye with a thin body and more frequent eyebrow black eye card powder makeup.
Accordingly, the vast majority of firepower was also undertaken.
According to the statistics of netizens, in the first eight episodes, the golden time for a new drama to promote warm-up, Chen Duling appeared for a total of 17 minutes.
The lack of scenes is not only the best protective color for the female second, but also a necessary condition for the female second to stand out from the thunder drama.
The other side of the compressed appearance time, that is, the dramatic conflict in her is magnified to the extreme.
What's more, there are several lives and multiple copies in "Long Moon Ember Ming".
Every few episodes, Chen Duling can change roles.
These characters are born poor or expensive, and the hair ornaments on their heads are more or less, but the core of the characters is the same -
Beautiful and bad and a little pitiful.
In one of the copies, the female protagonist played by Bai Lu is the Virgin Silly Bai Tian, and the male protagonist is emotionally unable to distinguish between good people, and it was a little old-fashioned 6 years ago.
Only the saint Tianhuan played by Chen Duling is still a bit of a splash, and she can't love the male protagonist, so she cooked the female protagonist whose prototype is a mussel essence into seafood soup.
One second you are still laughing, the next second you are sending a knife online.
Many people say that she is a costume version of Yeonjin, who goes crazy when she doesn't agree with each other, regardless of anyone's life or death.
She also made a quote from Sister Huan: Instead of consuming yourself mentally, it is better to go crazy and consume others externally.
These fragments of a few seconds or so do not need cause and effect and are more suitable for propagation.
What's more, the blackened Chen Duling in the picture is in line with everyone's imagination of the female second at present:
Don't put on the big heavy makeup on the eyeliner, I see pity when I shed tears, the lop-eared little white rabbit in front of the person, and the big evil woman in the heart of the Buddha mouth snake after the person.
The vengeful heroine (played by Bai Lu) instead draws the stereotypical evil female makeup
Some people say that she is monotonous and black perfunctory, and it is.
It is precisely because this "bad" does not need cause and effect, and the difficulty of performance and dissemination is much simpler than the scenes of the male and female protagonists.
A few GIFs tell what she's acting.
As for the so-called cool points in the whole play, it is basically accumulated on the female second.
Because the male and female protagonists always run through the main line, they are responsible for taking care of the family and lingering love and hate.
And every time the second female is reborn, she is thin and selfish "only for herself".
The latest line in "Long Moon Ember Ming" has a thinner and more extreme portrayal of the female second.
You don't even need to take a screenshot, Chen Duling said a few lines to speak for the sober big woman in the world:
Tianhuan and Ye Bingchang are both played by Chen Duling, and they belong to two plot lines
On the one hand, there is a slightly old-fashioned ancient puppet plot that was six years ago: the male and female protagonists have been grinding and hawning for 500 years, and they can't solve the misunderstanding.
On the one side is a wicked woman who is full of explosive power and pokes netizens with different tricks:
What's more, the second actress's scene is incoherent, so little that it can be brushed on the short video platform.
Many people don't have to watch the 333-second advertisement to see how the second female has red eyes and pretends to be pitiful and viciously bullies someone.
It is no wonder that Chen Duling's limelight overshadowed the heroine Bai Lu.
Time goes further, in fact, most of the 85 flowers cannot escape the fate of being stolen by the female second.
At that time, Yang Mi's partner Chen Weiting acted in the ancient puppet drama "Mrs. Huzhu".
Traffic overlay didn't make them the best CPs of the year.
On the contrary, Chen Xiaoling, who plays a pair of sister flowers, has become the character with the highest sense of existence in the whole play.
She played the lively and enthusiastic Bai Yueguang sister in the first half, and the poor stand-in sister in the second half.
The two sisters with different personalities both happened to have a love entanglement with the male second.
The contrast of the characters and the pull of emotions have reached the extreme in Chen Xiaoyu alone.
As for the love line between Yang Mi and Chen Weiting——
Most of them can't escape the category of Yang Mi's ancient puppet universe.
The love brain apprentice and the godless master entertained themselves in a 48-episode plot.
The two oil bangs in front of Chen Weiting's forehead cannot modify any face shape, and will only push his CP Yang Mi farther and farther.
If Yang Mi's biggest problem is character and shape, Yang Ying was crushed in all directions in "Song in the Clouds".
At that time, Yang Ying had just become the top flower of internal entertainment, and she ran into Yang Rong's hard iron plate.
The more scenes and the longer she is exposed in front of the camera, the more holes she has as a rookie actor.
Fake eating and drinking dry eyes, how many textbook negative performance cases have been contributed in just a few seconds.
The two have a rivalry that is nailed to a textbook.
Yang Ying was whipped, and she conveyed the heroine's pain and tenacity in a restrained way that was unknown.
On the other end, Yang Rong only fell into a flashing shot, and she pursed her mouth and whipped more than AB.
Yang Rong, a female second major, has been familiar with the role of a fierce and scheming woman with a black belly over the years.
Smiled contemptuously after doing something bad, not caring at all what others thought:
In the face of irrelevant people, do not hide their ruthlessness and ambition:
After learning of the death of a loved one, he will show incredible sad eyes:
Of course, the belly black female second can be counted as the most relaxed and flattering character configuration in the female second world.
In the early Qing palace dramas, Yu Zheng copied a batch of unscrupulous supporting actresses to achieve the end.
For example, in the "Palace Lock" series, some people change their faces to seize love, some people lurk in the green building, some people betray friends, and some people carry murders...
In fact, later Yang Rong herself played the big heroine, and the effect was not as wonderful as when she played the second heroine.
On the one hand, she is accustomed to playing the black lotus with big emotions, and on the other hand, it is because the heroine image in domestic dramas is highly similar.
They are endowed with all kinds of beautiful qualities --
Kind, generous, can't have too many extraneous ideas.
In contrast, the second female carries more possibilities and has more room to play.
For example, in "The Legend of Chu Qiao", the heroine Chu Qiao played by Zhao Liying is tenacious and positive.
All the good qualities of women in the new era can be found in her.
But when it comes to "The Legend of Chu Qiao", most viewers will think of Princess Yuanchun played by Li Qin, who fell from heaven to the bottom, hateful, pitiful and pathetic.
She grew up in a honeypot, high and pampered;
After encountering his sweetheart's escape from marriage and treason, his fate was reversed, and he embarked on the road of revenge.
From her, you can feel the helplessness and tragedy of life struggle without a way.
In modern dramas, the image of the second female is more bold and diverse.
In "Cara Lover", Tang Yan Luo Jin and Korean little king Rain are slimy and around.
A sentence turned eighty corners and was unwilling to say it on the bright side.
In the environment where the male protagonist and the female protagonist and the male second do not have a normal person, the female second Gao Wen has become the only normal person.
To put it bluntly, never let yourself suffer:
The male and female protagonists joined forces to hang her eight hundred times, she must also bravely pursue love, and there is no shame in being rejected:
Also as a hand substitute for most viewers, hand-torn green tea:
Even slapped the heroine:
At that time, Gao Wenfan's slap of the heroine, almost no one on the whole network scolded her, which shows her audience popularity.
After Gao Wen, Di Li Gerba also stole the limelight from the boss Yang Mi.
In "Three Lives and Three Lives and Ten Miles of Peach Blossoms", Di Li Gerba played the so-called "the only nine-tailed red fox in the four seas and eight wildernesses".
Similar to Gao Wen, this is a fox bright and lively, playful and agile.
Di Li Gerba blinked his eyes and frowned, and he was able to perform most of the style of the nine-tailed fox.
Similar to the costume version of Gao Wen, Feng Jiu is also the type who dares to think and say, helping relatives or not helping.
As for Di Li Gerba's ancient puppet picking the beam, the second part of the Sansheng III series "Pillow Book".
She doesn't just want to play the eccentric spirit of the fox.
It is also necessary to face the composure of the Ninth Lady as a wife, and Alanruo, who remains open-minded and calm in the lonely parent-child relationship...
In the complex and multi-faceted characters, her acting skills are slightly thin and fragile.
Later, in "Long Song Line", Di Li Gerba made the usual three-piece set of frowning and glaring and opening his mouth.
And the little flower Zhao Lusi, who often shot lip-synced short videos to exercise her acting skills, her expression was much more flexible and natural than her.
There are many stars like Di Li Gerba, and they can only complete the climb from female second to female one.
Subsequently, due to various reasons such as roles and acting skills, there was no longer the aura of the year.
The big heroines trapped in a single role will eventually be attacked by the ambitious new generation of little flowers.
And the little flowers at the top will be eager to compete for the number one female in the domestic drama with mixed production.
It seems like a cycle that is hard to escape.
Some people only have the life ↘↘↘ of the second daughter